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In this 2024 Asian American Literature Festival event, hosts Cathy Song and Misty-Lynn Sanico introduce a reading from Bamboo Ridge Press authors Donald Carreira Ching, Scott Kikkawa, Wing Tek Lum, and Tamara Wong-Morrison.
In this Green Apple Books event, Kinsale Drake reads from her debut poetry collection, The Sky Was Once a Dark Blanket (University of Georgia Press, 2024), and discusses how Indigenous heritage, nature, pop culture, and other influences shaped many of her poems.
Just last month, the bald eagle officially became the national bird of the United States, signed into law by President Biden. Though its official status is new, the bald eagle has long served as an emblem of the country, depicted on the Great Seal and on coins and bills for much of the twentieth century—a symbol of strength, courage, freedom, and independence. Many U.S. states use reptiles, amphibians, insects, fish, and even dinosaurs as their symbols. This week research and consider the various animal emblems and symbols in your midst and choose one to write a poem that draws a personal connection to the animal’s symbolic meaning, whether real or imagined. As you triangulate a relationship between yourself, an animal symbol, and a physical location in this way, explore any unexpected thematic directions within your poem.
“Your e-mails are daily writings. Your grocery lists; your text messages; your poetry magnets on the fridge; your annotations in the margins of your books.” —Kayleb Rae Candrilli, author of Winter of Worship
“Time can but make it easier to be wise / Though now it seems impossible, and so / All that you need is patience.” In this Poetry Hour series reading from the Josephine Hart Poetry Foundation, actor Jeremy Irons reads “The Folly Of Being Comforted” by W. B. Yeats.
In her 2022 New York Times essay “The Shape of the Void: Toward a Definition of Poetry,” Elisa Gabbert writes about what makes language poetic. “I think poetry leaves something out,” she writes. “The missingness of poetry slows readers down, making them search for what can’t be found.” Write a poem that revolves around this idea of missingness and leaving something out. To facilitate a mindset of absence, you might choose a subject—a childhood memory, a relationship dynamic, a strange occurrence—that feels inherently cryptic, incoherent, or mysterious. Consider playing with line breaks, spacing, syntax, and diction, to make what’s absent hyper-present. How do the words on the page gesture toward the shape of what can’t be found?
Patrick Rosal reads Paul Genega’s poem “Aliens” in this short film directed by Williams Rossa Cole and produced by the Adrian Brinkerhoff Poetry Foundation, in collaboration with the Academy of American Poets, for their Read By poetry film series.
In this virtual reading from the Well Versed series hosted by StAnza, Scotland’s International Poetry Festival, and Open Book, Pádraig Ó Tuama reads from his collection Feed the Beast (Broken Sleep Books, 2022) and discusses the themes of place and nature within his poems. Ó Tuama’s fourth poetry collection, Kitchen Hymns (Copper Canyon Press, 2025), is featured in Page One in the January/February issue of Poets & Writers Magazine.
In Solvej Balle’s On the Calculation of Volume, a septology whose first two books translated from the Danish by Barbara J. Haveland were published in November by New Directions, the protagonist is an antiquarian bookseller residing with her husband in France, who suddenly begins reliving the same day over and over again—a mysterious and seemingly endless predicament that creates a spectrum of conflicts in her life. Write a poem that imagines this Groundhog Day premise. Choose a particular day in your life that’s significant to you, and then write into the possibilities and quandaries that arise as the same day, and same actions, recur endlessly. In your imagination, what transpires when you know exactly what will happen each day while everyone else around you repeats their steps? How can you play with replicating the repetition in verse form?
“It is the Glad Season / Thunder ebbs to silence and lightning sleeps quietly in the corner.” At the annual White House Christmas celebration in 2005, the late Maya Angelou reads a poem written for the holiday and in the spirit of peace.
