“My first book was a memoir, so I wanted to write my second book about something outside myself completely—something universal. What was more universal than loneliness?” writes Kristen Radtke in “The Loneliness Project: My Journey Through American Loneliness,” an essay featured in the July/August issue of Poets & Writers Magazine. In the essay, Radtke talks about the process and challenges in writing her graphic nonfiction book Seek You: A Journey Through American Loneliness, forthcoming from Pantheon in July. Write a story in which a protagonist grapples with loneliness. How will you communicate this universal feeling in a specific way?
The Time Is Now
In many countries, Father’s Day was observed this past Sunday, an occasion in which fatherhood is celebrated and reflected upon. Over the centuries, poets have explored and honored their relationships with their fathers in poems such as “Those Winter Sundays” by Robert Hayden, “Yesterday” by W. S. Merwin, and “My Father. A Tree.” by Tina Chang. This week, write a poem dedicated to a father figure in your life. Try writing it from the perspective of a child as an added challenge.
“I went to Bolivia assuming I would have connections with Indigenous Bolivians because of our shared identity as Indigenous people,” writes Ursula Pike in the preface to her memoir, An Indian Among Los Indígenas: A Native Travel Memoir, published in March by Heyday Books, recounting the years she served as a Peace Corps volunteer in Bolivia. In the memoir, Pike, a member of the Karuk Tribe, questions her role as someone who experienced colonialism firsthand and follows “in the footsteps of Western colonizers and missionaries who had also claimed they were there to help.” Pike’s travel narrative upends the canon of white authors of the genre, helping the reader to examine the overlapping tensions of colonialism across cultures. Write an essay about a trip that helped you realize your complicity in a social issue. Think about the perspective of the spectator inherent to the travel narrative as you consider the conflict in the essay.
In Joss Lake’s debut novel, Future Feeling, published in June by Soft Skull Press, the absurd meets the epic in the story of Penfield R. Henderson, a former dog walker obsessed with the social media presence of Aiden Chase, a fellow trans man and influencer documenting his transition into picture-perfect masculinity. After resentfully attempting to hex Aiden, Penfield instead curses another young trans man named Blithe to “the Shadowlands,” an emotional landscape through which “every trans person must journey to achieve true self-actualization.” What follows is the journey Penfield and Aiden take to save Blithe and the lessons the three learn about the power of human connection and choosing your family. Taking inspiration from Lake’s epic tale, write a story that establishes how three strangers meet to achieve a common goal. How can you challenge yourself to imagine a plot that, like a puzzle, positions these three characters to save one another?
Black Earth: Selected Poems and Prose, a new collection of writing by Osip Mandelstam, translated from the Russian by Peter France and forthcoming in July from New Directions, offers a fresh look at the celebrated work of the revered Russian poet who died in a Stalinist labor camp in 1938. Known for the electric and haunting poems written toward the end of his life, Mandelstam was also part of the symbolist movement, as evidenced in his poem “Notre-Dame,” which reimagines what the Parisian cathedral looked like when it was built in medieval France. “Here, where a Roman judge once judged an alien people, / stands a basilica, fresh minted, full of joy,” he writes, “as Adam long ago stood tall and flexed his sinews, / its muscles ripple through the light crisscrossing vaults.” Write a poem about an old building in your neighborhood that reimagines what it looked like when first constructed. Try to combine images of the structure with the history behind its survival.
“The poem, to me, is a conversation between people,” writes Alex Dimitrov in the latest Craft Capsule installment, in which he talks about his 2014 project Night Call involving reading drafts of poems from his second book, Together and by Ourselves (Copper Canyon Press, 2017), to strangers in their apartments in New York City. Through intimate conversations and exchanges, he is forever connected with these lives and places as the poem “keeps people’s voices and things right there, outside time.” Write an essay inspired by a conversation with a stranger you met in passing, whether at a grocery store, on a train, in a park, or elsewhere. Challenge yourself, as Dimitrov does, by including gestures or specific phrases you recall into the essay. How were you changed by this brief exchange?
Austrian poet Friederike Mayröcker, who the German Academy for Language and Literature in Darmstadt once stated made German literature richer with her “streams of language, word inventions, and associations,” died last Friday at age ninety-six. Acclaimed for her poetry, Mayröcker also wrote novels, memoirs, drama, radio plays, and children’s books. In each work, she created new ways for her language to flow freely, such as in her 1988 story “my heart my room my name,” which was written entirely without punctuation, and her book-length lament Requiem for Ernst Jandl, which exhibits a liberal use of capitalization. This week, inspired by Mayröcker, write a story with a protagonist whose perspective requires an associative, free-flowing use of language. How does pushing the limits of language produce a fresh perspective?
“I wrote a good omelet… and ate / a hot poem… after loving you,” writes Nikki Giovanni in her poem “I Wrote a Good Omelet.” The poet, whose seventy-eighth birthday was earlier this week, describes going about various common tasks in strange and humorous ways, replacing, for example, “car” for “coat” in the phrase “drove my coat home” and “bed” for “hair” in “turned down my hair.” Through these playful reversals, Giovanni mimics the dizzying feeling of falling in love, as if the speaker is unable to focus on anything after being with their beloved. Write a poem that expresses this giddy feeling of love by using unexpected combinations of phrases and words.
In an article published by Literary Hub, Emily Temple compiles statements by famous writers on what their most loved and hated punctuation marks are, including Donald Barthelme on hating the semicolon, R. L. Stine on loving the em-dash, and Toni Morrison fighting over commas. In each, there is a distinct preoccupation the writers have with the technical and emotional resonances the given punctuation mark has on their prose, often revealing how they compose their sentences. Write a statement for each punctuation mark listed in the article—the semicolon, the exclamation point, the em-dash, the comma, the hyphen, and the period—characterizing the effect they have on your work. Do you use one more than the other? What does this say about your writing?
Last week, Nobel Prize winner Bob Dylan’s eightieth birthday was celebrated across the world and on social media, and many fans shared their favorite songs from his illustrious repertoire. The singer-songwriter has also inspired many famous writers, including Joyce Carol Oates, whose story “Where Are You Going, Where Have You Been?” is dedicated to Dylan. This week, write a story inspired by a singer or a songwriter. Is there a particular song or are there lyrics you’re drawn to, or is it just the aura of the artist that inspires your story?