Today is the last day to submit to the Sonora Review’s annual flash prose contest and nonfiction contest. Two prizes of $1,000 each and publication in Sonora Review will be given for a piece of flash prose and an essay. Nicole Walker will judge the flash prose contest and Jo Ann Beard will judge the nonfiction contest.

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The theme of the contest is “Desire.” “Where can desire be found on the wide spectrum between contemplation and action?” write the editors on the contest website. “Does a child’s desire look anything like a spouse’s? How does desire shape-shift from person to person, culture to culture?”

Using the online submission system, submit three pieces of flash prose of up to 1,000 words each or an essay of up to 5,000 words by midnight (Mountain Standard Time). The entry fee is $8 for the flash prose contest and $15 for the essay contest.

Edited by graduate students at the University of Arizona, Sonora Review publishes poetry, fiction, and nonfiction. The review also runs an annual prize in poetry and fiction, which will be held later this year.

Photo: Nicole Walker, Jo Ann Beard

“Where would we be without the women who plant their feet, who set their chins, who step forward and never fear the dark?” asks Laird Hunt in his Literary Hub essay “In Gratitude for the Fierce Women of the World.” Hunt describes his high school girlfriend and his grandmother, who both served as fierce female inspiration for him and his novels which center on women who “are making their own story, their own names, their own games.” Write a personal essay about a woman who has had a powerful presence in your life, who inspired you to persevere, to overcome obstacles, to not back down. 

In her New York Times essay “The Ghost Story Persists in American Literature. Why?,” Parul Sehgal writes about how ghost stories throughout American literature have functioned as social critique, manifestations of protest and redress that reveal “cultural fears and fantasies,” and which understand “how strenuously we run from the past, but always expect it to catch up with us.” Write a story that uses a dark or troubling part of history as the impetus for an appearance of a ghostly presence. How does the ghost serve “as a vessel for collective terror and guilt, for the unspeakable” in your story?

Construction workers renovating a building in Valdosta, Georgia, last week discovered approximately one thousand teeth buried in a wall on the second floor. Historical researchers attribute the discovery, and the teeth found in walls in two other cities in Georgia, to the spaces having been occupied by dentists in the early 1900s. Write a poem inspired by the imagery, secrets, and possibilities evoked by these bizarre findings. How do the buildings and architecture that surround us hold and reveal local history? Have there been situations in your life when a buried past became uncovered in mysterious or revelatory ways? 

In the chapter titled “The One Where Two Women Got Married” in the nostalgic retrospective I’ll Be There For You: The One About Friends (Hanover Square Press, 2018), journalist Kelsey Miller writes about the prevalence of homophobic jokes and the depiction of the lesbian couple in the television show Friends. Looking back twenty years later, Miller explores the ways in which the series was a product of its time. Choose a television series that aired ten or twenty years ago that you used to watch, and find a clip or episode to view. Write a personal essay about how your perception of the show has changed with hindsight. Consider what your own opinions of the show were when you watched it the first time around, and then examine how your perspective might have evolved over the years with the culture.

Have you ever found yourself peering over a nearby stranger’s shoulder to see what’s on the phone’s screen? In a recent study, researchers at the Ludwig Maximilian University of Munich analyzed findings from a survey and found that “shoulder surfing was mostly casual and opportunistic” and was “most common among strangers, in public transport, during commuting times, and involved a smartphone in almost all cases.” Write a short story in which your protagonist peeks over the shoulder of a bystander and catches a glimpse of something unexpected on the person’s phone. Is it something vaguely suspicious that captures your main character’s imagination or is it something downright implicating?

“I always feel that I’ve seen a thing after I’ve described it….when I’ve written a thorough physical description of something, then I feel like I’ve seen it and I’ll remember it,” says Barbara Kingsolver in “A Talk in the Woods,” her conversation with Richard Powers in the November/December issue of Poets & Writers Magazine. Choose an object that you have never really given much thought to, but that you see frequently in your home or on your commute, perhaps a houseplant or a mailbox or a street sign. Spend some time intensely observing it, and then jot down a thorough physical description. Afterwards, write a poem about the object. How did your perception of it change, in your mind’s eye, after going through the exercise of articulating it in language?

“As a nonfiction writer I tend to write about things when I am still in the midst of them, when I am too close to the subject matter and there is no possible resolution to the thing I am writing about,” writes Steph Auteri in “Writing Partners: Working Together Through Writing and Life” in the November/December issue of Poets & Writers Magazine. What issues or conflicts are you in the midst of struggling with right now? Begin an essay about a subject that you are dealing with at the moment, writing down all the raw emotions without self-editing. Perhaps in a few weeks or months, you can revisit the piece and decide whether to continue working on it from more of a distance.