Genre: Creative Nonfiction

Face It

3.28.24

How do you tell the tale of your nose, lips, teeth, eyes, brows, and cheeks? This week, study yourself closely in a mirror, and write a memoiristic essay that relays the backstories of your facial features. Are there elements that have shifted, scarred, or been modified in some way with orthodontics, makeup, surgery, or the natural processes of aging? Have there ever been parts of your countenance that you’ve disliked or preferred, and has that changed over time? Take a long, hard look at yourself and reflect on the memories that come up and how your facial expressions and textures have evolved. You might decide to cover just one or two features, or be inspired to cover each part of your face and how they all have a story.

Fallon Book Club March Madness

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In this The Tonight Show Starring Jimmy Fallon video, the host reveals the return of the Fallon Book Club with a March Madness style bracket of sixteen books to vote for as a winner, including James (Doubleday, 2024) by Percival Everett, Wandering Stars (Knopf, 2024) by Tommy Orange, and Grief Is for People (MCD/FSG, 2024) by Sloane Crosley.

Daily Grind

3.21.24

Day Jobs, an exhibition currently on display at Stanford University’s Cantor Art Center in California, examines the impact of day jobs on artists. Showcasing the work of three dozen visual artists, the accompanying catalogue offers first-hand accounts of how their employment in places like a frame shop, hair salon, and museum helped inform their creativity. The exhibit deconstructs the romanticized image of the artist and draws attention to how one’s economic and creative pursuits are often intertwined. Write a personal essay that considers how one of your day jobs unexpectedly influenced your own writing projects. How might something undertaken because of financial necessity also provide valuable ideas to explore in your art?

Jaded Ibis Press Accepting Submissions From Historically Marginalized Writers for Uplift Voices Nonfiction Book Award Until March 31

Jaded Ibis Press is currently accepting submissions of book-length creative nonfiction manuscripts, including memoir, essays, and reporting, for its Uplift Voices Nonfiction Book Award, given to a writer who identifies as a historically marginalized voice. The deadline to enter the contest, which awards $1,500 and publication by Jaded Ibis Press, is March 31

Using only the online submission system, submit 45,000 to 75,000 words of prose with a $20 entry fee. Myriam Gurba, whose most recent book is the essay collection Creep: Accusations and Confessions (Avid Reader Press, 2023), will judge. All entries will be considered for publication. 

Jaded Ibis is a feminist press committed to publishing socially engaged literature with an emphasis on the voices of people of color, people with disabilities, and other historically silenced and culturally marginalized voices. Recently published titles include Mei-Mei Holland’s poetry and prose collection Year of the Cicada and Nada Samih-Rotondo’s memoir, All Water Has Perfect Memory, both of which were acquired by Jaded Ibis acquisitions editor Lisa Pegram, who says she’s interested in “submissions from authors who have a distinctive voice and write books that explore the lives and concerns of those who identify as women and/or people of color.”

About the Uplift Voices Nonfiction Book Award, the editors say it “is more than a literary contest; it’s an opportunity have your book lovingly edited, designed, produced as both an e-book and print edition, marketed, and submitted to eligible literary awards and prizes.” They add: “Join us in amplifying voices that need to be heard, and submit your manuscript for a shot at making a powerful impact. Your story matters, so let it be uplifted!” Visit the website for more information. 

Morgan Parker on Her First Book of Essays

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In this event hosted by the Free Library of Philadelphia, Morgan Parker discusses her debut essay collection, You Get What You Pay For (One World, 2024), and the challenges of writing about mental health in a conversation with Shantrelle Lewis. Parker’s book is featured in Page One in the March/April issue of Poets & Writers Magazine.

Opposite Effects

3.14.24

In her groundbreaking 1962 book, Silent Spring, biologist Rachel Carson foretold of “a spring without voices.” Documenting the harmful effects of chemical pesticides used in the agricultural industry, her book sparked an awakening to the environmental crisis in the 1960s and 1970s and launched a movement that brought about the founding of the Environmental Protection Agency. “The history of life on earth has been a history of interaction between living things and their surroundings,” she writes. “Only within the moment of time represented by the present century has one species—man—acquired significant power to alter the nature of his world.” Write an essay that begins by examining how the environment, whether natural or manufactured, has molded you. Then consider how you have modified your surrounding environment—the nature of your world.

Sheila Heti: Alphabetical Diaries

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In this event for the ALOUD series at the Los Angeles Public Library, Sheila Heti reads from her new book, Alphabetical Diaries (Farrar, Straus and Giroux, 2024), in which she arranges ten years of her diaries from A to Z, and discusses her choice to tackle an intimate and long-term project in a conversation with author Michelle Tea.

Two Weeks Left to Enter One of Six Contests Offering Cash Prizes and Publication

Seeking the recognition you deserve—as well as a little extra cash—for an unpublished poem, story, or essay? Hoping to circumvent the tedious process of finding a publisher for a book-length manuscript? Consider submitting to one of the following six contests that offer generous cash prizes on top of publication by a highly reputed journal, press, or competition website, all with a deadline of April 1. Remember to carefully read the guidelines before you enter—and good luck!

Gemini Magazine
Short Story Contest
 
A prize of $1,000 and publication in Gemini Magazine is given annually for a short story. The editors will judge. Entry fee: $8. 

Nimrod International
Journal Nimrod Literary Awards
 
Two prizes of $2,000 each and publication in Nimrod International Journal are given annually for a poem or a group of poems and a work of fiction. A runner-up in each category receives $1,000 and publication. The winners and runners-up will also participate in a virtual awards ceremony and conference in the fall. All entries are considered for publication. Entry fee: $20 (which includes a subscription to Nimrod International Journal). 

North American Review
Terry Tempest Williams Creative Nonfiction Prize
 
A prize of $1,000 and publication in North American Review is given annually for an essay. Lyric essays, memoir-style essays, and literary journalism are eligible. All entries are considered for publication. Entry fee: $23 (which includes an issue of North American Review). 

Orison Books
Prizes in Poetry and Fiction
 
Two prizes of $1,500 each and publication by Orison Books are given annually for a poetry collection and a book of fiction. Ellen Bass will judge in poetry and Kaveh Akbar will judge in fiction. Entry fee: $25. 

Saturnalia Books
Poetry Prize
 
A prize of $1,500, publication by Saturnalia Books, and 20 author copies is given annually for a poetry collection. Carmen Giménez will judge. All entries are also considered for the Alma Book Awards, which offer two prizes of $1,000 each and publication. Entry fee: $30 entry. 

Winning Writers
Wergle Flomp Humor Poetry Contest
 
A prize of $2,000, a gift certificate for a two-year membership to the literary database Duotrope, and publication on the Winning Writers website is given annually for a humorous poem. A second-place prize of $500 is also awarded. Jendi Reiter will judge. Unpublished and previously published works are eligible. Entry fee: None. 

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

Regional Representation

A new immersive installation by artist Cauleen Smith uses scent, sight, and sound to explore the work of the late poet Wanda Coleman, widely considered the unofficial poet laureate of Los Angeles. Smith turned to Coleman’s work to help reacquaint her with the city after a sixteen-year absence. “L.A. is a shy one, a real one, and a terrible beauty,” Smith writes in the liner notes to an EP in the listening room of the exhibit. “You can’t really see how gorgeous it is in a drive-by, you have to sit with the banality, the horrors, the wildness of the city until it begins to become legible.” Select a poet who writes about your town, city, or region, and write a personal essay that reflects on their perspectives and your own. How can reading another writer’s observations and emotions about your hometown provide a refreshing lens to what might otherwise seem familiar?

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