Genre: Poetry

When in Rome

The Time Is Now
6.10.25

The poems in Charity E. Yoro’s debut collection, Ten-cent Flower & Other Territories (First Matter Press, 2023), largely circle around the political history and her personal experience of the Hawaiʻian islands. Her poem “postcard from rome” takes on the feeling of a postcard that arrives unexpectedly in the mail—a surprising and sudden intrusion of an exotic locale. This week, write a poem titled “Postcard From…” and think back to your memories of visiting a new place. Try to reach far from what’s currently at the forefront of your mind, as well as the themes and topics you typically explore in your poetry. Allow this poem to drop in to your current body of writing like a short, evocative glimpse of another time and place—a gentle disruption to your usual flow.

Heid E. Erdrich

Caption: 

In this video, Heid E. Erdrich reads from her collections Verb Animate: Poetry and Prompts From Collaborative Acts (Trio House Press, 2024) and Little Big Bully (Penguin Books, 2020), and answers questions about hope, memories, and revision for this Jensen Lecture Series event hosted by Western Oregon University.

Genre: 
Poetry
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Heid E. Erdrich
Verb Animate: Poetry and Prompts From Collaborative Acts
Little Big Bully
Jensen Lecture Series
Western Oregon University
reading
2025

After Suffering

The Time Is Now
6.3.25

Asked where great poems come from, Alice Notley, who passed away last month, responded in a 2024 interview for the Paris Review’s Art of Poetry series: “I think the real answer has to do with suffering, and how you perceive things after suffering. You might just freeze, but if you don’t, other worlds open to you.” In remembrance of Notley, write a poem that considers how your perceptions may have shifted in subtle or substantial ways after a time of loss or sorrow. Notley spoke of “hearing the dead” in dreams and receiving advice. What new worlds have opened up to you as a result of this difficult experience? How can you use lyric form to give voice to your emotions?

The Descent of Alette

Caption: 

“‘In a dark cave, I saw’ ‘an apparition:’ ‘almost real, almost there—’...” In this 2016 video, Alice Notley reads from her feminist epic The Descent of Alette (Penguin Books, 1996) for a two-day event at the Lab in San Francisco cosponsored by the Poetry Center at San Francisco State University. Notley died at the age of seventy-nine on May 20, 2025.

Genre: 
Poetry
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Alice Notley
reading
The Descent of Alette
Penguin Books
1996
The Lab
Poetry Center at SFSU
San Francisco
2016
in memoriam

In Medias Res

The Time Is Now
5.27.25

In storytelling, the narrative strategy of beginning in medias res is to launch into the middle of a plot. Frequently applied to the composition of contemporary novels and films, such as Fight Club, Forrest Gump, and Raging Bull, the storytelling device can be traced back to Homer’s Greek epic poem The Iliad, which opens at the tail end of the Trojan War. This week write a poem that begins in medias res. Think of a story you’d like to recount in narrative verse and then select a starting point that may be much later than the logical or conventional beginning of the action. Sprinkle in flashbacks and recollections of memory to fill in any necessary pieces of context that allude to earlier events.

Marilyn Chin: Sage

Caption: 

Marilyn Chin reads from her sixth poetry collection, Sage (Norton, 2023), and answers questions about the public role of the modern poet and her references to ancient traditions and pop culture in this 2023 virtual installment of the Hugh C. Hyde Living Writers’ Series hosted by San Diego State University’s Creative Writing program.

Genre: 
Poetry
Tags: 
Marilyn Chin
Sage
Norton
San Diego State University
Hugh C. Hyde Living Writers’ Series
reading
2023

How to Live

The Time Is Now
5.20.25

On her website, The Marginalian, Maria Popova writes about her admiration for Marie Howe’s poem “The Maples,” which appears in her Pulitzer Prize–winning collection, New and Selected Poems (Norton, 2024), and describes it as “spare and stunning.” The poem begins by asking a question that has fueled philosophical discussions for centuries: “How should I live my life?” The speaker poses this question to nearby maple trees to which they respond, “shhh shhh shhh,” and their leaves “ripple and gleam.” Compose your own poem that attempts to ask and even embody this big life question, situating a speaker in a setting in which their connection to the surrounding environment is incorporated into the answer. Do you find yourself drawn toward nature or somewhere else?

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