5 Over 50: 2024

Excerpts from debut books by Suzette Mullen, Dorsía Smith Silva, Uchenna Awoke, Deborah Jackson Taffa, and Parul Kapur.
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Excerpts from debut books by Suzette Mullen, Dorsía Smith Silva, Uchenna Awoke, Deborah Jackson Taffa, and Parul Kapur.
The Pacific Residency Writers Conference, sponsored by Pacific University’s creative writing MFA program, was held from January 9, 2025, to January 19, 2025, in the beachside resort town of Seaside, Oregon. The conference featured craft talks, workshops, panels, roundtable discussions, and student and faculty readings for poets, fiction writers, and creative nonfiction writers. The faculty included poets Ellen Bass, Leila Chatti, Adrienne Christian, Eduardo C. Corral, Kwame Dawes, Tyree Daye, Frank X.
Pacific Residency Writers Conference, 530 NW 12th Avenue, Portland, OR 97209. (503) 352-1531. Scott Korb, Director.
“One by one, like leaves from a tree, / All my faiths have forsaken me; / But the stars above my head / Burn in white and delicate red, / And beneath my feet the earth / Brings the sturdy grass to birth,” begins Sara Teasdale’s 1915 poem “Leaves.” Write a poem that uses rhythm and meter to evoke the feeling of the autumn season and describes the sights and sounds of the natural environment drying and withering, beginning the descent to decomposition. You might use this as an opportunity to ruminate on the larger themes of slowing down, and cycles of renewal and decay. Pay particular attention to consonance, short and long vowel sounds, and the length of your words and lines to create the desired tone of your poem.
In this Poets & Writers event, 2024 Jackson Poetry Prize winner Fady Joudah reads a selection of poems, including from his National Book Award–nominated collection, [...] (Milkweed Editions, 2024), and joins Pádraig Ó Tuama for a conversation about his work and life as a poet.
In a recent piece published on Literary Hub highlighting responses from writers and editors on their appreciation for The Chicago Manual of Style, book editor Barbara Clark muses on the poetry found within the guidebook. “When I looked up something in the manual, I saw poems in their purest form. Open to a page at random, and find a poem there,” says Clark. “Fused participles! Who can imagine such a thing?” Taking inspiration from grammar-related terms and phrases, compose a poem that plays with an open interpretation of the words involved, bringing these concepts beyond language usage and into a more personal or philosophical context. Can you locate a sort of soul or lyrical beauty within organization and categorization?
“My writing is intimate and personal, but it’s also attempting to broaden the scope of what intimacy can be.” In this short video, Hanif Abdurraqib, a recipient of the 2024 Windham Campbell Prize in nonfiction, speaks about how writing about the things he loves has guided his work.
In this Brooklyn Book Festival Bookend Event at Books Are Magic, the Institute of American Indian Arts presents readings by students, alumni, and faculty of the program, including program director Deborah Jackson Taffa, m.s. RedCherries, Lily Philpott, and Julianne Warren.