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This series of interviews with over forty book editors, publishers, and agents offers a unique look at the past, present, and future of the book industry and what writers can do to thrive in today’s publishing world.
Jennifer Acker, founder and editor in chief of the Common, answers questions about the journal’s mission, slush piles, and her editorial process in this virtual event with Becky Tuch for the Lit Mag News Roundup. An interview with Acker about the Common’s fifteenth anniversary is featured in the May/June issue of Poets & Writers Magazine.
What signals to you that spring has finally arrived? While there are signs of transformation throughout the year, the signs of spring often feel particularly special following on the heels of winter as many look forward to the tiniest indications of vernal revitalization. Buzzing bees, daffodils and tulips, pollen that makes you sneeze, the end of clanging heater pipes, wearing shorts, outdoor picnics, and opening windows—there are many associations with the freshness of the season. This week write a series of short poems that focus on the small, perhaps idiosyncratic changes that signify to you, personally, that a new season is upon us.
In this event hosted by the Helen Zell Writers’ Program at the University of Michigan, Jane Wong reads “To Love a Mosquito,” a chapter from her memoir, Meet Me Tonight in Atlantic City (Tin House, 2023), and pieces of her mother’s diary, followed by a discussion about her approaches to poetry versus creative nonfiction.
“I knew I was a god / when you could not / agree on my name // & still, none you spoke / could force me to listen / closer.” In this video, Meg Day reads “Portrait of My Gender as [Inaudible]” as part of Dear Poet, the Academy of American Poets’ educational project for National Poetry Month.
In Sean Baker’s film Anora, which won best picture at this year’s Academy Awards, the title character spends the majority of her time zigzagging around New York City with various characters and in one particularly indelible shot, she strides past the iconic Cyclone roller coaster at a deserted Coney Island boardwalk on a gray winter afternoon. This week write a poem that revolves around an iconic location with a depiction that is unconventional or atypical in juxtaposition. You might consider how this locale is usually thought of in the popular imagination, how it was designed to function, or how it looks in different seasons. Play around with diction and rhythm to amp up a sense of tension and upend conventional expectations of your subject.
“I’m a firm believer these days in discomfort on the page, whether it’s sonic, tonal, metaphorical, or imagistic.” —Keetje Kuipers, author of Lonely Women Make Good Lovers
Jehanne Dubrow offers advice to writers wondering whether they are ready to process traumatic experience on the page.
![Dear Poet 2025: Meg Day Reads "Portrait of My Gender as [Inaudible]"](https://www.pw.org/files/styles/video_thumb_medium/public/media-oembed/i.ytimg.com/vi/dFRFpJ5enBA/hqdefault.jpg?itok=5f2Nfd01)