The recently-released longlist for Canada's Scotiabank Giller Prize, worth fifty thousand dollars Canadian, has echoes of the Man Booker Prize shortlist. The two Canadian novelists, Patrick deWitt (The Sisters Brothers) and Esi Edugyan (Half Blood Blues), up for Britain's major book prize are also in the running for one of their home country's top literary honors.

Also longlisted for the Giller are:
The Free World by David Bezmozgis (HarperCollins)
The Meagre Tarmac by Clarke Blaise (Biblioasis)
The Antagonist by Lynn Coady (House of Anansi)
The Beggar's Garden by Michael Christie (HarperCollins)
Extensions by Myrna Dey (Nunatak First Fiction)
The Little Shadows by Marina Endicott (Doubleday)
Better Living Through Plastic Explosives by Zsuzsi Gartner (Hamish Hamilton)
Solitaria by Genni Gunn (Signature Editions)
Into the Heart of the Country by Pauline Holdstock (HarperCollins)
A World Elsewhere by Wayne Johnston (Knopf)
The Return by Dany Laferrière (translated from the French by David Homel) (Douglas & McIntyre)
Monoceros by Suzette Mayr (Coach House Books)
The Cat's Table by Michael Ondaatje (McClelland & Stewart)
A Good Man by Guy Vanderhaeghe (McClelland & Stewart)
Touch by Alexi Zentner (Knopf)

Dey's Extensions has already received a Giller honor of sorts, being nominated via public vote for a spot on the longlist. The debut novel had the most nominations out of the roughly four thousand received last month by the Canadian Broadcasting Company (CBC), a sponsor of the Giller. (The CBC is now inviting Canadian residents to select their own shortlists from the semifinalists, for a chance at taking home some literary booty: a Kobo e-reader, a gift certificate to Canadian bookseller Chapters Indigo, and a set of the finalists' books.)

The shortlist will be announced later this fall, followed by the winner ceremony, broadcast by the CBC on November 8.

The video below is a trailer for deWitt's novel, set across the border in the American West of the 1850s.

Using one of your own stories or one by another author, rewrite the story from the perspective of one of the minor characters.

Choose a page from a book, a magazine, or a newspaper and make a list of the nouns mentioned. Using free association, jot down a new noun for each noun in your first list. Using the second list of nouns, write a poem.

The shortlist for the 2011 Man Booker Prize was announced today, including first-time novelists Stephen Kelman and A. D. Miller. The two, along with four other authors, are in contention for a prize of fifty thousand pounds (approximately eighty thousand dollars).

The shortlisted titles, chosen from thirteen semifinalists, are The Sense of an Ending by Julian Barnes (Jonathan Cape), Jamrach’s Menagerie by Carol Birch (Canongate Books), The Sisters Brothers by Patrick deWitt (Granta), Half Blood Blues by Esi Edugyan  (Serpent’s Tail), Pigeon English by Kelman (Bloomsbury), and Snowdrops by Miller (Atlantic). DeWitt and Edugyan both hail from Canada, and the other four authors are British.

On October 18 the winner will be announced at London's Guildhall. The five runners-up won't leave the ceremony empty-handed; each will receive an award of twenty five hundred pounds (about four thousand dollars).

For the month of September, longtime P&W-suported writer Patricia Roth Schwartz blogs about her experience in Seneca County, New York.

October in the Finger Lakes flares out in a profusion of color: scarlet maples, golden beech, burgundy sumac. Deer leap across country roads. I drive to the tiny village of Ovid where history has left its imprint, especially in the form of a charming set of Greek Revival county courthouse buildings (now a museum) in descending sizes known as The Three Bears.

I eat my picnic lunch at a table outside the adorable structures (Baby Bear is as big as a child’s playhouse) savoring sunshine and drifting leaves. Spotting a tiny thrift shop across the street, I'm there in a flash. It’s full of almost all new clothes, each item a dollar! Soon, clutching five items, I approach a sweet-faced lady in her 80s who serves as volunteer cashier. Suddenly I realize I've left home with no cash! The thrift shop does not accept credit cards or checks. The cashier tells me I can come back later to pay. "We close at one.” I say, "But I'm doing a poetry reading at the Edith B. Ford Memorial Library." I point to the flyer in the store window.

Behind me another shopper speaks up. "Here—" she pushes a five dollar bill toward me. "I'll send you a check," I say and thank her profusely. She says, "No need." "I'll come over to the library," offers the cashier, Anna, who'd been telling me earlier about growing up nearby on a farm. "You said a friend of yours was coming." "Yes, I can borrow five dollars from her," I say. So it's settled; I go next door to a small supermarket. I need a Reese's Peanut Butter Cup. (It's been that kind of day.) I have a little change; I'm sure it’s enough. But at the cash register I’m counting out pennies. Behind me, another Ovid angel appears. A young man plunks down coins, insists on paying for me. I walk across the street to the library in a pleasant daze, convinced I‘ve entered another plane of existence, one that is utterly charmed.

A small group gathers for my reading. I sit in a comfy rocker in the children's reading nook, encouraging everyone to sit in a semicircle around me. Halfway through the reading, Anna, the thrift shop cashier, enters. She's brought her lunch, a large submarine sandwich. Sitting discreetly at the back table, she eats it, crumples up the wrapper, then moves up to the semicircle. I read poems about my family, my childhood in West Virginia—memories, stories. Afterward we talk. "When I was married," the widowed Anna says, "I had a notebook I used to write in. My husband thought I was pretty good." I don't think Anna has ever been to a poetry reading before. We encouraged her to get another notebook and start up again.

Photo: Patricia Roth Schwartz. Credit: Sandy Zohari.

Support for the Reading/Workshops in New York is provided, in part, by public funds from the New York State Council on the Arts, with additional support from the Friends of Poets & Writers.