Just a few days left to submit to the following writing contests, all with a deadline of July 14 or July 15. Each contest offers a first-place prize of at least $1,000 and publication. Good luck!

Cincinnati Review Robert and Adele Schiff Awards in Poetry and Prose: Two prizes of $1,000 each and publication in Cincinnati Review are given annually for a poem and a piece of fiction or creative nonfiction. Rebecca Lindenberg will judge in poetry and Michael Griffith will judge in prose. Entry fee: $20. Deadline: July 15.

Comstock Review Muriel Craft Bailey Award: A prize of $1,000 and publication in Comstock Review is given annually for a single poem. David Kirby will judge. Entry fee: $28. Deadline: July 15.

Literal Latté Poetry Award: A prize of $1,000 and publication in Literal Latté is given annually for a poem or group of poems. Entry fee: $10. Deadline: July 15.

Los Angeles Review Literary Awards: Four prizes of $1,000 each and publication in Los Angeles Review are given annually for a poem, a short story, a short short story, and an essay. Matty Layne Glasgow will judge in poetry, Tammy Lynne Stoner will judge in fiction, Brittany Ackerman will judge in flash fiction, and Adrianne Kalfopoulou will judge in nonfiction. Entry fee: $20. Deadline: July 14.

Narrative Poetry Contest: A prize of $1,500 and publication in Narrative is given annually for a poem or group of poems. The poetry editors will judge. Entry fee: $25. Deadline: July 14.

Rattle Poetry Prize: A prize of $10,000 and publication in Rattle is given annually for a poem. A Reader’s Choice Award of $2,000 is also given to one of ten finalists. Entry fee: $25. Deadline: July 15.

Santa Fe Writers Project Book Award: A prize of $1,500 and publication by the Santa Fe Writers Project is given biennially for a book of fiction or creative nonfiction. Carmen Maria Machado will judge. Entry fee: $30. Deadline: July 15.

The Word Works Tenth Gate Prize: A prize of $1,000 and publication by the Word Works is given annually for a poetry collection by a poet who has published at least two full-length books of poetry. Entry fee: $25. Deadline: July 15.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Amanda Lee Koe’s debut novel, Delayed Rays of a Star (Nan A. Talese, 2019), begins with a photograph taken by Alfred Eisenstaedt at a party in Berlin in 1928, a chance snapshot of Marlene Dietrich, Anna May Wong, and Leni Riefenstahl during their early years of celebrity. Koe’s novel explores each of their lives and worlds, as they navigate womanhood in Berlin, Hollywood, the Alps, and Paris. Taking inspiration from this idea of drawing narrative—both historical and mythological—from a single image, search through your old photos and select one that depicts a few people from your past. Consider the period and its conventions, and research news events that were occurring at the time. Write a personal essay that examines your relationship with each person and their relationships with one another while also weaving in historical events and your memories about the particular occasion.

“We must believe in our souls that we are somebody, that we are significant, that we are worthful, and we must walk the streets of life every day with this sense of dignity and this sense of somebody-ness.” In Colson Whitehead’s seventh novel, The Nickel Boys (Doubleday, 2019), the protagonist, Elwood Curtis, replays these powerful words by Martin Luther King Jr. from a record album he received as a young boy in the early 1960s, which he considers “the best gift of his life.” Throughout the book Elwood repeatedly refers to King’s words as a source of guidance, inspiration, and morality. Write a short story in which your main character is similarly inspired by an important historical figure’s words—words of wisdom written or spoken by an artist, author, or activist. How did your character first come across these words? Are they comforting or provocative? Does the meaning or significance of the words change over time as the character evolves?

“Language is a living being. I think that language came before humans, not the other way around…. It might not have been a particularly logical language; more likely, it was paradisiacal and timeless, a kind of happy babbling for the sake of babbling, a kind of music.” In her essay “Language and Madness,” translated from the Swedish by Johannes Göransson and Joyelle McSweeney and posted on the Poetry Foundation’s Harriet blog, Aase Berg writes about the influence of power and patriarchy on language and describes an evolution by which language has become self-conscious and utilitarian, “more descriptive instead of creative.” How has your own language output—in both everyday and poetic usage—been tamed? Write a poem that plays with the idea of timeless, illogical language. What does happy babbling look or sound like? What expressive potential can you tap into to write with childish madness about the banalities of private life?

