Poets who like beer, we have just the contest for you! Submissions are currently open for the fifteenth annual Dogfish Head Poetry Prize. A prize of $500, publication by Broadkill River Press, ten author copies, and two cases of Dogfish Head Craft Brewed Ales are given annually for a poetry collection written by a poet living in the mid-Atlantic states. Destiny Birdsong, Christopher Salerno, and Michael Dwayne Smith will judge.

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Poets currently living in Delaware, Maryland, New Jersey, New York, North Carolina, Pennsylvania, Virginia, West Virginia, or Washington, D.C. may submit a manuscript of 48 to 78 pages by August 15. There is no entry fee.

The winner will be expected to attend a reading and award ceremony at the Dogfish Head Brewery in Lewes, Delaware, in December; lodging at the Dogfish Inn will be provided. Visit the website for complete guidelines.

“Generally I think that when you’re talking about the music of a country, you’re talking more or less about the soundtrack of a country, the soundtrack by which people’s lives are lived,” poet Tyehimba Jess said in a recent interview with the New School’s Wynne Kontos. “What’s interesting to me is to hear about the lives of the people who have created that soundtrack.” Jess’s Pulitzer Prize–winning collection, Olio (Wave Books, 2016), covers an array of nineteenth- and twentieth-century African American musicians and performers, presenting a multiplicity of voices and histories through a collage of verse, song, and narrative. What musicians are part of the soundtrack of your life? Choose several musicians or bands integral to your soundtrack, and write poems that reflect on the lives of these musicians, combining research and imagination in a song of your own.

The Academy of American Poets has launched the Ambroggio Prize, an annual award given for an unpublished poetry manuscript originally written in Spanish and translated into English by the poet or a translator. The winner will receive $1,000 and publication by Bilingual Press/Editorial Bilingüe at Arizona State University.

The prize will be open for submissions from September 15 through February 15, 2018.  Poet Alberto Ríos will judge. Ríos is the state poet laureate of Arizona and had published several poetry collections, most recently A Small Story About the Sky (Copper Canyon Press, 2015).

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“We are happy to be working with the Academy of American Poets, which has been honoring artistic excellence in poetry for many decades, on this new prize to celebrate poets in the United States writing in Spanish as an important part of our rich American poetic tradition,” says Luis Alberto Ambroggio, the sponsor of the prize. Jennifer Benka, executive director of the Academy of American Poets, agrees. “We are thrilled to expand our prizes to include one that recognizes the important place the Spanish language has in American culture,” she says.

The prize is the first of its kind in the United States to honor American poets whose first language is Spanish. Spanish is the second most spoken language in the United States, with the 2013 U.S. Census estimating that approximately 38.4 million people—or 13 percent of the population—speak Spanish at home.

The Academy of American Poets administers several other prizes, including the $100,000 Wallace Stevens Award, the $25,000 Academy of American Poets Fellowship, the $5,000 Walt Whitman Prize, and the $5,000 James Laughlin Award. Cosponsor Bilingual Press/Editorial Bilingüe publishes literary works, scholarship, and art books by or about U.S. Hispanics.

In times of conflict, we often experience an instinct for self-preservation. Last month, a truck transporting thousands of hagfish in Oregon was involved in a collision that resulted in the eel-like creatures spilling out and releasing massive amounts of slimy mucus onto the highway and cars. In their natural deep-sea habitat, one of the functions of the slime-spewing is as a defense mechanism, clogging the gills of attacking predators. Think of a time when you’ve responded in a stressful situation with a defense mechanism of your own. Write an essay about the encounter, exploring your emotional responses and aspects of your personal history that may have contributed to your instinctive reaction.  

“And for me, while fiction is necessary, I prefer it to be timeless rather than timely,” says Arundhati Roy in “Worth the Wait,” Renée H. Shea’s profile of the author in the July/August issue of Poets & Writers Magazine. This week, try out an exercise to make your own fiction more timeless. Search through your writing for an excerpt in a short story that includes markers of a contemporary setting, perhaps in its mention of modern objects, technology, or usage of slang. Then revise that section of the story by transforming the contemporary elements into description or dialogue that incorporates more timeless language.

