Echoes in These Streets: A Reading Series for Women Overcoming Homelessness

Daniela Jungova is the Development & Communications associate at Calvary Women’s Services, the award-winning organization that empowers homeless women in Washington, D.C., to transform their lives through housing, health, education, and employment programs. She feels lucky to have had the opportunity to witness the inspiration that poetry offers to women overcoming homelessness.

“Poetry is people conveying their dreams through words,” mused Sonja Berry, who attended all three of the Echoes in These Streets poetry readings at Calvary Women’s Services—an award-winning organization empowering homeless women in Washington, D.C.

The P&W–supported reading series took place over the course of three beautiful summer Sundays (July 9, 16 and 30) and featured five outstanding poets from the D.C. area—Teri Ellen Cross Davis, Hayes Davis, Katherine McCord, Saundra Rose Maley, and Nancy Arbuthnot. The poets were selected for their cultural relevancy, as well as the ability to connect with diverse populations—the majority of women living at Calvary are survivors of domestic violence, are learning to manage a mental illness, and/or are in recovery from substance abuse.

For many women facing similar challenges, closing up to the world is an easy way to cope. Berry, who came to Calvary four months ago, says that the poets’ openness was a true gift: “Seeing the poets describe reality in metaphors made me feel inspired, and, well, curious.”

Indeed, all five of the presenting poets got quite personal. Their poems tackled issues such as ordinary life, identity, depression, stereotypes, fatherhood, even breastfeeding. Some delivered their works boldly, fearlessly offering their musings to the world. Others invited the audience to an intimate conversation, softly whispering as if to a best friend. All of them though, voiced their inner thoughts in a genuine and relatable way.

Hayes Davis wrote in his piece “Musings”: “One myth that’s part truth / is men don’t always share sadness that rests / on a foundation of vulnerability.” In “Gaze,” Teri Ellen Cross Davis wrote: “Standing, I name myself / shedding the fiction of availability / becoming nonfiction.” In her piece about islands, Katherine McCord contemplated: “After all, swimming is all / luck. We have no gills / and islands are all light. / Escape that.” Saundra Rose Maley described a hot summer night scene in “First Blues”: “Televisions gone bleary / blinked / in front of men / in undershirts drinking beer.” In “Song,” Nancy Arbuthnot observed: “The best things are nearest / breath, light, flowers / the path just before you.”

Arbuthnot, a poetry teacher at the Naval Academy and longtime volunteer at Calvary Women’s Services, says most of her poems, like the one above, explore everyday life, spirituality, and the way we confront major life issues. Perhaps that’s why her poems resonated so strongly with women at Calvary. She feels the same way about them: “Echoes in These Streets was held on Sundays, and attendance was voluntary. The women who showed up were clearly very interested. They were an incredibly receptive audience, which is what every poet certainly appreciates. It’s been delightful—it made me wonder who really is giving and who is gaining.”

Echoes in These Streets brought much joy and inspiration to women at Calvary, who have long enjoyed experimenting with their own creative abilities. Even though the reading series is over, women at Calvary will have the support they need no matter what artistic endeavor they decide to undertake in the future—Calvary’s literacy and arts program, LEAP, runs year-round and is designed to empower women in understanding and using their own talents and strengths.

Elaine Johnson, who coordinates LEAP and witnesses women’s artistic sides firsthand, noted: “Echoes in These Streets deepened women’s relationship with writing. At the last session, the women were discussing the idea of continuing to meet on Sunday evenings to share and discuss their own poetry—and I see that as evidence of the lasting effect of the series!”

Nancy Arbuthnot agrees: “I think it’s really great that Poets & Writers makes it possible for poets to go out to communities like Calvary. Echoes in These Streets clearly showed that the audience and poets alike benefit from these readings.”

The staff and residents of Calvary Women’s Services would like to thank everyone who participated in the readings and savored poetry as a tool for self-expression, empowerment, and acceptance. A sincere thank you also goes to Poets & Writers who made it possible for the five brilliant poets to present their work to women at Calvary. There is no way these three wonderful evenings would have been possible without your generous support. Here at Calvary, your gift of poetry will certainly keep on giving.

Support for Readings & Workshops in Washington, D.C. is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.

Photos: (top) Hayes Davis, Sonja Berry, and Teri Ellen Cross Davis (Credit: Elaine Johnson). (bottom) Saundra Rose Maley and Nancy Arbuthnot with audience member (Credit: Elaine Johnson).

Meet at the Intersection

8.10.17

”I live in and think about cities a lot. When I think about intersectionality, I always see a literal intersection,” Rebecca Solnit said in a recent interview in the Nation. “Let’s hang out on the corner. Let’s meet at the intersection.” Intersectionality describes the interconnectedness of social categories, which may overlap to create systems of advantage and disadvantage. Jot down some notes on two or more social identities with which you identify, perhaps related to race, class, gender, religion, or age. Envision these categories meeting at a literal intersection or city street corner. Write a personal essay inspired by this image. Consider each category and how those categories interact and build on one another when they meet. Draw on memories and experiences you’ve had that exemplify or magnify your reality within these identities.

Hot Tempers

Though many of us look forward to the higher temperatures and longer daylight hours of summer, studies show that particularly hot and humid days often coincide with higher incidences and expressions of anger, frustration, and irritation. Many elements may factor into this correlation, including people spending more time outside in crowds, an influx of adolescents and tourists during the summertime, increased heart rates because of the heat, and discomfort from dehydration and lack of sleep. A feeling of helplessness or lack of control over the weather may also contribute to snappish behavior. Write a short story in which your main character struggles to keep calm on one of the hottest days of the year. What is the catalyst that drives your character to lose patience or keep cool?

