The Time Is Now

Raindrops on roses, whiskers on kittens, brown paper packages tied up with strings, cream-colored ponies, crisp apple strudels, wild geese that fly with the moon on their wings. These are a few, mundane yet specific, favorite things the protagonist from the Rodgers and Hammerstein musical The Sound of Music sings about as an uplifting way to buoy the characters’ spirits in moments of sorrow and distress. This week write a series of short nonfiction vignettes, each one titled with one of your favorite things. Reflect on how each favorite originated, your memories associated with the items, and how they make you feel.

“Most pennies produced by the U.S. Mint are given out as change but never spent; this creates an incessant demand for new pennies to replace them,” writes Caity Weaver in an article published in the New York Times Magazine about the wasteful production of pennies. “A conservative estimate holds that there are 240 billion pennies lying around the United States…enough to hand two pennies to every bewildered human born since the dawn of man.” Write a short story that imagines a different life for the copper-plated coin, perhaps a universe in which all dormant pennies are suddenly used or an attempt to collect and dispose of them is put into place. What would propel your characters to care about the worth of a penny?

The French expression, à la rentrée, literally means “at the return” and can be translated as “see you in the fall” to refer to the time of year when students return back to school after the summer break and vacationers return to the city and to work after out-of-town trips—a time to start anew feeling reenergized with a refreshed and rested perspective on everyday routines. Think about the projects, personal goals, or relationships that you’d like to approach with a fresh start this autumn season. To celebrate la rentrée, write a poem that revolves around a familiar relationship, duty, or obligation. How might it be approached from a different angle or seen in a new light?

“The writing comes not with the then and then and then of narrative time driven by the hierarchy of information that plot demands, but with the and and and and and of parataxis. Everything is equal all together and all at once,” writes Jennifer Kabat in her debut memoir, The Eighth Moon: A Memoir of Belonging and Rebellion (Milkweed Editions, 2024), which combines the author’s musings on her relocation to the rural Catskills in New York with historical documents and research about the Anti-Rent War between tenant farmers and landowners that took place in the region in the early nineteenth century. Take a deep dive into a historical event that took place where you live and write an essay that attempts to bridge your own experiences and memories of your locale with the past. Inspired by Kabat, experiment with alternating back and forth through different time periods, point of view, and verb tense for a sense of simultaneity.

French director and screenwriter Tran Anh Hung’s Oscar-nominated film The Taste of Things, adapted from a 1924 novel by Swiss author Marcel Rouff, opens with a scene that takes place in the ground-floor kitchen of a late-nineteenth-century estate in France. The scene, which lasts for nearly forty minutes and contains little dialogue, consists primarily of shots of a chef and his cooks preparing a sumptuous feast as they maneuver around one another, handling and arranging various ingredients for each dish. The camera zooms in on the pots and pans, and precise sounds of sizzling, sauteing, crackling, rinsing, stirring, bubbling, and steaming are captured. Write a scene or portion of a short story that focuses in on the sounds of a particular room in your setting. When you subtract human voices, does a chronicle of meticulous details emerge?

Can what was once lost still be found? The Search for Lost Birds, a global partnership between the American Bird Conservancy, Re:wild, and BirdLife International, was founded in 2021 to shed a light on species of birds that are deemed “lost,” meaning that there has been no documented evidence of them in over a decade, but that they may still exist. Researchers from the organization recently published a paper in the journal Frontiers in Ecology and the Environment citing over one hundred “lost” bird species with the majority in danger of extinction. Jot down a list of items that have been lost to you over the years, perhaps including both physical objects and intangible things, and compose a poem that incorporates your list. How might you play with the order of items, punctuation, line breaks, sound, and rhythm to express the experience of loss?

How do best pals become worst enemies? In the television fantasy drama series House of the Dragon, created by Ryan Condal and George R. R. Martin, childhood best friends Rhaenyra Targaryen and Alicent Hightower become mortal enemies, each at the head of a household vying for the power to rule the Seven Kingdoms. Compose a personal essay that ruminates on a complicated friendship or relationship you’ve had that has transformed significantly over time. Was there one catalyzing incident or many gradual shifts that caused your relationship to change direction? Consider the ways in which the relationship changed in parallel, or in contradiction, to how each of you have evolved as individuals.

In the documentary Yintah, directors Jennifer Wickham, Brenda Michell, and Michael Toledano chronicle how Wet’suwet’en First Nation have been fighting to protect their unceded territory in northern British Columbia for decades, most recently in protests and blockades against pipeline developments. The film spanning more than a decade of conflict captures the spirit of Wet’suwet’en resistance in the face of Canadian government policies and police invasions, and their fight for the survival of the land itself. Write a short story that revolves around a group of people who are beset upon by unjust policies, and explore the values and priorities of each side. How do strengths, weaknesses, advantages, and disadvantages play out?

In the 1960s, a string of songs about crying hit the air waves, from Roy Orbison’s “Crying,” to “Big Girls Don’t Cry” by The Four Seasons, to Lesley Gore’s song that begins with, “It’s my party, and I’ll cry if I want to.” Crying has carried on as a theme in popular songs throughout the decades with Prince’s 1984 ballad “When Doves Cry,” Aerosmith’s 1993 hit “Cryin’” and The Weeknd’s 2020 song “Save Your Tears.” This week, take a cue from tunes about shedding tears and write a poem that incorporates crying in some way, whether about sorrow or joy, letting the waterworks flow or attempting to hold them back. Consider using unique diction or imagery to put a fresh spin on conventional tropes. What can you say about crying that hasn’t been said before?

In Stories Are Weapons: Psychological Warfare and the American Mind, published by W. W. Norton in June, author and journalist Annalee Newitz chronicles the ways storytelling can be wielded as a manipulative tool to further political agendas and steer cultural perspective, through advertising, influence campaigns, and mass media. In the first chapter Newitz discusses how Sigmund Freud’s theories help sell products: “Advertisers began to study psychology to figure out ways to manipulate the unconscious minds of consumers,” she writes. “They would lure consumers in with emotional appeals or by associating a product with some political ideal like freedom.” Write a personal essay about a time when you were persuaded by a narrative—whether it be a story told to you by a friend, foe, colleague, family member, or even an advertisement. Were you able to separate from your unconscious mind and gain a fuller perspective on the situation?