You Are What You...Refrigerate?

Can refrigerator contents lead to a love connection? Refrigerdating is an app that works with Samsung’s Family Hub Refrigerator, a four thousand dollar appliance with a built-in camera and touchscreen door, and allows you to browse ice box contents of potential dates for compatibility. Write a personal essay that considers the contents of your own fridge, and compares it with what’s inside the fridge of a friend, family member, or foe. How are your personalities and habits apparent in your preserved food choices? What might be misconstrued or misrepresentative?

Must’ve Been Something I Ate

According to a recent study in the Journal of Archaeological Science: Reports, scientists found evidence in a cave in Texas that 1,500 years ago, someone ate a venomous snake whole. The discovery was made through analysis of coprolite, fossilized poop, which revealed a wealth of information about the ancient forager’s life and times. While there is no way to be certain, the archaeologists believe it’s possible that the snake was eaten for ceremonial or ritualistic purposes. Write a short story in which your main character finds a fossil in an unlikely place. How does this discovery steer your character into a mystery?

Dante Micheaux Wins Four Quartets Prize

At a ceremony in New York City this afternoon, Dante Micheaux was named the winner of the second annual Four Quartets Prize. Micheaux, who won for his book-length poem, Circus (Indolent Books), will receive $20,000. The annual award is given for a unified and complete sequence of poems published during the previous year. Rowan Ricardo Phillips, Carmen Giménez Smith, and Rosanna Warren judged.

“How right that this poet’s first name should be Dante,” wrote the judges in their citation. “For his Circus is a Comedy: a savage comedy, lacerating dialects, fingering wounds, looking for loves right and wrong in the crevices of history and of humiliated bodies. And yet, and yet. His language exults, triumphs, and freely rummages in the treasuries of the Bible, Baudelaire, Whitman, Eliot, Baraka, and Mahalia Jackson, taking what it needs, making it his sovereign own, a wrested blessing.”

Upon accepting the award, Micheaux thanked his grandmother, saying she “put the pen in my hand, put my hand in her hand, and taught me how to write.” Micheaux also thanked Michael Broder, his publisher at Indolent Books, a small press based in Brooklyn devoted to poetry that is “innovative, provocative, risky, and relevant.” Micheaux is the author of one previous collection, Amorous Shepherd (Sheep Meadow Press, 2010), and has published poems in the American Poetry Review, Callaloo, Poetry, PN Review, and Tongue, among others.

The finalists for the prize were Catherine Barnett for her poem sequence “Accursed Questions” from Human Hours (Graywolf Press) and Meredith Stricker for her chapbook anemochore (Newfound Press).

The Poetry Society of America and the T. S. Eliot Foundation established the Four Quartets Prize two years ago to celebrate the poetic sequence and honor T. S. Eliot’s legacy. Danez Smith won the inaugural prize for their lyric sequence “summer, somewhere” from Don’t Call Us Dead (Graywolf Press).

The Most Vivid Moment

4.30.19

“‘When you finish the book, you close the pages and let your mind wander to the first thing you remember—the most vivid moment, a feeling, a character, a phrase, or even something in your own life experience that resonated and has been resurfaced by the story,’” says Ben Please in “The Bookshop Band” by Dana Isokawa in the May/June issue of Poets & Writers Magazine. The duo, comprised of Please and Beth Porter, composes and performs literary-themed music by a wide range of authors, oftentimes inspired by just one book. Try this exercise while composing a new poem: Select a book you read recently and let your mind’s wandering—and lingering on a word, phrase, or feeling—lead you to the starting point of a poem.

Watchale Workshop: An Alternative Narrative for California’s Central Valley

Jamie Moore is the author of the novella, Our Small Faces (ELJ Publications, 2013). Her work has been published in magazines including TAYO Literary Magazine and the Nervous Breakdown. She is a professor at College of the Sequoias in Visalia, California, and executive director of the Watchale Workshop.