Submit Poetry, Win Beer (and Money and Publication)

Poets who like beer, we have just the contest for you! Submissions are currently open for the fifteenth annual Dogfish Head Poetry Prize. A prize of $500, publication by Broadkill River Press, ten author copies, and two cases of Dogfish Head Craft Brewed Ales are given annually for a poetry collection written by a poet living in the mid-Atlantic states. Destiny Birdsong, Christopher Salerno, and Michael Dwayne Smith will judge.

Poets currently living in Delaware, Maryland, New Jersey, New York, North Carolina, Pennsylvania, Virginia, West Virginia, or Washington, D.C. may submit a manuscript of 48 to 78 pages by August 15. There is no entry fee.

The winner will be expected to attend a reading and award ceremony at the Dogfish Head Brewery in Lewes, Delaware, in December; lodging at the Dogfish Inn will be provided. Visit the website for complete guidelines.

Soundtrack of Your Life

“Generally I think that when you’re talking about the music of a country, you’re talking more or less about the soundtrack of a country, the soundtrack by which people’s lives are lived,” poet Tyehimba Jess said in a recent interview with the New School’s Wynne Kontos. “What’s interesting to me is to hear about the lives of the people who have created that soundtrack.” Jess’s Pulitzer Prize–winning collection, Olio (Wave Books, 2016), covers an array of nineteenth- and twentieth-century African American musicians and performers, presenting a multiplicity of voices and histories through a collage of verse, song, and narrative. What musicians are part of the soundtrack of your life? Choose several musicians or bands integral to your soundtrack, and write poems that reflect on the lives of these musicians, combining research and imagination in a song of your own.

Academy of American Poets Launches Spanish Poetry Prize

The Academy of American Poets has launched the Ambroggio Prize, an annual award given for an unpublished poetry manuscript originally written in Spanish and translated into English by the poet or a translator. The winner will receive $1,000 and publication by Bilingual Press/Editorial Bilingüe at Arizona State University.

The prize will be open for submissions from September 15 through February 15, 2018.  Poet Alberto Ríos will judge. Ríos is the state poet laureate of Arizona and had published several poetry collections, most recently A Small Story About the Sky (Copper Canyon Press, 2015).

“We are happy to be working with the Academy of American Poets, which has been honoring artistic excellence in poetry for many decades, on this new prize to celebrate poets in the United States writing in Spanish as an important part of our rich American poetic tradition,” says Luis Alberto Ambroggio, the sponsor of the prize. Jennifer Benka, executive director of the Academy of American Poets, agrees. “We are thrilled to expand our prizes to include one that recognizes the important place the Spanish language has in American culture,” she says.

The prize is the first of its kind in the United States to honor American poets whose first language is Spanish. Spanish is the second most spoken language in the United States, with the 2013 U.S. Census estimating that approximately 38.4 million people—or 13 percent of the population—speak Spanish at home.

The Academy of American Poets administers several other prizes, including the $100,000 Wallace Stevens Award, the $25,000 Academy of American Poets Fellowship, the $5,000 Walt Whitman Prize, and the $5,000 James Laughlin Award. Cosponsor Bilingual Press/Editorial Bilingüe publishes literary works, scholarship, and art books by or about U.S. Hispanics.

Self-Defense

In times of conflict, we often experience an instinct for self-preservation. Last month, a truck transporting thousands of hagfish in Oregon was involved in a collision that resulted in the eel-like creatures spilling out and releasing massive amounts of slimy mucus onto the highway and cars. In their natural deep-sea habitat, one of the functions of the slime-spewing is as a defense mechanism, clogging the gills of attacking predators. Think of a time when you’ve responded in a stressful situation with a defense mechanism of your own. Write an essay about the encounter, exploring your emotional responses and aspects of your personal history that may have contributed to your instinctive reaction.  

Time After Time

“And for me, while fiction is necessary, I prefer it to be timeless rather than timely,” says Arundhati Roy in “Worth the Wait,” Renée H. Shea’s profile of the author in the July/August issue of Poets & Writers Magazine. This week, try out an exercise to make your own fiction more timeless. Search through your writing for an excerpt in a short story that includes markers of a contemporary setting, perhaps in its mention of modern objects, technology, or usage of slang. Then revise that section of the story by transforming the contemporary elements into description or dialogue that incorporates more timeless language.

Submissions Open for New Lyric Essay Book Prize

Submissions are currently open for Seneca Review’s inaugural Deborah Tall Lyric Essay Book Prize. An award of $2,000 and publication by Hobart and William Smith College Press will be given biennially for a lyric essay collection. The winner will also be invited to give a reading at Hobart and William Smith College in Geneva, New York. John D’Agata will serve as final judge.

The contest accepts “cross-genre and hybrid work, verse forms, text and image, connected or related pieces, and ‘beyond category’ projects.” Using the online submission manager, submit a manuscript of 48 to 120 pages with a $27 entry fee by August 15. The contest is open to both emerging and established writers.

Sponsored by Seneca Review in conjunction with the TRIAS residency program at Hobart and William Smith Colleges, the new biennial book series intends to “encourage and support innovative work in the essay.” Visit the website for complete guidelines.

For more upcoming prizes in poetry, fiction, and creative nonfiction, visit our Grants & Awards Database and Submission Calendar.

Classic Snacks

Watermelon, Mississippi Mud Pie, Red Velvet, Pumpkin Spice, Firework. The original Oreo with its classic pairing of chocolate cookie and white cream filling might remain unchanged, but over the years the Nabisco company has released limited edition flavors to the delight of some fans and the confusion or disapproval of others. Write a poem dedicated to a beloved snack from your childhood, exploring how it has changed or remained the same throughout the years. Consider the effect that consistency has on your life, even in the form of a favorite snack. 

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