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“My heart had recently cracked // Open. Fear had departed me.” Ariana Reines reads “To the Reader” from her poetry collection, A Sand Book (Tin House Books, 2019), and talks about the origins of the book, her writing background, and the power of poetry to reach the deepest levels of human experience in this Louisiana Channel interview.
Mary Ruefle reads a selection of her poetry and prose at the 2019 Newcastle Poetry Festival at the Newcastle Centre for the Literary Arts. Ruefle’s fourteenth poetry collection, Dunce (Wave Books, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.
Washington Post book critic Ron Charles tries not to spoil the plot of Téa Obreht’s second novel, Inland (Random House, 2019), in this humorous video for his Totally Hip Video Book Review series. Obreht is profiled by Amy Gall in the September/October issue of Poets & Writers Magazine.
Little Women, Louisa May Alcott’s classic coming-of-age novel, has been adapted into a feature film directed by Greta Gerwig. The story takes place in the years following the American Civil War and revolves around the March sisters played by Florence Pugh, Saoirse Ronan, Eliza Scanlen, and Emma Watson.
“I just felt this deep need to express myself.... I had a strong desire to understand and to express that understanding.” In this CBS Sunday Morning interview, Ta-Nehisi Coates talks about the purpose of his writing and how the music of Marvin Gaye influences the language in his work. Coates’s debut novel, The Water Dancer (One World, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.
“I wanted to find a way to write about people that felt guided by a spirit of appreciation and empathy.” Leslie Jamison speaks about the ethical complexities involved in nonfiction writing at a 2017 talk at Claremont McKenna College. Jamison’s second essay collection, Make It Scream, Make It Burn (Little, Brown, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.
“When I was thinking about Red at the Bone, one thing I knew I wanted to talk about was class—economic class—especially in the Black community, and history.” Jacqueline Woodson talks about her new novel, Red at the Bone (Riverhead Books, 2019), which is featured in Page One in the September/October issue of Poets & Writers Magazine, and reads the poem from her memoir Brown Girl Dreaming (Nancy Paulsen Books, 2014) that she calls “the seed” of the novel.
“Our swarm, it move like a flock of birds. All these beautiful black people in motion. Moving and shifting with a kind of intelligence.” Rion Amilcar Scott reads from his debut story collection, Insurrections (University Press of Kentucky, 2016), and speaks with Cinder Barnes and Karl Smith at Montgomery College in Maryland. Scott’s second story collection, The World Doesn’t Require You (Liveright, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.
“It took Arnold six and a half seconds to fall five hundred feet. During that time, an image of his son, Paris, flashed before his eyes....” At the Lensic Performing Arts Center, Edwidge Danticat reads “Without Inspection” from her third story collection, Everything Inside (Knopf, 2019), which is featured in Page One in the September/October issue of Poets & Writers Magazine.
“I can only hope that the criticism and reporting that you do write leaves little levers open psychologically for something good to happen.” Jia Tolentino speaks about the inner conflict of writing on pop culture in the current political climate in this conversation with fellow nonfiction writers Taffy Brodesser-Akner, Linda Holmes, and Emily Nussbaum. Tolentino’s debut essay collection, Trick Mirror (Random House, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.