California’s Central Valley has a surprisingly rich literary history, and the Watchale Workshop team has learned a few things about our literary community. Firstly, it is a community centered around Fresno, the city hub of the Central Valley and location of the nearest MFA program, which makes many of the literary events inaccessible to community members in the south part of the region, particularly writing students at the College of the Sequoias, where I teach. Secondly, many events are focused on a single genre—poetry—perhaps as a result of the success of poets from the area. Lastly, and of greatest concern to us, many literary events are focused on and organized by men. Knowing the rich diversity of writers in our area, the Watchale Workshop aimed to showcase what more the Central Valley has to offer with our inaugural day-long event full of workshops and lectures that took place on April 6 at the College of the Sequoias.

The idea for Watchale started as a conversation between fellow writers over coffee. The four of us at Watchale were brought together by a desire to create opportunities for writers like us: POC, queer, emerging. After recruiting a student team in September 2018, Watchale was conceptualized, the name derived from Sandra Cisneros’s poem “Loose Woman.” We wanted to make a statement: Watch out! We’re coming for you! We’ve been here! We’re ready to be heard!

With our mission statement in mind—to create an alternative narrative of our literary community—we carefully curated a lineup of writers that put women and queer voices at the center of our literary conversation. We invited women writers who not only had Central Valley connections, but those we knew would help us create a space for our student writers to be included in the larger literary community. I wanted Watchale to complement the women-centered literary groups already doing work in Fresno, such as Fresno Women Read and Women Writers of Color Central Valley. This was our festival to shine.

And shine we did. In the morning, generative workshops in several genres led by P&W–supported writers Ife-Chudeni Oputa, Monique Quintana, and Wendy C. Ortiz encouraged participants to pick up their pens and get writing. Oputa’s workshop focused on the theme of “Ownership,” asking emerging poets to consider the duality of ownership, and what we owe to ourselves and our communities.

After a rousing reading with Sara Borjas and Wendy C. Ortiz, participants gathered for craft lectures on topics like community organizing, freedom and futurity, scene writing, poetry structure, and self-publishing. The evening reading celebrated both our student readers from the College of the Sequoias Quill Creative Writing Club and our featured writers of the workshop.

Students and community members were invigorated by a literary space that felt like us, of us, for us. I deeply believe we served that purpose and thus, Watchale became the literary event of my dreams. Watchale is a love letter to the Central Valley and to the writers who’ve been missing from the narrative thus far. We’re here now.

Support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.

Photo: (from left to right) Marcus Moreno, Jamie Moore, Martin Velasco Ramos, Destina Hernandez, Wendy C. Ortiz, and Sara Borjas (Credit: Marcus Moreno).

Submissions Open for the Miami Book Fair/de Groot Prize

Submissions are currently open for the Miami Book Fair/de Groot Prize for an unpublished novella. The winner will receive $6,000 and publication by Melville House; two runners-up will each receive $3,000. The winner and runners-up will each receive travel and lodging expenses to read and participate at the Miami Book Fair in 2020.

Writers who have not published a book of fiction are eligible. Using Submittable, submit a manuscript of 17,000 to 40,000 words by May 10. The entry fee is $50 until April 30 and $70 thereafter. Visit the prize’s Terms & Conditions page for complete guidelines.

Justin Torres will judge this year’s competition. Torres is an assistant professor of English at the University of California in Los Angeles and author of the novel We the Animals. The winner will be announced on or before November 1.

Marci Vogel won the 2017 award for her novella, Death & Other Holidays. Jim Shepard judged.

Photo: Miami Book Fair

The Journey

4.25.19

“I had surveyed thousands of miles of panoramic splendor, and I couldn’t believe I had come all that way just to get to Los Angeles,” Caity Weaver writes at the end of her New York Times essay “There Is no Reason to Cross the U.S. by Train. But I Did It Anyway.” In other words, sometimes the old adage applies: It’s about the journey, not the destination. Think back to a time in your life when you had to travel for a long period of time to get somewhere—by train, car, plane, bus, or on foot—and the memory of the trek itself now eclipses the destination. Write a personal essay about the experience and what made it so memorable: the people, the landscape, and the unexpected moments along the way.

