Genre: Poetry

William Matthews Poetry Prize

Asheville Poetry Review
Entry Fee: 
$20
Deadline: 
January 15, 2025
A prize of $1,000 and publication in Asheville Poetry Review is given annually for a single poem. The winner is also invited to give a reading at Malaprop’s Bookstore in Asheville, North Carolina. Nickole Brown will judge. Using only the online submission system, submit up to three poems of any length with a $20 entry fee by January 15, 2025. All entries are considered for publication. Visit the website for complete guidelines.

Canadian First Book Prize

Griffin Trust for Excellence in Poetry
Entry Fee: 
$0
Deadline: 
December 20, 2024
A prize of $10,000 Canadian (approximately $7,349) is awarded for a debut poetry collection by a living Canadian citizen or permanent resident of Canada published during the current year. Publishers may submit four copies of a book published between July 1 and December 31 by December 20. The deadline for books published during the first half of the year was June 21. Self-published books are not accepted. There is no entry fee. Visit the website for the required entry form and complete guidelines.

Robert J. DeMott Short Prose Contest

Quarter After Eight
Entry Fee: 
$15
Deadline: 
November 30, 2024
A prize of $1,008.15 and publication in Quarter After Eight is given annually for a prose poem, a short short story, a micro essay, or other work of short prose. Lily Hoàng will judge. Using only the online submission system, submit up to three pieces of no more than 500 words, each with a $15 entry fee, by November 30. All entries are considered for publication. Visit the website for complete guidelines.

Pacific Residency Writers Conference

The Pacific Residency Writers Conference, sponsored by Pacific University’s creative writing MFA program, was held from January 9, 2025, to January 19, 2025, in the beachside resort town of Seaside, Oregon. The conference featured craft talks, workshops, panels, roundtable discussions, and student and faculty readings for poets, fiction writers, and creative nonfiction writers. The faculty included poets Ellen Bass, Leila Chatti, Adrienne Christian, Eduardo C. Corral, Kwame Dawes, Tyree Daye, Frank X.

Type: 
CONFERENCE
Ignore Event Date Field?: 
no
Event Date: 
January 9, 2025
Rolling Admissions: 
no
Application Deadline: 
December 2, 2024
Financial Aid?: 
no
Financial Aid Application Deadline: 
June 6, 2025
Free Admission: 
no
Contact Information: 

Pacific Residency Writers Conference, 530 NW 12th Avenue, Portland, OR 97209. (503) 352-1531. Scott Korb, Director.

Scott Korb
Director
Contact City: 
Seaside
Contact State: 
OR
Contact Zip / Postal Code: 
97138
Country: 
US

Falling

10.8.24

“One by one, like leaves from a tree, / All my faiths have forsaken me; / But the stars above my head / Burn in white and delicate red, / And beneath my feet the earth / Brings the sturdy grass to birth,” begins Sara Teasdale’s 1915 poem “Leaves.” Write a poem that uses rhythm and meter to evoke the feeling of the autumn season and describes the sights and sounds of the natural environment drying and withering, beginning the descent to decomposition. You might use this as an opportunity to ruminate on the larger themes of slowing down, and cycles of renewal and decay. Pay particular attention to consonance, short and long vowel sounds, and the length of your words and lines to create the desired tone of your poem.

2024 Jackson Poetry Prize Reading: Fady Joudah

Caption: 

In this Poets & Writers event, 2024 Jackson Poetry Prize winner Fady Joudah reads a selection of poems, including from his National Book Award–nominated collection, [...] (Milkweed Editions, 2024), and joins Pádraig Ó Tuama for a conversation about his work and life as a poet.

Genre: 

Ode to Style

10.1.24

In a recent piece published on Literary Hub highlighting responses from writers and editors on their appreciation for The Chicago Manual of Style, book editor Barbara Clark muses on the poetry found within the guidebook. “When I looked up something in the manual, I saw poems in their purest form. Open to a page at random, and find a poem there,” says Clark. “Fused participles! Who can imagine such a thing?” Taking inspiration from grammar-related terms and phrases, compose a poem that plays with an open interpretation of the words involved, bringing these concepts beyond language usage and into a more personal or philosophical context. Can you locate a sort of soul or lyrical beauty within organization and categorization?

An Evening With the Institute of American Indian Arts

Caption: 

In this Brooklyn Book Festival Bookend Event at Books Are Magic, the Institute of American Indian Arts presents readings by students, alumni, and faculty of the program, including program director Deborah Jackson Taffa, m.s. RedCherries, Lily Philpott, and Julianne Warren.

Pages

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