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“There is a kind of formlessness to poetry, as much as everyone is obsessed with form.” Ken Chen, the executive director of the Asian American Writers’ Workshop, talks about his personal relationship to poetry in a discussion at the Academy of American Poets’ 2013 Poets Forum. Chen is featured in “AAWW Continues the Conversation” by Arvin Temkar in the January/February issue of Poets & Writers Magazine.
"When we think of Asian American literature... my hope is that you have makers, but then you have people that are there to receive it." Sarah Gambito talks with Anna Alves, Melissa R. Sipin, and Jessica Hagedorn about the growing audience for Filipino American literature at the launch party for Kuwento: Lost Things (Carayan Press, 2015), a new anthology of Filipino myths, at the Asian American Writers' Workshop in New York City.
Edward Hirsch speaks about American poets and poetry abroad at the Academy of American Poets' 2013 Poets Forum. Hirsch discusses his two new books, Gabriel and A Poet's Glossary, in the September/October 2014 issue of Poets & Writers Magazine. For more Hirsch, watch him on the Why We Write panel at the Poets & Writers Live event in New York City this past June.
Susan Shapiro moderates a panel comprised of authors Leigh Newman (Still Points North), Moses Gates (Hidden Cities), and Royal Young (Fame Shark); book editors Danielle Perez (New American Library) and Naomi Rosenblatt (Heliotrope Books); journalism professor Susan Shapiro (New School, NYU); and literary agent Matt Wise and Renee Zuckerbrot.
Authors Rachel Kushner, Hari Kunzru, and Rivka Galchen speak with poet and Bomb Magazine senior editor Mónica de la Torre about their writing and the state of the literary world at New York City's Strand Book Store.
Last week the National Book Foundation presented the panel discussion "Lineage: American Poetry Since 1950," moderated by Katie Peterson and featuring Elizabeth Alexander, Stephen Burt, Tony Hoagland, James Longenbach, Maureen McLane, and Susan Stewart. The aim of the discussion was "to use the National Book Awards as a point of departure to assess post-War poetry trends and achievements."
