Genre: Fiction
Fresh Voices Fellowship
Nature Writing Prize
John Lewis Writing Grants
Literary Awards
Mieko Kawakami and Fernanda Melchor
In this 2020 Wheeler Centre virtual event, Roanna Gonsalves hosts a discussion about womanhood in fiction and the power of translation with Fernanda Melchor, author of Hurricane Season (New Directions, 2020), translated from the Spanish by Sophie Hughes; and Mieko Kawakami, author of Breasts and Eggs (Europa Editions, 2020), translated from the Japanese by Sam Bett and David Boyd.
Last Call
The Last Showgirl is a 2024 drama film directed by Gia Coppola starring Pamela Anderson as a veteran Vegas dancer in her fifties who finds herself becoming obsolete as the revue she has headlined for three decades prepares to close. As Shelly considers other job prospects and a lifetime invested in and shaped by outmoded notions of femininity, eroticism, and glamour, she is faced with confronting the people in her life: the stage manager who remains at the venue producing a new show, her estranged daughter, and an old friend who works as a cocktail waitress and has alcohol and gambling addictions. Write a short story in which your main character is confronted with the harsh realities of social expectations as they age, particularly those around gender, beauty, and worth. What are their personal values around these concepts and how do they navigate the resulting tensions?
Ten Questions for Xenobe Purvis
“But fear can be galvanizing; perhaps the novel would not have been written without it.” —Xenobe Purvis, author of The Hounding
Poured Over With Katie Yee
“She was a short story that kind of got too big and started rolling away from me,” says Katie Yee about her debut novel, Maggie; or a Man and a Woman Walk Into a Bar (Summit Books, 2025), in this episode of Poured Over: The Barnes & Noble Podcast hosted by Miwa Messer, in which they discuss writing outside of your own experience and usual style.
Kristen Arnett on Clowning
In this Creative Writing Series event at the University of Notre Dame, Kristen Arnett reads from her novel Stop Me If You’ve Heard This One (Riverhead Books, 2025) and talks about how she played with form by using different typefaces for “funny” and “not funny,” and her process to ensure that each joke lands.



