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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
by Amanda Calderon
Frustrated by a reviewing culture that they found to be increasingly insular—and as such, less honest—two poets decided to create a safe new space for reviewers to write candidly—and anonymously—about new collections of poetry.
by Travis Kurowski
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue’s MagNet features the Black Warrior Review, Granta, the Asia Literary Review, the Burnside Review, and the Dark Horse.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including John Irving’s Avenue of Mysteries and a translation of Liu Xia’s Empty Chairs, as the starting point for a closer look at these new and noteworthy titles.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Dallas, Texas–based Deep Vellum Publishing, a nonprofit press that focuses on literature in translation and is committed to supporting the growing literary community in Dallas.
by Jonathan Vatner
Catapult, a new literary venture that launched in September, is working to provide resources for writers at every stage of their career—from workshops to self-publishing platforms to traditionally published books—in an effort to create an online community that “conceptually mirrors the ecosystem in which writers and creatives exist right now.”
by Kevin Nance
When universities face budget cuts, their presses are often the first to meet the chopping block, causing waves of unemployment for writers and editors alike. In the wake of their own shutdown, however, the University of Akron community fought to get theirs back.
by Michael Szczerban
Michael Wiegers, the editor in chief of Copper Canyon Press, talks about how he decides which books to publish (from the two thousand manuscripts the press receives each year) and what it’s like to edit the likes of Pablo Neruda, W. S. Merwin, and C. D. Wright.
by Jeremiah Chamberlin
Five editors of independent presses specializing in translation discuss how they find new work from around the world, the challenges they face as publishers, and the future of literary translation.