This August will mark the twelfth year the Readings/Workshops program has supported poets taking part in the Tuolumne Meadows Poetry Festival at Yosemite National Park. The event is cofounded by ranger naturalist Margaret Eissler, who leads the park’s interpretive program and directs the Parsons Memorial Lodge Summer Series, a forum for the arts and sciences. Eissler’s answers to our questions bring to life the profound experiences this festival provides for her as project director, the poets, audience members, and more than a few lucky hikers.

What makes your program unique?
First, to get to Parsons Memorial Lodge, we walk an easy three-quarters of a mile on a trail across the meadow. Parsons Memorial Lodge, an historic gathering place, is a simple, rustic stone building with lodgepole pine beams and casement windows that overlook the Tuolumne River meandering through broad subalpine meadows surrounded by granite domes and peaks—all this with open sky. The lodge breathes this in and out through the windows and arched door. The setting, the intimate space, the audience—a warm and enthusiastic mix of park visitors, park staff, and residents from surrounding communities—make the experience unforgettable for everyone involved.

What have been the most memorable moments?
The consistently rapt and respectful audience. Poet and festival cofounder Patti Trimble wrote, “When I read, in that small room in the middle of Tuolumne Meadows, I felt viscerally that everyone in that room was right there with me. We were all experiencing, at the same moment, our human connection, our shared unexplainable nature within nature.”

Poet Jerry Martien remarking that the experience seemed to him the essence of community in the largest sense of the word: the perfect balance and combination of people with place—the rocks, river, bears, trees….  

Gary Snyder reading his Yosemite trail crew poems within the building made of granite surrounded by the mountains and meadows he loves.

Dorianne Laux reciting, almost singing/dancing, a Li-Young Lee poem by heart during a workshop by the river.

Li-Young Lee, more accustomed to life in the city, saying in wonderment, “Margaret, there is something about this place that is so personal. It is almost haunting. It is sacred.”

David Hinton reading ancient Chinese wilderness poetry.

Brian Turner sharing poems he had written in Iraq—poems that observe the landscape, the war, the people (all people: men, women, children, taxi cab drivers, suicide bombers, soldiers, medics), their culture, history, and relationships—placing the war within a far larger context than we usually hear. He was a messenger from a place most of us know so little about.

The student intern who told me after a presentation by Terry Tempest Williams that he wavers between hope and despair, but the event pushed him towards the side of hope.

The two young women coming off the trail to find themselves unexpectedly at Terry’s event—their eyes bright with excitement.

Cofounder Patti Trimble remembers other moments: “Coleman Barks reading Rumi's poems from seven hundred years ago, and later, saying ‘It's all about love, isn't it?’;  Pattiann Rogers’s long detailed list poems of nature's complexity; David Mas Masumoto’s connecting in a real way the Yosemite watershed with the Great Central Valley; the open mike: Parsons Lodge packed to standing room, fire blazing in the fireplace….”

And I will add, the working together that makes all this happen. That includes Poets & Writers, Inc., to whom I give many thanks for their very existence and long-time support. 

How do you find and invite readers?
I look for diverse voices that complement each other. It’s like planning a menu. I spend blissful hours in bookstores. I subscribe to magazines and investigate ideas. Friends recommend writers or books. I attend readings when I can. YouTube videos or recordings are helpful. When I send an invitation, I feel like I am casting a line. I wait for a response, hoping to get a bite. I love that I can offer an experience that is a gift to the writers and audience alike.

What is the value of literary programs for your community?
The intent of the Parsons Memorial Lodge Summer Series is to inform and inspire, to enrich the visitor’s park experience through a variety of perspectives, and to realize the possibilities inherent when connecting people with a magical place. Poetry fits perfectly within these parameters. I witness people—often people who say they don’t like poetry— discover the beauty and power of poetry for the first time. Ah! What more? Poetry gets to the essence of what it is to be alive, how to be in this world, how to live on this Earth. That’s why I do this.

Photos: (Top) Project director Margaret Eissler; (bottom) interior view of Parsons Memorial Lodge before a reading/presentation by Gary Snyder and Tom Killion. Credit: Arya Degenhardt.

Major support for Readings/Workshops in California is provided by The James Irvine Foundation. Additional support comes from the Friends of Poets & Writers.

Choose a unique historical moment, the first that comes to mind: the Crimean War, the first lunar landing, the invention of the wheel, or something seemingly less dramatic, such as the building of the first traffic light. Then spend some time researching the moment you chose—dig into a few sources, make a page of notes. Create a character who lives on the periphery of the event—a witness or minor player, yet someone living at the intersection of history. The character can be swept up by the event or remotely affected, battle against it or be its biggest cheerleader. Write his or her story.

The Caine Prize for African Writing, a major award given annually for a single short story written in English by an African writer, has been awarded to Zimbabwean author NoViolet Bulawayo, the pseudonym of Cornell University instructor Elizabeth Tshele. Since earning her MFA at Cornell, Tshele has remained with the university teaching composition and creative writing under the Truman Capote Fellowship.

The ten thousand pound prize (approximately sixteen thousand dollars) was awarded for the story "Hitting Budapest," published in the November/December 2010 issue of Boston Review. Tshele received her award at a ceremony in Oxford, England, yesterday.

"The language of ‘Hitting Budapest’ crackles," said chair of judges Hisham Matar. "This is a story with moral power and weight, it has the artistry to refrain from moral commentary. NoViolet Bulawayo is a writer who takes delight in language."

Also shortlisted for the award were Tim Keegan of South Africa for "What Molly Knew," Lauri Kubuitsile of Botswana for "In the spirit of McPhineas Lata," Beatrice Lamwaka of Uganda for "Butterfly dreams," and David Medalie of South Africa for "The Mistress’s Dog." All of the finalists' pieces originally appeared in story collections.