Submissions are currently open for Seneca Review’s inaugural Deborah Tall Lyric Essay Book Prize. An award of $2,000 and publication by Hobart and William Smith College Press will be given biennially for a lyric essay collection. The winner will also be invited to give a reading at Hobart and William Smith College in Geneva, New York. John D’Agata will serve as final judge.

The contest accepts “cross-genre and hybrid work, verse forms, text and image, connected or related pieces, and ‘beyond category’ projects.” Using the online submission manager, submit a manuscript of 48 to 120 pages with a $27 entry fee by August 15. The contest is open to both emerging and established writers.

Sponsored by Seneca Review in conjunction with the TRIAS residency program at Hobart and William Smith Colleges, the new biennial book series intends to “encourage and support innovative work in the essay.” Visit the website for complete guidelines.

For more upcoming prizes in poetry, fiction, and creative nonfiction, visit our Grants & Awards Database and Submission Calendar.

Watermelon, Mississippi Mud Pie, Red Velvet, Pumpkin Spice, Firework. The original Oreo with its classic pairing of chocolate cookie and white cream filling might remain unchanged, but over the years the Nabisco company has released limited edition flavors to the delight of some fans and the confusion or disapproval of others. Write a poem dedicated to a beloved snack from your childhood, exploring how it has changed or remained the same throughout the years. Consider the effect that consistency has on your life, even in the form of a favorite snack. 

“To stand in this library again is a profound experience, a return to a wellspring of story and encouragement, here where many of the librarians knew me by name when I was a shy kid who’d walk home with a stack of seven books, one to devour each day before exchanging them for the next stack,” writes Rebecca Solnit in an essay about returning to her childhood public library, adapted for Literary Hub from a talk at Novato Public Library in California. Write an essay that reflects on your own experiences visiting libraries, whether long ago or more recently. Taking inspiration from Solnit’s essay, feel free to wander from metaphysical associations to books and reading, to personal memories tied to physical spaces, to the geographical and cultural history of the library’s locale.

Short fiction writers: The following contests—each offering an award of at least $1,000 and publication for a short story—are open for submissions until July 31. Additional prizes include a residency and an agency review.

Munster Literature Centre Seán Ó Faoláin Short Story Competition: A prize of €2,000 (approximately $2,300) and publication in Southword, an online literary journal published in Cork, Ireland, is given annually for a short story. The winner also receives a weeklong residency at the Anam Cara Writer’s Retreat on the Beara Peninsula in West Cork. Entry fee: $20

Masters Review Short Story Award for New Writers: A prize of $3,000 and publication in Masters Review is given twice yearly for a short story by a writer who has not published a novel (writers who have published story collections are eligible). The winning story will also be sent to agents Laura Biagi (Jean V. Naggar Literary Agency), Victoria Marini (Gelfman Schneider/ICM Partners), and Amy Williams (Williams Agency). The editors will judge. Entry fee: $20

Narrative Spring Story Contest: A prize of $2,500 and publication in Narrative is given annually for a short story, a short short story, or an excerpt from a work of fiction. A second-place prize of $1,000 is also awarded. The editors will judge. Entry fee: $25

New Millennium Writings Awards: Two prizes of $1,000 each and publication in New Millennium Writings and on the journal’s website are given twice yearly for a short story and a short short story that have not appeared in a print publication with a circulation over 5,000. Entry fee: $20

Visit the individual contest websites for complete submission guidelines, and check out the Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and creative nonfiction.

According to the residents of La Unión, a small farming community in rural Honduras, at least once a year the skies rain fish, a phenomenon explained by locals with a variety of scientific, religious, and superstitious theories and legends. Locally regarded as a miracle, the day after a spectacular and torrential storm, the ground is covered with hundreds of small, silver-colored fish. Write a short story that takes place in a setting where a similarly surprising and perhaps inexplicable phenomenon exists year after year. Does your main character fall on the side of science or superstition? Does she respond with skepticism, wonder, or indifference? How does this experience affect her life?