G&A: The Contest Blog

The Twittersphere heated up this afternoon after news broke that no Pulitzer Prize would be awarded for fiction published in 2011. The finalists for the award, also revealed today, were Denis Johnson for Train Dreams (Farrar, Straus and Giroux), Karen Russell for Swamplandia! (Knopf), and the late David Foster Wallace for The Pale King (Little, Brown). No explanation has been given regarding the decision to withhold the prize, a move that last occurred in 1977, except that the choice was up to the Pulitzer board, and not this year's judges, Maureen Corrigan, Michael Cunningham, and Susan Larson.

On Twitter, Publishers Marketplace news editor Sara Weinman (@sarahw) inquired, where does the money go, if no prize is given? (Each winner receives ten thousand dollars.) Beatrice.com creator Ron Hogan (@RonHogan) bemoaned the perceived necessity of such a prize altogether, writing, "But, but, if we don't have a Pulitzer-winning novel, nobody will get the sales boost, and publishing will be DOOOOOMED! #waaah." Public relations maven Kimberly Burns (@kimberlyburnspr) offered a similar sentiment: "No #Pulitzer for fiction means go to an independent bookstore & ask a bookseller for a recommendation."

But amid the chatter over the Pulitzer in fiction, plenty of attention was sent the way of poetry prize recipient Tracy K. Smith, whose win for Life on Mars (Graywolf Press) came on, of all days, her birthday. The finalists in poetry, also published by small presses, were Forrest Gander for Core Samples From the World (New Directions) and Ron Padgett for How Long (Coffee House Press).

Stephen Greenblatt took the prize in general nonfiction for his National Book Award-winning The Swerve: How the World Became Modern (Norton). The finalists were Diane Ackerman for One Hundred Names For Love: A Stroke, a Marriage, and the Language of Healing (Norton) and Mara Hvistendahl for Unnatural Selection: Choosing Boys Over Girls, and the Consequences of a World Full of Men (Public Affairs).

The Pulitzer Prizes are given annually for books published in the previous year by American authors.

In the video below, Smith discusses Life on Mars, including what Planet of the Apes and 2001: A Space Odyssey have to do with her winning collection.

The shortlist for the 2012 IMPAC Dublin literary prize was revealed today, highlighting ten authors with notable novels released in English in 2010. Among the finalists for the international honor, which annually awards one hundred thousand euros, are three Americans, Jennifer Egan, Karl Marlantes, and Willy Vlautin.

Egan is named a finalist for A Visit From the Goon Squad, which took both the National Book Critics Circle and the Pulitzer Prize last year. Marlantes makes the shortlist with his much-lauded debut, Matterhorn (Atlantic Monthly Press/El León Literary Arts) which won the Center for Fiction First Novel Prize in 2010. Vlautin joins the ranks with his third novel, Lean on Pete (Harper Perennial).

Among the international novels up for the award are Rocks in the Belly, the debut of British author Jon Bauer; The Matter With Morris by Canadian David Bergen; The Memory of Love by British and Sierra Leonean author Aminatta Forna; Even the Dogs by British author Jon McGregor; and Landed by British author Tim Pears. Two translations also made the list, Limassol by Yishai Sarid, translated from the Hebrew by Barbara Harshav, and The Eternal Son by Cristovão Tezza, translated from the Portuguese by Alison Entrekin.

The finalists were culled from a longlist of 147 titles nominated by libraries in twelve countries. The winner of this year's prize will be announced on June 13.

In the video below, Vlautin discusses the obsession behind his shortlisted novel—and sings a song about it.

In partnership with the family of a Vietnam veteran known for his antiwar writing and activism, Iowa Review has launched a multigenre writing contest open to U.S. military veterans and active duty personnel. The Jeff Sharlet Memorial Award competition, which offers one thousand dollars and publication in Iowa Review, is accepting entries of poetry, fiction, and creative nonfiction on any subject.

Pulitzer Prize winner and Vietnam veteran Robert Olen Butler will select the winning work from a pool chosen by the journal's editors (all finalists will be considered for publication). Butler, much of whose work is informed by his experiences in the U.S. military, served in Vietnam as an intelligence agent and a translator. He is the author of twelve novels, most recently A Small Hotel (Grove Press, 2011), six short story collections, and a nonfiction book on craft, From Where You Dream: The Process of Writing Fiction (Grove Press, 2005).

Writers may submit their work with a fifteen-dollar entry fee via Submittable or postal mail (an extra ten dollars gets entrants a yearlong subscription to the magazine). The deadline is June 15. Visit the Iowa Review website for complete guidelines.

In the video below, Butler discusses how his time in the military led the former playwright to fiction, and how his experiences in Vietnam have shaped his work.

In collaboration with Miami Dade College, the thirty-four-year-old National Poetry Series has established a new book award to accompany its five annual prizes, for a collection of Spanish-language verse. The winner of the inaugural Paz Prize for Poetry will receive five hundred dollars, and Akashic Books will publish the winning book in a bilingual edition.

