As part of its 2018 exhibition season focused on the future, the Rubin museum in New York City has a program for visitors to write a letter to an incoming museumgoer. The letter may provide directions or insights that could potentially transform the future visitor’s own museum experience. This week, after completing an activity such as going to an art show, watching a movie, or eating at a restaurant, write a letter to a hypothetical follower in your footsteps. Include your emotional responses and personal memories, and any suggestions or recommendations that might offer guidance for the experience.
The Time Is Now
“When I dream of afterlife in heaven, the action always takes place in the Paris Ritz,” Ernest Hemingway once wrote of the hotel he often frequented with F. Scott Fitzgerald. The hotel is used in his novel The Sun Also Rises, and is also the setting of his story “A Room on the Garden Side,” written in 1956 and published for the first time in this summer’s issue of the Strand magazine. Think of a short story you’ve written in which the setting plays a significant role, and write a new story that uses the same locale. How do different characters’ perceptions of the same setting add new dimension to the space?
Toxins, acid baths, trigger-haired cages, bursting spores, complex plumbing systems, thorny irritants, and the ability to eat sunlight. Behind their placid green exteriors, plants lead a hidden life full of elaborate processes. Browse through this National Geographic slideshow of microscopic views of different plants and write a poem inspired by the up close images of cells, stems, and pollen. Do the photos propel you toward otherworldly thoughts, or do they remind you of particularly human tendencies?
What does a rolling lemon gather? Apparently, a mass of viewers. Since photographer Mike Sakasegawa posted a two-minute video of a lemon he saw rolling down a hill in San Diego on Twitter last month, the video has accumulated almost ten million views, and garnered thousands of comments of encouragement and feelings of inspiration. Write a personal essay about a time when you have been cheered up or inspired by a video or photo, perhaps documented by a stranger or from someone you know. What was it about the imagery that provoked this positive response? Explore any memories or associations that might have made your viewing particularly resonant or emotional at that moment.
In the mid-twentieth century, American publishing house Dell issued “Mapback” editions of paperback books, whose back covers were printed with detailed illustrations and diagrams of maps showing where story events took place. Oftentimes these books were mystery or crime novels, and the back covers displayed cross-sections, floor plans, or bird’s-eye view maps. Sketch out your own map for a short mystery or crime story that takes place in several rooms or floors of a building, or among several landmarks scattered around a specific locale. Allow the map to guide the narrative for your story. Do these visual cues help you plot out the action and your characters’ motives?
How many times have you tossed away a used tea bag without a second thought? In an interview series for New York Times Magazine, author Emily Spivack asks artist Laure Prouvost about the use of tea in her work, and specifically about a tea bag she’s kept for fifteen years once used by her grandmother. “I like that you can look at something that seems like nothing, like a very, very boring object, but it’s got so much history,” Prouvost says. Choose an everyday object that seems unexceptional, perhaps something ordinarily discarded, and write a poem that delves into a deeper history that adds complexity or magical importance. How does taking an in-depth look give more value to an object?
“‘Not X, but also not not X.’” In a recent piece for the New York Times, Sam Anderson examines a sentence structure pattern that reappears frequently in Keith Gessen’s novel A Terrible Country (Viking, 2018). Anderson notes that many authors tend to repeat sentence structures in a move that reflects a particular worldview or expresses the author’s thought process in some way. Browse through your writing and search for one of your own signature sentence structures. Reflect and write about what this style reveals of your philosophies or how your mind works.
Does weakness have a smell? In a study published in June in Scientific Reports, scientists found that injured ring-tailed lemurs lose 10 percent of their body odor, thereby signaling via scent their weakened state to potential rivals. This week, write a scene in a short story where your main character is exposed and displays a moment of weakness. Who is there to witness this vulnerability and does this person take advantage of it or show sympathy?
“I walked abroad, / And saw the ruddy moon lean over a hedge / Like a red-faced farmer.” In an interview with Anselm Berrigan at Literary Hub, John Yau, winner of the 2018 Jackson Poetry Prize, talks about puzzling over the personification in these lines from T. E. Hulme’s 1909 poem “Autumn.” In what way does personification affect imagery in poetry? Write a poem that uses personification in a straightforward yet unexpected way. How does this kind of description enhance not only the perception of the object being personified, but also the idea of personhood and the narrator’s idiosyncratic perspective?
On the TV show Parts Unknown, the late chef and writer Anthony Bourdain traveled the world and sampled cuisines from a variety of cultures. Although the show employed food as its central component, Bourdain was more interested in exploring the customs and histories of the countries he visited and got an outsider’s glimpse of the particular magic that makes each place uniquely itself. Write a personal essay based on an experience when you left your comfort zone for a place, community, or situation that felt different from your own. Your experience could involve travel, as Bourdain’s did, but travel is not required; the unknown often exists in your own backyard.