Mithila Review is an international speculative arts and culture magazine. We are open to original submissions as well as translations from around the world.

Along with original speculative fiction and poetry, we will host reviews, discussions and appreciations of stories, books, movies, television series, arts, comics, etc that explore interstitial spaces and marginal experience in the world we live today.

Impossible Archetype is an international online journal of LGBTQ+ poetry. We welcome work from LGBTQ+ poets of all genders.

Excellent poetry by LGBTQ+ folk. All styles and forms welcome, from page poetry, to experimental poetry, to slam poetry (although particular care here should be taken that it will work solely in a text format). We welcome submissions in English from all over the world.
 

Cordella seeks to record and share the creative voices of women from all walks of life, exploring the ways that our spirit and sense of self is engaged with our physical place and daily experiences. We honor the diversity of women's spirituality, and recognize that the edification of a woman's spiritual life brings healing to our earth, to our families and communities, and to ourselves.

We are a volunteer, quarterly print publication based in Portland, Maine that has been publishing art, poetry and book reviews for over twenty-five years. We forever search for new, strong voices in poetry and art, both in Maine and beyond Maine’s borders. Occasionally we create special tribute issues (such as our Sumac magazine and Auerhahn Press Issue) and do special collaborations with poets from other parts of the world. Our roots are with the great beat poets such as Allen Ginsberg, Lawrence Ferlinghetti and Diane Di Prima.

The Lark firmly believes that the ubiquity of the internet is not a reason to accept diminished quality in publications or to skip supporting contributors. We seek to publish what’s risky, critical, musical, philosophical, playful, experimental, sexy, or deadly serious. Sometimes we publish the bells and blossoms, and sometimes we publish the dark underbelly. 

Above all, we seek to be moved. 

We consider poetry and fiction in any style. Please limit poetry submissions to no more than five poems at a time and place all poems in a single document. We are interested in creative nonfiction (memoir and personal essay) with contemporary themes. No literary criticism. Though there is no specific word or page count for fiction or creative nonfiction, Blue Earth Review is most interested in works that are under 3,000 words.

We enjoy poetry from accomplished as well as emerging poets. Each issue has a unique theme and we encourage unique perspectives and interpretations of each theme. We like all forms of poetry, but tend to shy away from sing-songy forced rhyme. We love inventive verbs, language used in new ways, and concrete imagery.

We’re here to observe the strange color of the sky and how some of the trees fail to look majestic. There’s beauty in all the weird and wild and we’re ready to wade into the water surrounded by the strange wood and words that you’re willing to give. So give us your strange, your weird. Give me the writers that have yet to have found their place to call home.

We’re seeking work that’s energetic, imaginative, and original.  Send us fiction with strong, idiosyncratic voices, creative nonfiction that honestly and eloquently strips all pretenses away, and poetry that uses language with power and precision.

Bridge Ink focuses on young adult creative writers, ages 13 to 18. All genres are accepted with a focus on poetry.