The competition, open to American poets writing in Spanish, will begin accepting manuscript entries on May 1 and will close on June 15. Finalists will be announced in July, and a winner, selected by Puerto Rican American poet Victor Hernández Cruz, will be named in September.

"In our increasingly diverse nation, poetry in translation is not just desired, but necessary," says Alina Interian, executive director of Miami Dade College's literary hub, the Center, in a press release. "It allows for shared experience across cultures and greater understanding, and for even more beauty in our world."

Complete guidelines for the Paz Prize are available on the National Poetry Series website.

Trio House Press, a new poetry outfit in Staten Island, New York, is accepting entries for two book awards. The prize for a first or second poetry collection, judged by Ross Gay, will award publication and one thousand dollars. A second one-thousand-dollar award, judged by Michael Waters, will grant publication of a manuscript by a poet in any stage of her career.

In addition to publication and the monetary prize, the press will also offer winners a role behind the scenes at Trio House. The press has adopted a cooperative structure, so winners will become part of publishing operations for a twenty-four month period (similar to the model employed by, for example, Alice James Books and Calypso Editions) and be involved, each joining one of four committees, in the publication of subsequent books. (Trio House plans to release three titles a year.)

This year's judge in emerging poetry, Gay is the author of two collections, Bringing the Shovel Down (University of Pittsburgh Press, 2011) and Against Which (CavanKerry Press, 2006). He is a Cave Canem fellow and a professor at Indiana University and Drew University's low-residency MFA program.

General prize judge Waters, also a teacher in Drew University's program (as well as a professor at Monmouth University in his home state of New Jersey), is author of ten collections, most recently Gospel Night (BOA Editions, 2011). He is also coeditor of the most recent edition of Contemporary American Poetry, published in 2006 by Houghton Mifflin.

For both of Trio House's competitions, poets residing in the United States may submit manuscripts of forty-eight to seventy pages with an entry fee of twenty-five dollars by April 30. Entries are accepted via Submittable (formerly Submishmash).

In the video below, Gay recites a poem at the Page Meets Stage reading series in New York City.

Last night in Abu Dhabi, Lebanese author Rabee Jaber was awarded the International Prize for Arabic Fiction, given for the past five years for novels originally written in Arabic. The forty-two-year-old author took the award, also known as the Arabic Booker (it is sponsored by major literary prize underwriter Man Booker), for his historical novel The Druze of Belgrade.

Still unpublished in English, a state that is likely to change shortly if the fate of past honorees' work serves as any indication, Jaber is a well-known author in his native Lebanon. He has published seventeen novels and, in 1992, won the country's Critics Choice Award for his debut, Master of Darkness.

Jaber received fifty thousand U.S. dollars, and each finalist received ten thousand dollars. The shortlisted authors were Jabbour al-Douaihy of Lebanon for The Vagrant, Ezzedine Choukri Fishere of Egypt for Embrace on Brooklyn Bridge, Nasser Iraq of Egypt for The Unemployed, Bachir Mefti of Algeria for Toy of Fire, and Habib Selmi of Tunisia for The Women of al-Basatin.

The award was presented at the launch of the Abu Dhabi International Book Fair. The winner and shortlisted authors will appear in conversation tomorrow evening at the festival to discuss risk-taking in Arabic fiction.

Past winners of the Arabic Booker include Saudi novelist Raja Alem (The Doves' Necklace) and Moroccan author Mohammed Achaari (The Arch and the Butterfly), who split the award last year, as well as Egypt's Bahaa Taher (Sunset Oasis) and Youssef Ziedan (Azazel), and Abdo Khal of Saudi Arabia (Spewing Sparks as Big as Castles).

Last night Steven Millhauser took the Story Prize, the annual award celebrating a short story collection published in the previous year, at a ceremony in New York City. Following readings by the author, who began his career as a novelist (a Pulitzer Prize–winning one, at that), and his fellow finalists, Don DeLillo and Edith Pearlman, Millhauser's We Others (Knopf) was announced as the selection for this year's twenty-thousand-dollar award.

Millhauser, who admits influences ranging from Dr. Seuss's And to Think That I Saw It on Mulberry Street to makers, inventors, and craftsman (including those ne'er-do-wells of his youth who revealed their secret, and unmatched, talents in woodshop), was recognized for his skill at pushing the boundaries of the imaginative process. As prize director Larry Dark noted in his onstage interview with the author, one uniting feature of Millhauser's oeuvre is the "escalation of efforts" exemplified in stories such as "Snowmen," which the author presented last night. Millhauser followed the story with a reading of a "thingamajig," which he asked the audience to regard as such, avoiding classifying the two-minute lyric romp as a "poem" or "story."

Both DeLillo, shortlisted for The Angel Esmeralda (Scribner), and Pearlman, a finalist for Binocular Vision (Lookout Books), took home five thousand dollars each. The judges for this year's award were author Sherman Alexie, translator Breon Mitchell, and Louise Steinman of the Los Angeles Public Library.

After the prizes were presented (and the authors swamped with readers seeking autographs), the evening wound down with a party for the finalists, an intimate celebration in a Greenwich Village restaurant befitting the tiny beauty of, as DeLillo put it, "the classic American form."