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“What one carries from one point to another, geographically or temporally, is one’s self.” Yiyun Li reads from her debut memoir, Dear Friend, From My Life I Write to You in Your Life (Random House, 2017), in this video produced by the Office of Communications at Princeton University. Li, whose novel Where Reasons End is forthcoming from Random House in February, is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.
Dorianne Laux reads her poems “If It Weren’t for Bad Ideas, I’d Have No Ideas at All,” “Evening,” “This Close,” and “Savages” at a 2017 reading in Washington, D.C. for the Field Office. Laux’s new collection, Only as the Day Is Long: New and Selected Poems (Norton, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine.
“We slid pride first into his car opening the new year / the way ungraceful fingers open a gift not meant for them.” William Evans reads “New Year’s Eve Party at Eric’s House and the Black Boys Have Had Enough” from his poetry collection Still Can’t Do My Daughter’s Hair (Button Poetry, 2017) at Camp Bar in Saint Paul, Minnesota.
Fatimah Asghar, whose debut poetry collection, If They Come For Us, was published in June by One World, talks with director Sam Bailey about the motivations behind their web series Brown Girls, which the cocreators will be adapting for HBO.
“If you’re on Twitter and Facebook and sharing there, there’s no pressure of concealment, and I think good memoir comes out of that place.” Dani Shapiro, whose fifth memoir, Inheritance: A Memoir of Genealogy, Paternity, and Love (Knopf, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine, talks with Literary Hub’s Emily Temple about how social media could have an adverse effect on writing and storytelling.
“The book is a kind of implosion, emotionally and intellectually, and you just wait for some kind of rhythm to form.... And then I will work all day, every day.” Nicola Barker, who won the 2017 Goldsmiths Prize for her novel H(a)ppy (William Heinemann, 2017), talks to Granta about her writing process and the difficulty of transitioning from writing on a digital screen to seeing the book in print form.
“I think there’s also in the book a sort of collective mind-set, which is seen as more important than the individual identity or autonomy.” Anna Burns talks about her third novel, Milkman (Faber & Faber, 2017), for which she won the 2018 Man Booker Prize, making her the award’s first Northern Irish honoree.
“I am begging: Let me be lonely but not invisible.” This Motionpoems film directed by Mohammed Hammad features Natalie Diaz’s poem “American Arithmetic,” which appeared in the anthology Tales of Two Americas: Stories of Inequality in a Divided Nation (Penguin Books, 2017) edited by John Freeman.
“Frank grew crows for hands / it was a difficult childhood...” In this video, CAConrad reads a series of poems from The Book of Frank (Wave Books, 2010) for a 2013 reading at the Machine Project in Los Angeles. CAConrad’s poetry collection While Standing in Line for Death (Wave Books, 2017) won the 2018 Lambda Literary Award in Gay Poetry.
“It was in the autumn—it felt like the perfect time to do this ritual, when everything’s changing to go to sleep for the winter....” In this interview at the 2018 Louisiana Literature festival in Denmark, CAConrad talks about how performing rituals after their boyfriend’s death gave rise to the poetry in their collection While Standing in Line for Death (Wave Books, 2017), which won the 2018 Lambda Literary Award in Gay Poetry.
