Genre: Creative Nonfiction

John Updike Tucson Casitas Fellowship

John Updike Society
Entry Fee: 
$0
Deadline: 
November 1, 2025
A prize of $1,000 and a two-week residency at the Mission Hill Casitas that John Updike owned and worked out of in Tucson is given annually for a group of poems or a work of fiction or nonfiction. The fellowship selection committee will judge. Submit five pages of poetry or prose (excerpts from a longer work are accepted), a brief bio, and a project description in a single PDF by November 1. There is no entry fee. Visit the website for complete guidelines.

Helena Whitehill Award

Tupelo Press
Entry Fee: 
$30
Deadline: 
November 15, 2025
A prize of $1,000 and publication by Tupelo Press is given annually for a full- or chapbook-length poetry collection or a book of creative nonfiction (including memoir, essays, and hybrid work). The winner will also receive a one-week residency at Gentle House in Port Angeles, Washington. Jane Wong will judge. Submit a manuscript of poetry or prose of any length with a $30 entry fee by October 31. Visit the website for complete guidelines.

Prize in Creative Nonfiction

Lascaux Review
Entry Fee: 
$15
Deadline: 
September 30, 2025
A prize of $1,000 and publication on the Lascaux Review website is given annually for an essay. Previously published and unpublished essays are eligible. Using only the online submission system, submit an essay of up to 10,000 words with a $15 entry fee by September 30. All entries are considered for publication. Visit the website for complete guidelines.

McKnight Fellowships for Writers

Loft Literary Center
Entry Fee: 
$0
Deadline: 
November 15, 2025
Four prizes of $25,000 each are given annually to Minnesota poets, prose writers, and spoken word artists. Fellows will also receive an all-expenses-paid, one- or two-week residency in partnership with Artist Communities Alliance and have the opportunity to attend one-on-one career consultations, workshops, and networking events run by the nonprofit organization Springboard for the Arts. The prizes are offered in poetry/spoken word and prose in alternating years; the 2026 fellowships will be awarded in poetry and spoken word. Writers who have been residents of Minnesota for the year prior to the deadline and who will reside in Minnesota for the duration of the fellowship are eligible; writers must also have published at least one book, have had work appear in several journals, or have been booked to perform their work. Using only the online submission system, submit 15 to 18 pages of poetry by November 15. Spoken-word poets can also submit 8 to 10 minutes of recorded poetry. There is no entry fee. Visit the website for complete guidelines.

Banned Artists

In a recently published article in T Magazine, artists, including John Waters, Andres Serrano, Karen Finley, Khaled Hosseini, Geraldine Brooks, Art Spiegelman, Kate Bornstein, and Dread Scott, were interviewed about how censorship changed their work and lives. “The censorship does the opposite of what it wants to do,” said playwright and director Moisés Kaufman. “It makes people really think: ‘What are the issues in the play? Whose stories get to be told?’” This week write a personal essay that focuses on either a work of art, literature, or performance that has endured censorship at some point. Describe the work and the themes within the work that provoked censorship. How did this banning affect your ideas of the role of an artist?

Garrett Hongo and Edward Hirsch

Caption: 

In this Poets House event, Garrett Hongo reads from his fourth poetry collection, Ocean of Clouds (Knopf, 2025), and Edward Hirsch reads from his new memoir, My Childhood in Pieces: A Stand-Up Comedy, a Skokie Elegy (Knopf, 2025), followed by a conversation between the authors about their friendship and humor.

Kerouac’s Road: The Beat of a Nation

Caption: 

Directed by Ebs Burnough, this documentary explores the influence that Jack Kerouac’s 1957 novel, On the Road, has had on writers, actors, storytellers and artists, and follows the lives of Americans who set off on their own journeys in the footsteps of the famous author, who died in 1969 at the age of forty-seven.

Revisiting

7.31.25

“The Chelsea was like a doll’s house in the Twilight Zone, with a hundred rooms, each a small universe. I wandered the halls seeking its spirits, dead or alive,” writes Patti Smith in her award-winning 2010 memoir, Just Kids, recounting her time living in the Chelsea Hotel in New York City during the golden, gritty chaos of her youth. Inspired by this image, write an essay about returning to a place that once held deep meaning for you. It might be a childhood home, a first apartment, a rehearsal space, or a street corner that once felt like the center of your world. Explore what it feels like to stand in a space that is both familiar and changed. How does memory overlay reality? Do ghosts of your former self or others linger in the corners?

Summer Reads From Ann Patchett and Maureen Corrigan

Caption: 

In this PBS NewsHour video, Ann Patchett, author and owner of Parnassus Books in Nashville, and Maureen Corrigan, professor and book critic for NPR’s Fresh Air, offer recommendations for summer reading, including The Satisfaction Café (Scribner, 2025) by Kathy Wang, King of Ashes (Flatiron Books, 2025) by S. A. Cosby, and A Marriage at Sea: A True Story of Love, Obsession, and Shipwreck (Riverhead Books, 2025) by Sophie Elmhirst.

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