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In this 2015 Page Meets Stage event, Aziza Barnes reads “a good deed is done for no good reason,” which appears in their debut poetry collection, i be, but i ain’t (YesYes Books, 2016). “You allow yourself to become whatever these hands will make you,” writes Barnes. The award-winning poet and playwright died at the age of thirty-two on December 15, 2024.
In this OR Books Live on Avenue C event, Mosab Abu Toha reads “If I Must Die” by the late Refaat Alareer, which appears in his posthumously published collection of poetry and prose, If I Must Die (OR Books, 2024).
In this Grolier Poetry Book Shop reading, Darius Atefat-Peckham reads from his debut collection, Book of Kin (Autumn House Press, 2024), and Raisa Tolchinsky reads from her debut collection, Glass Jaw (Persea Books, 2024). Atefat-Peckham is featured in “The Luminous Life: Our Twentieth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
In this Brooklyn Book Festival virtual event, authors Hisham Matar, Rania Mamoun, and Omar Khalifah talk about the purpose and urgency of writing about history during times of crisis in a conversation moderated by writer and translator Yasmin Seale. Khalifah’s novel, Sand-Catcher (Coffee House Press, 2024), is featured in Page One in the January/February issue of Poets & Writers Magazine.
“I caught this morning morning’s minion, king- / dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding / Of the rolling level underneath him steady air,” begins Gerard Manley Hopkins’s 1877 poem “The Windhover,” a sonnet in which the poet wields the image of a kestrel in flight to explore his conflicted feelings about spirituality and art. The beginning lines of the poem are filled with repetition—of words, alliteration, consonance, and assonance—all of which place a weight onto the words, slowing the pace as one reads it aloud. Try your hand at weighing down the beginning of a new poem with repetition, using a variety of rhymes and sound. After a leisure beginning, does your poem suddenly break free and open, or is it more gradual?
In this University of Arizona Poetry Center event, Saretta Morgan discusses the importance of writing amidst global crises and reads from her debut collection, Alt-Nature (Coffee House Press, 2024), after an introduction by Marianna Ariel ColesCurtis. Morgan is featured in “The Luminous Life: Our Twentieth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
The Hemingway-Pfeiffer Museum and Educational Center at Arkansas State University offers a monthlong residency in June to poets, fiction writers, creative nonfiction writers, and translators in Piggott, Arkansas. Residents are provided with a loft apartment on the downtown square in Piggott, a $1,000 stipend to help cover food and transportation costs, and the opportunity to write in the studio where Ernest Hemingway worked on A Farewell to Arms in 1928.
Hemingway-Pfeiffer Writer-in-Residence Program, 1913 Museum Row, Piggott, AR 72454. (870) 598-3487. Adam Long, Executive Director.
In this Live From NYPL event at the Stavros Niarchos Foundation Library, Emily Lee Luan reads from her collection, 回 / Return (Nightboat Books, 2023), and Jimin Seo reads from his debut collection, OSSIA (Changes Press, 2024), followed by a discussion on the poetics of grief and memory. Seo is featured in “The Luminous Life: Our Twentieth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
Kenzie Allen reads from her debut poetry collection, Cloud Missives (Tin House, 2024), and talks about the themes in the book for this Left Bank Books reading with poets Tola Sylvan and Marc-Anthony Valle. Allen is featured in “The Luminous Life: Our Twentieth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