“A plume came and a plume went,” said NASA scientist Paul Mahaffy about the possibility of a sign of life detected on Mars after a startling spike in the amount of methane gas found in a crater prompted excitement. A second test a few days later, however, came up with nothing. Write an essay about a time when something occurred which gave rise to a certain expectation, and then the situation did not pan out as hoped. What was the progression of emotions involved? How did your interactions with those around you fluctuate over the course of your experience?

“We think of the walls of a house as defining our domestic space, but in the novel these boundaries start to soften, for inside the house it’s as wild as outside,” says Chia-Chia Lin about her debut novel, The Unpassing (Farrar, Straus and Giroux, 2019), in an interview with Yaa Gyasi in the July/August issue of Poets & Writers Magazine. In the novel, an immigrant family lives in a house in Alaska and deals with isolation, grief, and the vulnerability of the house to infiltration. Write a short story in which the stability of a house as a domestic space has been compromised. What happens when what was once thought as safe and interior becomes blurred with what’s presumed to be wild and exterior?

Enclosed within black iron gates in the Alnwick Garden in northern England is the Poison Garden, a collection of one hundred deadly plants dreamed up by the Duchess of Northumberland as a unique way to entice and educate visitors about the medicinal and toxic quality of plants. This week, browse through Encyclopedia Britannica’s list of world’s deadliest plants and select one to read and think more deeply upon. Write a poem inspired by the unique capabilities of the plant, meditating on both its superficial characteristics and its potential to heal, harm, or do both.

Submissions are currently open for several awards given for works of fiction and nonfiction, including the Autumn House Press Literary Prizes, the Moth International Short Story Prize, and the Lascaux Review Prize in Flash Fiction. All of the contests are open for submissions until June 30.

Autumn House Press Literary Prizes: Two prizes of $1,000 each and publication by Autumn House Press are given annually for a book of fiction and a book of creative nonfiction. Each winner also receives a $1,500 travel and publicity grant. Aimee Bender will judge in fiction, and Paul Lisicky will judge in nonfiction. Entry fee: $30.

Hidden River Arts William Van Wert Fiction Award: A prize of $1,000 and publication in Hidden River Review of Arts & Letters is given annually for a short story or a novel excerpt. Entry fee: $17.

Lascaux Review Prize in Flash Fiction: A prize of $1,000 and publication in Lascaux Review is given annually for a work of flash fiction. Previously published and unpublished stories are eligible. Entry fee: $15.

The Moth International Short Story Prize: A prize of €3,000 (approximately $3,411) and publication in the Moth is given annually for a short story. A second-place prize of publication, a weeklong retreat at the Circle of Missé in Missé, France, and a €250 (approximately $284) travel stipend; and a third-place prize of €1,000 (approximately $1,137) and publication are also given. Kit de Waal will judge. Entry fee: $17.

University of North Texas Press Katherine Anne Porter Prize: A prize of $1,000 and publication by University of North Texas Press is given annually for a collection of short fiction. Entry fee: $25.

University of Pittsburgh Press Drue Heinz Literature Prize: A prize of $15,000 and publication by University of Pittsburgh Press is given annually for a collection of short fiction. Writers who have published at least one previous book of fiction or a minimum of three short stories or novellas in nationally distributed magazines or literary journals are eligible. Entry fee: none.  

Willow Springs Books Spokane Prize for Short Fiction: A prize of $2,000 and publication by Willow Springs Books is given annually for a short story collection. Entry fee: $27.50

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

This past Sunday, Nik and Lijana Wallenda, seventh-generation members of the Flying Wallendas circus family, walked a 1,300-foot wire tightrope suspended between two skyscrapers, twenty-five stories above Times Square in New York City. “It was hard to hold it together,” stated Nik in an interview in the New York Times, describing the emotionally intense moment when he met his sister in the middle of the wire, before they carefully passed each other and then continued their separate ways to opposite ends. Write a personal essay about a time when you met someone face-to-face for an intense confrontation. How did the anticipation build as you got closer to meeting, and how was the tension released? 

How would you experience everyday life differently if you had eight arms? If you could turn your skin metallic or reflective, or blend into any background and remain unseen, would you use this power to escape from dangerous or awkward situations? In celebration of Cephalopod Week, write a short story in which your main character possesses some type of octopus, squid, or cuttlefish characteristic. Describe the benefits of newfound capabilities, and what might prove unexpectedly difficult with these peculiar attributes.