The Time Is Now

In the Cut, seventy-eight new emotions are introduced, inspired by a theory that emotions are not just objective, biologically measurable states but are constructed interpretations of sensations affected by our cultures, expectations, and language. Writers, including Greg Jackson, Sara Nović, and Bryan Washington, name and describe new emotions like jealoushy: “The feeling of being jealous of someone while also having a crush on them,” and heartbreak adrenaline: “The strange feats of strength that can be accomplished after a devastating breakup.” Write a poem that revolves around a newly named emotion of your own invention, perhaps involving love, lust, or heartbreak. How does giving new language to a feeling expand your perspective?

In artist John Baldessari’s “Eight Soups: Corn Soup,” he borrows an image of a Henri Matisse painting of goldfish and writes the words “corn” and “soup” underneath it, while another piece includes a photograph of himself standing beneath a palm tree with a caption that says, “wrong.” In Deborah Solomon’s New York Times piece on Baldessari, who died earlier last month, she writes of a postcard the artist once sent from the Cincinnati Zoo to a friend: “The message bore no discernible relation to the photograph of the tiger cubs. In this way, it resembled his work. Text plus image and many possible paths between them.” As you go about your week, keep an eye out for readymade images—a photograph, a painting, an advertisement—and jot down words that immediately come to mind. Write an essay that uncovers, or makes discernible, the paths between the image and what it conjures up for you.

In “The Machines Are Coming, and They Write Really Bad Poetry (But Don’t Tell Them We Said So)” on Lit Hub, Dennis Tang writes about the results of using GPT-2, an artificial intelligence language program, to generate poetry in the style of Emily Dickinson, Shakespeare, Robert Frost, Maya Angelou, and Sylvia Plath. Phrases, snippets, and passages are submitted to the program, which then produces several lines of writing that attempt to mimic the original text’s style. Using the Talk to Transformer website, try feeding the program one or two sentences from a story you’ve written in the past and see what the machine generates. Then, go with the flow of AI and use its verse to continue the story in a new, unexpected direction. 

Marshes, rivers, forest, mountains, butterfly wings, fungi, fruits, flowers, birds, leaves, foxes, bears, wolves, and whales. The Biodiversity Heritage Library, billed as the “world’s largest open access digital library,” is a free archive of over fifty-seven million pages of sketches, illustrations, diagrams, studies, and research of life on Earth from the fifteenth century to the present. Browse through their Flickr gallery and choose a group of images that you find particularly intriguing, striking, curious, or beautiful. Write a poem that considers the life forms and ecosystems depicted in the illustrations and how they affect your imagination today.

Can you imagine what the voice of a three-thousand-year-old mummy would sound like? Last week Scientific Reports published a study that describes engineering the voice of Nesyamun—an ancient Egyptian priest and scribe whose coffin’s hieroglyphs describe him as “true of voice”—by combining his 3D-printed mouth and throat with an artificial larynx and using speech synthesizing software. This week write a personal essay about the one long-ago sound you wish to hear, if you could engineer a way. Would you choose the voice of a loved one or important historical figure, the sounds of an extinct animal or bygone technology, or perhaps simply the everyday sounds of a different era?

“I have to learn that in presence, the rushed, the partial, is still a whole, an experiment in form. In collage, my snippets of repurposed texts, ideas, and observations are not connected seamlessly; I see their edges,” writes Celina Su on the Poetry Foundation’s Harriet blog in “A Collage in Progress,” a piece about her experience of the fragmentation of time and attention alongside new parenthood. “This allows me to cite, attribute, give credit to those who have contributed to my thinking.” Write a short story that consists of snippets that do not fit together seamlessly and feel rushed or partial. How does this collection of fragmented things shape your narrative?

“Most time-keeping traditions track the movement of the sun, moon and stars. Others consider seasonal events,” writes Steph Yin in the New York Times in an article about the lunar new year and other time-keeping traditions and cycles found in cultures around the world. “Each calendar reveals something about how the people who created it relate to the world around them while also preserving rich cultural identities and memories.” Write a poem about the passing of time that uses a metric personal to you. Perhaps a tree growing in your yard or an iconic neighborhood establishment that has changed over the years. What does it say about how you relate to the world?

“Sometimes we feel ‘blocked’ because we started a story in the wrong place or ended in the wrong place,” writes Sarah Ruhl in “Writer’s Block: Variations on a Superstition” in the January/February issue of Poets & Writers Magazine. Find a draft of an unfinished essay or one you’re uncertain about or unsatisfied with, and try starting from a different place. How does this new beginning alter the tone of the piece? Does this shift give new meaning to the true core of the story?

Last week, scientists published a study in Science journal reporting findings that the impact of the dinosaur-killing asteroid from millions of years ago ended up nurturing the environment for the development of early mammal species. The ocean’s acidity levels were altered thereby tempering the global warming caused by concurrent volcanic eruptions that would have otherwise been harmful. Write a short story in which a catastrophe of high or low order has an unexpectedly positive side effect. How does your protagonist respond to both the larger conflict and the smaller benefit of this calamity?

Stonehenge, the Pantheon, a seventeenth-century tea pavilion, salons, and reading rooms. For T Magazine’s “The 25 Rooms That Influence the Way We Design,” a six-person jury of design and interior professionals put together a list of spaces that have changed the way we live and the way we see. Write a series of short poems about memorable rooms you have been inside of at different points in your life. Perhaps you know the space well or encountered it briefly. What kind of vocabulary or rhythm can you use to evoke each room’s atmosphere as recalled from memory? Have they changed your life?