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“I was not at my mother’s side when she took her last breath.” Sherman Alexie reads from his debut memoir, You Don’t Have to Say You Love Me (Little, Brown, 2017), which is featured in Page One in the July/August issue of Poets & Writers Magazine.
“I think it’s really important for writers to understand themselves as artists.” At the 92nd Street Y, longtime friends Eileen Myles and Chris Kraus read from their work and have a conversation about their life experiences and writing processes.
“It had started as a family joke: Dad always orders the mixed grill in restaurants, Dad only wants to go to restaurants with mixed grill on the menu.” Patricia Lockwood, poet and author of the memoir Priestdaddy (Riverhead Books, 2017), performs a dramatic reading of a passage from Jonathan Franzen’s novel The Corrections (Farrar, Straus and Giroux, 2001) for the literary nonprofit O, Miami.
“In literature you get these magical moments when you can actually feel yourself to be somebody else...and those moments I think are incredibly important for the development of a society because they’re expansive moments.” Hisham Matar, winner of the 2017 Pulitzer Prize in autobiography for his debut memoir, The Return: Fathers, Sons and the Land in Between (Random House, 2016), talks about the role literature plays in creating social change.
Min Kym talks about the life experiences that inspired her debut memoir, Gone: A Girl, a Violin, a Life Unstrung (Crown Publishing Group, 2017), and plays “Méditation” from the opera Thaïs composed by Jules Massenet on her violin. Kym’s book is featured in Page One in the May/June issue of Poets & Writers Magazine.
“I just really wanted my words back—it was the one thing I lost, and it was the one thing I wanted back.” In the book trailer for her debut memoir, Tell Me Everything You Don’t Remember: The Stroke That Changed My Life (Ecco, 2017), Christine Hyung-Oak Lee describes experiencing a stroke and how writing contributed to her recovery.
Joshua Mohr reads from his novel All This Life (Soft Skull Press, 2015) and talks about the need for artists and publishers to transgress against cultures of homogeneity. Mohr's debut memoir, Sirens (Two Dollar Radio, 2017), is featured in Page One in the January/February issue of Poets & Writers Magazine.
“Driving on acid is underrated.” Joshua Mohr reads from his debut memoir, Sirens (Two Dollar Radio, 2017), which is featured in Page One in the January/February issue of Poets & Writers Magazine.
“I left Indiana and drove towards happiness.” Watch the book trailer for John W. Evans's second memoir, Should I Still Wish (University of Nebraska Press, 2017), which is featured in Page One in the January/February issue of Poets & Writers Magazine.
Ayelet Waldman talks about her family history, working in different styles of writing, and sharing a moving moment with an elderly reader in this video for the World Affairs Council. Waldman’s first memoir, A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life (Knopf, 2017), is featured in Page One in the January/February issue of Poets & Writers Magazine.
