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“Is it any wonder our lips feel so lonesome these long evenings?” Phil Kaye reads his poem “Summer / New York City,” which appears in his collection Date & Time (Button Poetry, 2018), in this 2021 event with accompaniment by The Westerlies at Little Island in New York City.
“Poetry is the tempo of one’s temperament.” In this 2015 event for the House of SpeakEasy’s “Seriously Entertaining” series, Rowan Ricardo Phillips talks to a live audience about the nature of poetry and his memories of the 1980 film Altered States. Phillips discusses his role as editor of the Princeton Series of Contemporary Poets in a Q&A in the September/October issue of Poets & Writers Magazine.
“Everybody looks at him playing / the machine hour after hour, / but he hardly raises his gold lashes,” writes Thom Gunn in his poem “Bally Power Play,” which appears in his collection The Passages of Joy (Farrar, Straus and Giroux, 1982). In the poem, an unnamed speaker describes the movements of a pinball player in a bar with a sense of close watchfulness and adoration. “He is / the cool source of all that hurry / and desperate activity, in control, / legs apart, braced arms apart, / seeming alive only at the ends,” writes Gunn. This week, write a poem that captures a scene in which your speaker is observing someone closely. Consider, as in Gunn’s poem, how descriptive language can create and match the rhythm of a subject’s movements. For more inspiration, read C. K. Williams’s poem “From My Window.”
“When you think you’re getting good, be humble. There’s no end to the learning.” In this video, Arthur Sze visits his high school, the Lawrenceville School in New Jersey, and offers advice from his years of experience as a poet. Sze is the recipient of the 2013 Jackson Poetry Prize and won the 2019 National Book Award in poetry for his collection Sight Lines (Copper Canyon Press, 2019).
Are you an established writer developing a major creative project? Or perhaps an emerging or debut poet seeking to place your chapbook or full-length collection? Read on to learn about two prestigious fellowships and three poetry contests with application deadlines between September 14 and September 19. Both fellowships are open to poets, fiction writers, and nonfiction writers and offer $50,000 or more with no entry fee. All prizes awarded for poetry collections offer publication and $1,000 or more. We hope you share your work!
Harvard University
Radcliffe Institute Fellowships
Fellowships of $78,000 each, office space at the Radcliffe Institute, and access to the libraries at Harvard University are given annually to poets, fiction writers, and creative nonfiction writers to allow them to pursue creative projects. Fellows, who are expected to reside in Boston during the fellowship period, which lasts from September through May, also receive $5,000 to cover project expenses. Poets who have published a full-length collection or at least 20 poems in magazines or anthologies in the last five years and who are in the process of completing a manuscript are eligible. Fiction and creative nonfiction writers who have published one or more books, who have a book-length manuscript under contract for publication, or who have published at least three shorter works are eligible. Writers who are graduate students at the time of application are not eligible. Deadline: September 14. Entry fee: None.
Lightscatter Press
Poetry Prize
A prize of $1,000, 25 author copies, and multimodal publication by Lightscatter Press is given annually for a poetry collection written by an emerging writer. Hybrid works and multilingual texts that combine English with another language are eligible. Eduardo C. Corral will judge. Deadline: September 15. Entry fee: $30.
Finishing Line Press
New Women’s Voices Chapbook Competition
A prize of $1,500 and publication by Finishing Line Press is given annually for a poetry chapbook by a writer who identifies as a woman and has not yet published a full-length collection. English translations of poems originally written in another language are accepted. Leah Huete de Maines will judge. Deadline: September 15. Entry fee: $20.
University of Wisconsin Press
Brittingham and Felix Pollak Prizes
Two prizes of $1,500 each and publication by University of Wisconsin Press are given annually for poetry collections. Additional finalists will be published in the press’s Wisconsin Poetry series. Deadline: September 15. Entry fee: $28.
John Simon Guggenheim Memorial Foundation
Writing Fellowships
Fellowships of approximately $50,000 each are awarded annually to poets, fiction writers, and creative nonfiction writers on the basis of “exceptional creative ability.” Citizens and permanent residents of the United States and Canada with a “significant and appropriate record” of publication are eligible. Deadline: September 19. Entry fee: None.
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.
Author, lyricist, and former New York City youth poet laureate Ramya Ramana discusses and reads a piece about forgiveness in this video for PBS Newshour’s “Brief But Spectacular” series. “Forgiveness is a doorway. A garden of curses spill from her lips and the city inside me crumbles. I tell myself, all poison has once been poisoned too,” reads Ramana.
“Erasure poetry is a reconsideration of an existing text. There was something very satisfying about “reconsidering” The Ferguson Report—striking through whole sections of it, as if undoing the harm that had been done,” says Nicole Sealey in our online exclusive interview about her new book, The Ferguson Report: An Erasure, published by Knopf in August. In the interview, the poet discusses both the difficulty of “prying lyric from a lyric-less document” and how erasure provided access to the words she may not have found on her own. This week, find a seemingly lyric-less document and consider the words that lure you in. Try writing your own erasure poem, rubbing out words for your response to the text. For further inspiration, see this poem from Sealey’s new book.
Debut poets, you’ve got a week left to submit to one of the nation’s most prestigious prizes: the First Book Award from the Academy of American Poets. The winner receives $5,000, publication by Graywolf Press, and a six-week all-expenses-paid residency at the Civitella Ranieri Center in Umbria, Italy. The winning book will also be distributed to over 5,000 members of the Academy of American Poets.
Using only the online submission system, submit a manuscript of 48 to 100 pages with a $35 entry fee by September 1. Victoria Chang will judge. Visit the website for complete guidelines.
Founded in 1975, and known until 2020 as the Walt Whitman Award, the prize was created to support first-time poets and the publication of their books. Past winners of the prize include Threa Almontaser, Jenny Xie, Mai Der Vang, Sjohnna McCray, Matt Rasmussen, and Jan Heller Levi. The prize is supported by financial contributions from the members of the Academy of American Poets.
The epithalamium, a lyric written and performed for a couple at their wedding ceremony, originated in ancient Greece with the earliest evidence of the form found in the fragments from Sappho’s seventh book in 600 BC. The form remains popular in contemporary poetry with traditional and nontraditional examples such as Jason Schneiderman’s “Stories About Love / Wedding Poem for Ada & Lucas” and poems by Alexandria Hall and Phillip B. Williams. This week, write your own version of an epithalamium. Whether it be for the future wedding of a loving couple you know or one that reflects on the institution of marriage, share your take on the ancient form.
“Don’t trap yourself into false models of production and worth.” —Edgar Kunz, author of Fixer
