BuzzFeed has opened applications for its third annual Emerging Writers Fellowship. The fellowship awards three nonfiction writers a stipend of $14,000 and career mentorship from BuzzFeed News’s senior editorial staff. Beginning in March 2018, the fellows will spend four months in BuzzFeed’s New York City office and focus on writing cultural reportage and personal essays. Applications are open until December 4.

Launched in 2015 by Saeed Jones, the fellowship’s mission is to expand the media landscape and empower emerging writers, particularly those who are “traditionally locked out” of media opportunities. “Investing in diversity and emerging voices doesn’t just have to be a conversation on panels and roundtables; it can be a reality,” Jones said in an interview with Poets & Writers Magazine last year.

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With the third round of applications opening today, BuzzFeed’s new executive editor of culture, Karolina Waclawiak, spoke with Poets & Writers Magazine about the 2018 program, advice for applicants, and the value of nurturing writers beyond the fellowship’s conclusion.

Will there be any changes to the 2018 fellowship program?

There are two major changes to the upcoming program: We are accepting three fellows instead of four, and we are increasing the stipend amount from $10,000 to $14,000. These changes ensure that our fellows receive as much personal attention as possible, as well as financial viability for living in New York City for the program’s duration.

What can fellows expect during a typical week in the program?

The fellows will pitch, write, and edit original pieces on a broad range of cultural coverage, which will be published on BuzzFeed. In addition, each week we bring in an industry professional to meet with the fellows, including staff writers from other publications, book and magazine editors, and agents. These meetings have proven to be very beneficial; last year all four fellows left the program with an agent!

Who would be considered an ideal applicant?

We encourage writers with a strong desire to create an impact on cultural conversations to apply. All experience levels are welcome—don’t be deterred if you don’t have a lot of clips. Over the past two years the fellows entered the program with varying levels of experience, and all grew as writers and professionals. This is a great opportunity and a rigorous program if your goal is to become a staff writer at a major publication, or even if you just want to elevate your platform and be seen in this industry of so many writers. On a practical note, I suggest reading the work of previous fellows before applying.

After two successful years completed, what have you noticed about this fellowship that sets it apart from similar programs?

We make a point to provide support and guidance for these writers beyond the conclusion of the fellowship. Whether they need help getting into residencies—for example, two of our fellows from last year were accepted to Breadloaf—or want assistance growing their network of other writers, editors, and publishers, we care about building sustainable careers for these important voices. The mentorship doesn’t end when the program ends.

To apply, using BuzzFeed’s online application form submit a resume or CV, 3 to 5 examples of your essays or articles, a statement of purpose, and two letters of recommendation by December 4. There is no entry fee. Visit the website for complete guidelines.

Photo: Karolina Waclawiak Credit: Eric Burg

In the New York Times Magazine’s Letter of Recommendation series, writers focus their essays around mundane objects and activities that they personally cherish but feel are underappreciated by society as a whole: Aleksandar Hemon recommends skiing, Meghan Daum recommends the Thomas Guide to Los Angeles, Joshua Cohen recommends alternative search engines, Sheila Heti recommends sick days, Jia Tolentino recommends Cracker Barrel restaurants, Sarah Manguso recommends acupuncture, and Karl Ove Knausgaard recommends chewing gum. Write a letter of recommendation for an item, experience, or habit that others don’t seem to especially value, but which you enjoy immensely. Present your encounters and memories to advocate for the subject.

Plant blindness is a term used by botanists and horticulturists to describe contemporary humanity’s general inability to see the plants and trees in our daily environments as more than just decorative background. Many gardening and plant experts and enthusiasts encourage educational courses or casual tree identification walks as activities that can begin influencing the way the majority of people view and value plants. Write a short story in which a character who once had plant blindness develops a new awareness of greenery. What moment or situation provokes the change? Does the change manifest itself in dramatic and monumental ways, or in more subtle shifts of behavior and beliefs?

Fiction and nonfiction writers: consider taking a chance and submitting your story, essay, or prose manuscript to a writing contest. Below is a list of contests with deadlines in the second half of September. Each contest offers a first-place prize of at least $1,000.

Ghost Story Supernatural Fiction Award: A prize of $1,000 and publication on the Ghost Story website is given twice yearly for a short story with a supernatural or magic realism theme. Deadline: September 30. Entry fee: $20

Hackney Literary Awards Novel Contest: A prize of $5,000 is given annually for an unpublished novel. Deadline: September 30. Entry fee: $30

Literal Latté Essay Award: A prize of $1,000 and publication in Literal Latté is given annually for a personal essay. Deadline: September 30. Entry fee: $10

Manchester Metropolitan University Fiction Prize: A prize of £10,000 is given annually for a short story. The winner will be invited to attend an award ceremony in Manchester, England, in November. Bonnie Greer, Angela Readman, and Nicholas Royle will judge. Deadline: September 29. Entry fee: $23

Travelers’ Tales Solas Awards: A prize of $1,000 and publication in the annual anthology The Best Travel Writing and on the Travelers Tales’ website is given annually for a travel essay. Writers from Arizona and Vermont are eligible for publication, but not the cash prize. Deadline: September 21. Entry Fee: $25

University of Iowa Press Iowa Short Fiction Award: Two awards of publication by University of Iowa Press are given annually for first collections of short fiction. Writers who have not published a book of fiction are eligible. Deadline: September 30. Entry fee: 0

University of Massachusetts Press Juniper Prizes: Two prizes of $1,000 each and publication by University of Massachusetts Press are given annually for a short story collection and a novel. Deadline: September 30. Entry fee: $30

Visit the contest websites for complete guidelines and submission details. Check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

Submissions are currently open for the 2017 Frontier Poetry Award for New Poets. A prize of $2,000 and publication in Frontier Poetry is given annually for a poem by an emerging poet. Tyehimba Jess, winner of the 2017 Pulitzer Prize in Poetry, will judge.