Deep Dive

4.24.19

For decades, phones shaped like Garfield—Jim Davis’s comic strip cat best known for being lazy and loving lasagna—kept washing up on the northwest coast of France seemingly out of the blue. The mystery was finally solved after a French environmental group discovered an abandoned shipping container filled with these feline phones lodged deep inside a nearby cave, according to a recent report in the Washington Post. This week, write a story about an enigmatic object that surfaces near a body of water. Concoct an explanation that is logical, fantastical, or somewhere in between—a statement on wastefulness and global pollution or about the magical interconnectedness of the world. For ideas and photographs of strange artifacts discovered underwater, including an ice cream truck and a giraffe, visit Underwater New York.

Dear Titanic

4.23.19

In the Paris Review’s advice column Poetry Rx, Sarah Kay recommends the poem “On This the 100th Anniversary of the Sinking of the Titanic, We Reconsider the Buoyancy of the Human Heart” by Laura Lamb Brown-Lavoie to her heartbroken correspondent. “My heart has an iceberg with its name on it, I told / Titanic, so I need your advice. Tell me, did you see the / iceberg coming?” the poem’s narrator asks the sunken ship. Write a poem this week that addresses and personifies a historical object or place, drawing parallels with the speaker’s present-day problems and plea for wisdom. What advice can this relic offer your speaker?

OutWrite: The Sanctuary of Representation

dave ring is the community chair of the OutWrite LGBTQ literary festival in Washington, D.C. He has been honored to receive fellowships and residencies from Lambda Literary, FutureScapes, DISQUIET, and the Sundress Academy for the Arts. Currently at work on a novel, his stories have been published or are forthcoming by GlitterShip, A Punk Rock Future, and the Disconnect. He is the editor of the anthology Broken Metropolis: Queer Tales of a City That Never Was published by Mason Jar Press. Follow him on Twitter at @slickhop.

Currently I’m the community chair of the annual OutWrite LGBTQ literary festival, held annually on the first weekend in August in Washington, D.C. I inherited the position from Julie Enszer, the editor of Sinister Wisdom. Last year’s keynote speaker was activist and writer Michelle Tea, and the festival itself featured more than ninety authors, forty exhibitors, and a full day of readings and panels—all put on by volunteers.

In addition to the annual festival, OutWrite holds a number of literary events throughout the year. Marianne Kirby, author of the novels Dust Bath Revival and Hogtown Market, organizes an annual speculative reading series in May at East City Bookshop that changes its name a bit each year. In 2017 we held the first reading, “The Future Is Queer,” with Craig Gidney, Sunny Moraine, Day Al-Mohamed, and Sarah Pinsker. In 2018 “The Future Is Still Queer” welcomed Na’amen Tilahun, K. M. Szpara, Ruthanna Emrys, and Marlena Chertock. 2019’s reading on May 4 will be called “The Future Is Still Very Queer” and features Rashid Darden, Nibedita Sen, and Lara Elena Donnelly.

Reflecting on the reading series, Marianne says, “Curating this series of readings focused on queer speculative fiction has been a tremendous reminder that queer identity by its very nature is speculative. When we create and share our visions of the future, we create radical art.”

OutWrite events always remind me how beautiful and affirming representation is. Representation can become sanctuary in a reality that frequently erases, elides, or minimizes queer people’s existence, not only in relation to queerness, of course, but all the other identities that they carry with them. Honoring and showcasing those identities has been a gauntlet worth picking up.

This year’s festival has three featured writers: Kristen Arnett, Jericho Brown, and Wo Chan. Themes include: faith and sexuality, exploring colonialism and diaspora-driven identities, the legacy of Stonewall, and the line between identity and commodity (particularly for writers of color). Friday, August 2 is our kickoff and on Saturday, August 3, we’ll have ten panels and twenty readings. The festival concludes on Sunday, August 4 with six writing workshops, open to both emerging and experienced writers. One of those workshops, “Culinary Speculative” led by Nibedita Sen, will explore the exciting intersection of worldbuilding and food. Please join us!

Support for Readings & Workshops in Washington, D.C. is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.

Photos: (top) dave ring and Michelle Tea (Credit: Phill Branch). (bottom) The Future Is Queer readers (Credit: dave ring).

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