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Chuck Adams (left), executive editor at Algonquin Books, talks about working with Amy Rowland, author of the novel The Transcriptionist.
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Jeff Shotts (left), executive editor of Graywolf Press, speaks about the author-editor relationship with poet Jeffrey Yang, who is also an editor at New Directions.
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Kevin Larimer, editor in chief of Poets & Writers, poses a question to panelists during the Authors & Editors Roundtable.
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Audience members listen to the advice and insight of editors and authors at Poets & Writers Live in Washington, D.C.
Death as a Symbol
In Tom Stoppard’s play Rosencrantz and Guildenstern Are Dead, Rosencrantz muses, “We might as well be dead. Do you think death could possibly be a boat?” If you were to imagine death as something tangible—an object, a location, or a living thing—what would it be? Write a poem meditating on why this particular thing symbolizes loss, and the coming of an end.
New York 1, Tel Aviv 0
"In my fantasy, love is a visible thing." Shelly Oria's debut story collection, released today by Farrar, Straus and Giroux, explores international identity and relationships of love and lust.
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Kathleen Wheaton of Washington Writers' Publishing House listens to questions from the audience during the Indie Editor Roundtable.
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An audience member reacts to comments made during the Indie Editor Roundtable.
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Robert Giron of Gival Press speaks about independent publishing at the Library of Congress on October 25, 2014.
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Andy Hunter, the publisher of Black Balloon Publishing, speaks about the relationships that small-press editors cultivate with their authors.
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