Poets with no more than two full-length published collections are eligible. There is no style or topic restriction, but the editors want “work that is blister, that is color, that strikes hot the urge to live and be.” Using the online submission system, submit up to three poems totaling no more than five pages with a $20 entry fee by September 30. Multiple submissions are allowed. Visit the website for complete guidelines.

Check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

Watch Tyehimba Jess read from his Pulitzer Prize–winning collection Olio:

“Well, I only write about cute boys and snowy streets, so my poems are always in tune with each other. Seriously, though, I find myself returning to the same subjects. I try to vary my approach to these subjects,” poet Chen Chen says in an interview in the Adroit Journal. Select a poem you’ve written in the past and write a new poem that returns to the same subject from a different angle. Has your perspective become more nuanced over time? How does altering your point of view, verse form, or language provide your topic with a refreshed perspective?

Earlier this year scientists published a study in the journal Nature detailing the first time genes with serious disease-causing mutations have been successfully edited in human embryos to produce healthy mutation-free embryos. Write a personal essay about the moral and ethical implications of gene-editing science as it continues to progress. In a hypothetical time when these advances might be a part of routine medical procedures, what decisions would you make for yourself and your family and loved ones? Read National Geographic’s “5 Reasons Gene Editing Is Both Terrific and Terrifying” for more insight.

If you’ve completed a full-length poetry manuscript and want to submit it to publication contests, look no further. Below you’ll find contests with deadlines in September that offer publication and a prize of at least $1,000.

California State University in Fresno Philip Levine Prize for Poetry: A prize of $2,000 and publication by Anhinga Press is given annually for a poetry collection. C. G. Hanzlicek will judge. Deadline: September 30. Entry fee: $28.

Mad Creek Books Journal/Charles B. Wheeler Poetry Prize: A prize of $2,500 and publication by Mad Creek Books, the literary trade imprint of Ohio State University Press, is given annually for a poetry collection. Kathy Fagan will judge. Deadline: September 30. Entry fee: $38.

New Criterion Poetry Prize: A prize of $3,000 and publication by St. Augustine’s Press is given annually for a poetry collection that pays close attention to form. Roger Kimball, Charles Martin, and David Yezzi will judge. Deadline: September 30. Entry fee: $25.

New Issues Poetry & Prose Green Rose Prize: A prize of $1,000, publication by New Issues Poetry & Prose, and a reading at Western Michigan University is given annually for a poetry collection. Poets who have published at least one full-length collection of poetry are eligible. Deadline: September 30. Entry Fee: $30.

Red Mountain Press Poetry Prize: A prize of $1,000 and publication by Red Mountain Press is given annually for a poetry collection. Irena Praitis will judge. Deadline: September 15. Entry fee: $28.

University of Arkansas Press Miller Williams Arkansas Poetry Prize: A prize of $5,000 and publication by University of Arkansas Press is given annually for a poetry collection. Billy Collins will judge. Deadline September 30. Entry fee: $28.

University of Massachusetts Press Juniper Prizes: Two prizes of $1,000 each and publication by University of Massachusetts Press are given annually for a first poetry collection and a poetry collection. The creative writing faculty at the University of Massachusetts in Amherst will judge. Deadline: September 30. Entry Fee: $30.

University of Wisconsin Press Brittingham and Felix Pollak Prizes: Two prizes of $1,000 each and publication by University of Wisconsin Press are given annually for poetry collections. Deadline September 15. Entry fee: $28.

Visit the contest websites for complete guidelines and submission details. Check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

In the past fifteen years or so, dozens of lighthouses no longer needed by the United States Coast Guard have been auctioned off to the public. Buyers have found a variety of new uses for their lighthouses, such as converting them into hotels or vacation homes, or even a concert venue. Write a short story in which your main character comes into possession of a decommissioned lighthouse. Where is it located and how does she decide to make use of it? Does it end up being a blessing or a burden? How can you play with the metaphorical potential of the lighthouse in an unexpected way?

“Part of the pleasure I take in being a writer and reader of poetry is this instant intimacy. By the first page, we’re practically what one would refer to as family—at this point, I’m comfortable in my nightclothes and headscarf.” In “Vagrant & Vulnerable,” Dawn Lundy Martin’s conversation with Nicole Sealey in the September/October issue of Poets & Writers Magazine, Sealey talks about feeling comfortable infusing her poems with a naked vulnerability and intimacy. What do you find yourself thinking about when the notion of outside criticism or judgment is not an issue? While envisioning your most comfortable clothing, an outfit you might wear at home with family, write a poem that embodies this level of immediate familiarity, delving into a tightly held or private subject perhaps only known by your closest loved ones.