Jane Moon, The New School

While researching MFA Creative Writing programs, I had two main requirements: it had to be located in New York City and it had to offer classes in writing for children and young adults. The New School matched both of these criteria, but had other benefits as well. Faculty was made up of notable authors, small class size which meant more attention to students and there was access to a network of amazing writers. In my first year, I got to meet renowned authors from my genre.

Nancy Mendez-Booth, Rutgers-Newark

I applied to three area MFA programs in early 2010. I was nearly forty, newly “downsized,” and not convinced pursuing a creative writing degree was practical. I researched each program extensively. Reviews and statistics are valuable, but the personal connections I made during my search helped me select the MFA program that is right for me. Campus visits, MFA program events, and informal conversations with students and faculty yielded the most valuable information. My main criteria were location, accessible faculty, and diverse student body (especially age!).

Shawn(ta) Smith, Queens College

I chose an MFA in fiction because as a librarian, I have access to all "information" and find that truth wavers along that thin fiction line. Surrounding my life are ancestor-spirits who've charged me the task of storytelling on their behalf, first-person. My politics walk in hand with public education, thus CUNY [City University of New York] is my home.

Margery Hannah, Stony Brook Southampton

My predominate consideration in MFA program choice was curriculum. My goal is to graduate with a publishable, quality novel; therefore, programs steeped in academic scholarship were not considered. At the end of the day writing creatively involves time and space. Although some say geographical location should never be considered when applying to graduate school, I know opportunity often manifests itself in specific hubs; therefore, the majority of my applications were sent to the northeast region of the country.

Krystal Languell, New Mexico State University

I applied to several MFA progams in the Southwest, a region I’d always been fascinated with. I chose New Mexico State University in Las Cruces sight unseen on the basis of funding (great, especially combined with the low cost of living) and population—I wanted to replicate the small town environment of my college town, Bloomington, Indiana, as much as possible. When I visited Las Cruces the summer before my first semester, I was generously hosted by several graduates of the MFA who I would never see in a classroom, but who offered their homes and hobbies to me as if we were family.

London Riots, Book Sales Increase, and More

by
Evan Smith Rakoff
8.9.11

Rioting in London has spared most bookshops, with the exception of a gay and lesbian bookstore; book publishing is stronger today than two years ago, according to recent sales data; Mark Twain House employee pleads guilty to wire fraud; and other news.

Agent Brian DeFiore

BookBaby president Brian Felson sat down with literary agent Brian DeFiore at this year's London Book Fair to discuss whether it's fair that large publishers, under the agency model, pay standard royalties of 25 percent of net ebook sales to authors despite saving money as a result of not having to print or ship books.

Reginald Dwayne Betts Makes Marks

Poet Reginald Dwayne Betts, author of Shahid Reads His Own Palm and the memoir A Question of Freedom, blogs about Washington, D.C.-based writers who are making marks.

"Flat Langston" made quite an uproar last year during the Association of Writers & Writing Programs annual conference. For those who are unaware, there was once a cardboard cutout of Langston Hughes at the Busboys and Poets 14th Street location. It was there before poet, photographer, go-go aficionado, and D.C. native Thomas Sayers Ellis relieved it of its duties. The uproar isn’t as important now, forgotten as most things are forgotten.

All that to say, I love listening to stories of the District's past—about spots along the U Street corridor that once housed poetry, about Toni Asante Lightfoot’s legendary reading series, and nights when Holly Bass, Kenneth Carroll, Brian Gilmore, Brandon Johnson, Ernesto Mercer, Joel Dias-Porter, and others could be found with a sheaf of poems in hand burning the night sky. I dig those stories. I dig, too, that nostalgia is the curse that ruins us. While we celebrate the folks who have made marks on the cultural scene of the District, it seems much too easy to forget about the folks who are making marks right now.

Alan King and Derrick Weston Brown, for instance, have both been putting in work as poets and workshop leaders around the city, working with the D.C. Creative Writing Workshop at Hart Middle School and Ballou High School, respectively. Fred Joiner, a jack of all trades,  along with Jon West-Bey, Executive Director of the American Poetry Museum, engineered a cultural exchange with Belfast. Add to that Kyle Dargan,  assistant professor of creative writing at American University and editor of Post No Ills. Add still Simone Jackson of Sulu DC, Silvana Straw of DC Writer’s Corp and the Marpat Foundation. More? Melanie Henderson, forth generation D.C. native and winner of the Main Street Rag prize for her lovely collection of poems, Elegies for New York Avenue.

Still want more? Kim Roberts holds it down. Sarah Browning does her thing. So does Melissa Tuckey. Sandra Beasley. All of whom are wonderful, wonderful writers. Maybe this isn't a renaissance, but it damn sure isn't a drought.

Photo: Reginald Dwayne Betts. Credit: Rachel Eliza Griffiths.

Support for Readings/Workshops events in Washinton, D.C., is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.

Albert Camus Murder Theory, Poe Museum Funds Depleted, and More

by
Evan Smith Rakoff
8.8.11

An Italian newspaper claims Albert Camus was kiiled by the KGB; the Baltimore Edgar Allan Poe House and Museum will run out of funds by next year unless they're given outside support; Brewster Kahle intends to store a copy of every book ever published; and other news.

August 8

Find a map—of the Earth, the United States, or your home state or city—or visit Google Maps, pick a town at random, and write a poem about daybreak in that specific location, inventing any pertinent details.

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