Genre: Poetry

The Last Friend

“The day the last friend / dies / we sit alone. / A visitor / from outer space / tries hard / to summon us. / Someone says / EAT DEATH. / I fish around for answers / but the questions / still won’t come,” writes Jerome Rothenberg, who passed away in April, in his poem “The Last Friend.” Included in his collection of one hundred poems, A Book of Witness: Spells & Gris-Gris (New Directions, 2022), the poem presents a list of statements and observations, many of which refer to death or dying in some personal way, though the connections are enigmatic and the logical progression is oblique. Try your hand at writing a poem that mentions its subject directly, but which also deliberately obfuscates or remains ambiguous in its intentions. How might using the “I” as a witness include the reader into your point of view?

If I Must Die by Refaat Alareer, Read by Brian Cox

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“If I must die, / you must live / to tell my story…” In this video filmed for the Palestine Festival of Literature, actor Brian Cox reads “If I Must Die” by the late Palestinian poet and English literature professor Refaat Alareer, who died after an Israeli airstrike on Gaza on December 6, 2023. Alareer’s posthumous book of the same name will be published in September by OR Books.

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Victoria Chang on Grief and Art

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“This year I turned my back to the world. I let language face // the front. The parting felt like a death.” In this About the Authors TV video, Victoria Chang speaks about her award-winning collection, Obit (Copper Canyon Press, 2020), and reads a poem from her new collection, With My Back to the World (Farrar, Straus and Giroux, 2024), which engages with the paintings and writings of Agnes Martin.

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Wisdom in Translation

4.30.24

In the anthology Another Room to Live In: 15 Contemporary Arab Poets (Litmus Press, 2024) edited by Omar Berrada and Sarah Riggs, multinational and multilingual poet-translators challenge foundational narratives and rework mythologies through poetic expression. Yasmine Seale’s poem “Conventional Wisdom (Arabic Saying Translated Twenty Ways)” is composed of translations of an ancient aphorism expressing the inextricable place of poetry within Arab cultural heritage. Each line presents a variation on the truism: “Poetry is the record of the Arabs / The art of poetry is Arabs, collected / Good poetry is a list of Arabs / To speak in verse is to remain in Arab memory / To surpass another poet is the Arab odyssey.” Write a poem inspired by this idea of translating a proverb or maxim—either from another language or from English into English. How might you creatively interpolate different “translations” of the saying by incorporating connotations and riffing on free associations and personal experiences?

Poetry in America: Phillis Wheatley

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“When I sit down, I invite that muse, that ardor, that passion to get to some place of discovery.” In this preview for the season four premiere of the public television series Poetry in America, poets Richard Blanco and Amanda Gorman, among other writers and scholars, join host Elisa New to discuss two poems by pioneering Black poet Phillis Wheatley. Watch the full episode here.

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Ada Limón Introduces You Are Here

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In this inaugural Mary Oliver Memorial Event, U.S. Poet Laureate Ada Limón introduces her signature project which includes site-specific poetry installations in seven national parks and the anthology You Are Here: Poetry in the Natural World, published by Milkweed Editions in association with the Library of Congress. Limón is joined by poets Molly McCully Brown, Jake Skeets, Analicia Sotelo, and Paul Tran for a reading and conversation.

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Nam Le: 36 Ways of Writing a Vietnamese Poem

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In this Politics and Prose event, Dylan Thomas Prize–winning author Nam Le reads from his debut poetry collection, 36 Ways of Writing a Vietnamese Poem (Knopf, 2024), and discusses the choice to write poetry rather than prose, and the sometimes questionable authority of writing about trauma in a conversation with Natasha Sajé.

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