Genre: Poetry

Luljeta Lleshanaku

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Luljeta Lleshanaku reads from her collection Haywire: New & Selected Poems (Bloodaxe Books, 2011) in English translation and in the original Albanian, and talks about how history, politics, and religion have informed her writing. Lleshanaku’s new collection, Negative Space (New Directions, 2018), translated from the Albanian by Ani Gjika, is featured in Page One in the May/June issue of Poets & Writers Magazine.

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The Nose Knows

5.15.18

Would you describe the smell of an herb as simply “musty” or “like old rainwater in the hollow stems of bamboo?” In a study published earlier this year in Current Biology, linguists compared a group of indigenous Malay hunter-gatherers with a neighboring group that depends on trade and agriculture, and tested their ability to name odors. The researchers found that the hunter-gatherers were much more adept at articulating the subtle qualities of different odors because of their direct reliance on the forest’s animals and plants for survival. This week, write a poem that explores the contrasts between scents in natural outdoor spaces versus cultivated environments. Instead of circular or synonymous descriptions, focus on inventing specific and colorful phrases. 

Upcoming Poetry Deadlines

Poets, consider submitting your poems, chapbooks, and full-length collections to the contests below, which offer prizes ranging from $1,000 to $10,000 and publication. The deadline is May 31.

Anhinga Press Anhinga–Robert Dana Prize for Poetry: A prize of $2,000, publication by Anhinga Press, and 25 author copies is given annually for a poetry collection. The winner is also invited to participate in a reading tour at select colleges in Florida. Entry fee: $25

Munster Literature Center Fool for Poetry Chapbook Competition: A prize of €1,000 (approximately $1,230) and publication by the Munster Literature Center is given annually for a poetry chapbook. The winner receives accommodations and some travel expenses to give a reading at the Cork International Poetry Festival in February 2019. Entry fee: €25 (approximately $30)

Backwaters Press Backwaters Prize: A prize of $2,500, publication by Backwaters Press, and 30 author copies is given annually for a poetry collection. Kwame Dawes will judge. Entry fee: $30

Bridport Arts Centre Bridport Prize: A prize of £5,000 (approximately $7,000) and publication in the Bridport Prize anthology is given annually for a poem. A second-place prize of £1,000 (approximately $1,400) and publication is also given. Daljit Nagra will judge. Entry fee: £9 (approximately $13) 

Southern Poetry Review Guy Owen Prize: A prize of $1,000 and publication in Southern Poetry Review is given annually for a poem. Entry fee: $20 

Milkweed Editions Max Ritvo Poetry Prize: A prize of $10,000 and publication by Milkweed Editions is given annually to a U.S. poet for a debut poetry collection. Entry fee: $25

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

The Winding Roads of Poetry and Art

Mong-Lan, a Fulbright scholar and recipient of a Stegner Fellowship at Stanford University, has published seven books of poetry, most recently, Dusk Aflame: poems & art (Valiant Press, 2018), and three chapbooks. Her poetry has been awarded the Juniper Prize and the Pushcart Prize, and has been included in anthologies such as the Best American Poetry series. Mong-Lan is also a visual artist, musician, Argentine tango dancer, performer, and educator. She left her native Vietnam one day before the last evacuation of Saigon.

I’m grateful that Poets & Writers has cosponsored me for three events: The Poets in Play poetry reading at the Soup Full Café in Corning, New York; a poetry writing workshop a day later at the ARTS Council of the Southern Finger Lakes; and a convivial reading at Wheeler Hill hosted by poet Michael Czarnecki of FootHills Publishing, which published my most recent chapbook, Tone of Water in a Half-Filled Glass. Finally, I taught a workshop for the Watkins Glen Writers Group, and later gave a reading. Through the generosity of Poets & Writers, I was able to promote my seventh book, Dusk Aflame: poems & art, and new chapbook.

This was my first time participating in programs, readings, and workshops in upstate New York. I found everyone to be kind, curious, and inquisitive. My events in Corning, Wheeler Hill, and Watkins Glen have gone remarkably well with lively, attentive audiences. In each of the readings, in addition to reading and performing my poetry, I also performed several tangos and sang, accompanying myself on the guitar. My multimedia performances included recordings of my jazz piano arrangements which played in the background while I recited my poems. Workshop participants were refreshingly open with a willingness to read and experience diverse writers, and a desire to talk about and discuss new ideas and strategies. Some audience members joined me from one event to the other, driving the long, winding roads from town to town.

Without Poets & Writers’ cosponsorship, I would not have been able to make this tour to upstate New York. Thankfully, Michael and Carolyn Czarnecki of FootHills Publishing hosted me in their rustic off-the-grid home on Wheeler Hill during most of my time there. Michael, with his indefatigable energy and generosity, drove me to and from readings and workshops, and introduced me to his friends and colleagues. I’ve met wonderful poets and writers such as Steve Coffman, Mary A. Hood, and Martha Treichler, who studied with Charles Olson all those years ago. I’ve enjoyed sharing my writing, books, art, knowledge, and teaching with this community, and am deeply grateful.

Support for the Readings & Workshops Program in New York is provided, in part, by public funds from the New York State Council on the Arts, with additional support from the Friends of Poets & Writers.

Photo: Mong-Lan with her book covers (Credit: Mong-Lan).

Oceanic

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“This brown girl from Chicago also loves the outdoors.” In the book trailer for her fourth poetry collection, Oceanic (Copper Canyon Press, 2018), Aimee Nezhukumatathil describes her motivation for writing and her passion for the natural world. Her illustrated collection of nature essays, World of Wonders, is forthcoming from Milkweed Editions.

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