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Whether it’s a thousand-page novel, a single-paragraph story, or a footnoted essay, the elusive author always offers a complicated—and sometimes maddening—reading experience. But is there more to David Foster Wallace than words on a page?
Elizabeth Gaffney, Adrienne Miller, and Adrienne Brodeur—three high-profile magazine editors who recently added "debut novelist" to their resumés.
Helon Habila read novels as a boy to shelter himself from the brutal reality of his country’s political instability. Now, the author of Waiting for an Angel believes his generation of Nigerian novelists should help change that reality.
So how did John Dufresne—the eldest of four children of French-Canadian parents, a boy who grew up in the Catholic, blue-collar Grafton Hill neighborhood of Worcester, Massachusetts, a boy for whom it was beyond imagining that a man might find his vocation in words—become a noted short story writer, a sought-after teacher of creative writing, and the author of three acclaimed novels, two of which are set well below the Mason-Dixon line? In part, the answer is a keen ear for the music of language and an eye for the telling detail.
