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In this video for the Poets House Hard Hat Reading series, poet and professor Kwame Dawes reads “Acceptance” by his mentor and father Neville Dawes, and his own poem “Sturge Town Redux,” which will appear in his collection Sturge Town, forthcoming from Norton.
“if you can read this / you are alive.” erica lewis reads her poem “i’m no great pretender,” which appears in her collection mahogany (Wesleyan University Press, 2023), in this poetry film produced by City Lights Booksellers & Publishers with the author.
The thirteen lines of the late Molly Brodak’s self-titled poem read: “I am a good man. / The amount of fear / I am ok with / is insane. / I love many people / who don’t love me. / I don’t actually know / if that is true. / This is love. / It is a mass of ice / melting, I can’t hold / it and I have nowhere / to put it down.” Through a series of declarative, zigzagging statements, the short poem manages to touch upon a handful of intense emotions—doubt, fear, uncertainty, desperation, and helplessness—all tied together by the eponymous title. This week write a short self-titled poem. How can you bring your own deeply personal responses to questions about your life and relationships under poetic scrutiny in a way that represents your individuality?
The author of fox woman get out! offers a climatic approach to reading and writing verse.
Don’t let 2023 pass you by without trying your luck at a writing contest! Prizes with a December 15 deadline include a weeklong residency at Millay Arts in Austerlitz, New York, and $1,000 (including $500 for a reading in New York City) for a poetry chapbook; $1,500 and publication for a short story; and $1,000 and publication for a poetry collection. Read on to learn more, and best of luck to you!
Center for Book Arts
Poetry Chapbook Contest
A prize of $500 and letterpress publication by the Center for Book Arts is given annually for a poetry chapbook. The winner will also receive 10 copies of their chapbook, an additional $500 to give a reading with the contest judge at the Center for Book Arts in New York City in fall 2024, and a free weeklong residency at Millay Arts in Austerlitz, New York, for their Wintertide Rustic Retreat. Manuscripts written in another language are accepted when accompanied by an English translation. Entry fee: $30.
Gival Press
Poetry Award
A prize of $1,000 and publication by Gival Press will be given biennially for a book of poetry. Beverly Burch will judge. Entry fee: $20.
Longleaf Press
Book Contest
A prize of $1,000, publication by Longleaf Press, and 25 author copies is given annually for a poetry collection. The winner will also be invited to give a virtual reading in early 2024. Roger Weingarten will judge. Entry fee: $27.
Story
Story Foundation Prize
A prize of $1,500 and publication in Story is given annually for a short story. Entry fee: $25.
Willow Books
Literature Awards
Three prizes of $1,000 each and publication by Willow Books are given annually for a book of poetry, fiction, and creative nonfiction by BIPOC writers. Entry fee: $25.
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.
In this PEN America event from their 2022 World Voices Festival, authors Jean Guerrero, Omar El Akkad, Ousman Umar, and Yuri Herrera come together for a conversation about border and migrant narratives, the current global crises of displacement, and how literature tells the stories of those often ignored or hidden.
How well do we know ourselves? Studies done by psychologists over the past several decades have demonstrated that people often process information about the world around them through cognitive biases. The way in which an event is remembered can then lead to biased thinking and decision-making. Positive memory biases cause one to remember events more favorably than they actually were and view their overall past with a rosy outlook, while negative memory biases often occur when recalling an emotional event. Write a poem that approaches one memory from two different cognitive biases, playing with the ways in which an event or situation might be remembered differently depending on how it was experienced. Does this multivalent approach allow you to expand your initial perceptions of what happened?
Palestinian poet and scholar Mosab Abu Toha reads his poems and discusses his life as a writer in Gaza for this 2021 virtual event moderated by Refqa Abu-Remaileh and hosted by the Literatures of Annihilation, Exile, and Resistance research collective and lecture series. The author of the award-winning book Things You May Find Hidden in My Ear (City Lights Books, 2022) was detained by Israeli Defense Forces while trying to leave Gaza after his home was bombed, and was later released.
The American dipper is said to be North America’s only truly aquatic songbird: a small, undistinctive brownish gray bird that chirps a pretty melody nearby river rapids and dives up to twenty feet into the water, even walking underwater along the riverbed to catch tiny fish, larvae, and small insects to eat. Flying fish also straddle multiple elements, launching themselves out of water and gliding through the air to escape predators. Unexpected animal behavior can act as a reminder of our own flexibilities or potential to exceed expectations that might otherwise keep us constrained. This week write a poem about a time when you have been propelled into unexpected territory, like a fish out of water or a bird under water. Is it possible that you might feel in your element while out of your element?
“Praise your capacity for birth / fluid currents and trenchant darkness.” In this short film directed by Justyn Ah Chong, poet Craig Santos Perez reads “Praise Song for Oceania,” which appears in his collection Habitat Threshold (Omnidawn, 2020). Perez’s latest collection, from unincorporated territory [lukao] (Omnidawn, 2023), the fourth in an ongoing series about his homeland of the Pacific Island of Guåhan (Guam), won the National Book Award in poetry.
