Swedish meatballs are Turkish? Last month Sweden posted on its official Twitter account that Swedish meatballs have their origins in Turkey, thereby unleashing a storm of chaos and confusion as Swedes and Swedophiles alike reconsidered the popular national dish, often enjoyed at Ikea furniture stores worldwide. Using this questioning and rethinking of possession, history, and identity as inspiration, write a personal essay about an idiosyncratic trait that seems inextricably tied to your identity. Do those around you associate you with this trait? How might you be perceived differently if one day this characteristic was no longer yours to claim? 

False memory implants may seem the stuff of Philip K. Dick, but earlier this month, scientists published a report in the journal eNeuro that they successfully transferred a memory from one animal to another. In the experiment, RNA from the nervous system of trained snails was injected into untrained snails, which then behaved as if trained, seemingly accessing memories that had been implanted. Write a short story in which a character has a memory implant. Does she voluntarily sign up for the procedure in order to restore a lost memory that would be beneficial to her physically or emotionally, or are there more sinister forces at work? Does the false memory eventually cause unforeseen consequences?

Submissions are currently open for the Gaudy Boy Poetry Book Prize. A prize of $1,000 and publication by Gaudy Boy, an imprint of the literary nonprofit Singapore Unbound, will be given annually for a poetry collection by an Asian writer. Poet and artist Wong May will judge.

The contest is open to emerging and established Asian poets residing anywhere in the world. Submit a manuscript written in English of 50 to 100 pages with a $10 entry fee by May 31. Visit the website for complete guidelines. Five finalists will be announced in August, and the winner will be announced in September.

Established in 2017, Gaudy Boy publishes “poetry, fiction, and literary nonfiction of extraordinary merit by Asian voices.” The inaugural title is Alfian Sa’at’s story collection Malay Sketches.

To learn more about Singapore Unbound, read Melynda Fuller’s article on the organization from the March/April 2017 issue of Poets & Writers Magazine.

In Samoan American poet William Alfred Nu’utupu Giles’s “Prescribed Fire,” the narrator compares his family to a group of towering redwood trees whose roots wrap around each other to create more stability. This week, write a poem that revolves around an extended metaphor for characteristics or experiences unique to your own family. Approach the metaphor from a variety of angles in order to understand or see different qualities of your family through this lens. Play around with unusual or unconventional comparisons that further the exploration of your family’s history and heritage.

Submissions are currently open for the Don Belton Fiction Reading Period. Sponsored by Indiana Review and Indiana University Press, a prize of $1,000 and publication in the Blue Lights Books series will be given for a story collection, novel, or novella. The editors and Michael Martone will judge.

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The editors seek “literary fiction that has an intelligent sense of language, assumes a degree of risk, and has consequence beyond the world of its narrators.” Using the online submission manager, submit an unpublished manuscript of up to 80,000 words with a $25 entry fee, which includes a one-year subscription to Indiana Review, by May 31. Visit the website for complete guidelines.

Established this year, the prize honors award-winning fiction writer and teacher Don Belton, who died in 2009. Belton wrote the novel Almost Midnight (Beech Tree Books, 1986) and edited the anthology Speak My Name: Black Men on Masculinity and the American Dream (Beacon Press, 1995). Listen to poet Ross Gay read his elegy for Belton, “Spoon.”

(Photo: Don Belton)

What happens when a flower blooms before its pollinator emerges? As global warming transforms the earth’s climate, spring has begun to arrive earlier in certain places. In turn, some plants and animals whose behavioral patterns, such as migratory and reproductive cycles, are triggered by seasonal changes are falling out of step with each other. Think of a time in your life when you have felt out of step with the world around you, perhaps just slightly behind or a little too far ahead. When did you first notice the misalignment and how did you break free of it? Did you need to make an effort to adapt yourself? Reflect on your emotional state during this time, and how the people around you might have helped you through this phase. 

“It wasn’t the twists and turns that kept me reading, although there are some of those. It was the language of daily life,” writes Leesa Cross-Smith in “Some Room to Breathe: In Praise of Quiet Books” in the May/June issue of Poets & Writers Magazine. In the essay, Cross-Smith describes her favorite reading experiences with books that offer up calmness, quietude, and stillness. Write a short story that lowers the stakes, in volume, pace, and drama. What is the value in allowing your characters the time and space to slowly observe and reflect upon their surroundings, to dwell on sensorial details? How does your writing change when you focus on the smaller and deeper explorations of truth?  

Would you describe the smell of an herb as simply “musty” or “like old rainwater in the hollow stems of bamboo?” In a study published earlier this year in Current Biology, linguists compared a group of indigenous Malay hunter-gatherers with a neighboring group that depends on trade and agriculture, and tested their ability to name odors. The researchers found that the hunter-gatherers were much more adept at articulating the subtle qualities of different odors because of their direct reliance on the forest’s animals and plants for survival. This week, write a poem that explores the contrasts between scents in natural outdoor spaces versus cultivated environments. Instead of circular or synonymous descriptions, focus on inventing specific and colorful phrases. 

Poets, consider submitting your poems, chapbooks, and full-length collections to the contests below, which offer prizes ranging from $1,000 to $10,000 and publication. The deadline is May 31.

Anhinga Press Anhinga–Robert Dana Prize for Poetry: A prize of $2,000, publication by Anhinga Press, and 25 author copies is given annually for a poetry collection. The winner is also invited to participate in a reading tour at select colleges in Florida. Entry fee: $25

Munster Literature Center Fool for Poetry Chapbook Competition: A prize of €1,000 (approximately $1,230) and publication by the Munster Literature Center is given annually for a poetry chapbook. The winner receives accommodations and some travel expenses to give a reading at the Cork International Poetry Festival in February 2019. Entry fee: €25 (approximately $30)

Backwaters Press Backwaters Prize: A prize of $2,500, publication by Backwaters Press, and 30 author copies is given annually for a poetry collection. Kwame Dawes will judge. Entry fee: $30

Bridport Arts Centre Bridport Prize: A prize of £5,000 (approximately $7,000) and publication in the Bridport Prize anthology is given annually for a poem. A second-place prize of £1,000 (approximately $1,400) and publication is also given. Daljit Nagra will judge. Entry fee: £9 (approximately $13) 

Southern Poetry Review Guy Owen Prize: A prize of $1,000 and publication in Southern Poetry Review is given annually for a poem. Entry fee: $20 

Milkweed Editions Max Ritvo Poetry Prize: A prize of $10,000 and publication by Milkweed Editions is given annually to a U.S. poet for a debut poetry collection. Entry fee: $25

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.