To AWP or Not?

I was looking forward to meeting up with the literary outreach coordinators, Justin Rogers from Detroit and Lupe Mendez from Houston, and staff members from Poets & Writers at the Association of Writers & Writing Programs (AWP) conference in San Antonio, Texas this week, but safety first. Due to the concern about the coronavirus in San Antonio, we decided not to attend and sadly had to cancel the wonderful panel planned on Saturday to discuss our respective literary communities in New Orleans, Detroit, and Houston.

Nevertheless, people in New Orleans are taking all the news in stride. Some local writers who were planning to attend the AWP conference stayed in New Orleans, others went ahead to San Antonio.

The good thing is, we still have lots of great literary events to look forward to in New Orleans:

The New Orleans Book Festival at Tulane University is March 19­–21.

The Tennessee Williams & New Orleans Literary Festival is March 25–29.

The New Orleans Poetry Festival will be in April during National Poetry Month.

Join us in New Orleans!

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at [email protected] or on Twitter, @NOLApworg.

Doing Stuff With Writers: Crystal Hana Kim

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In the Doing Stuff With Writers video series, Nafissa Thompson-Spires, author of Heads of the Colored People (37 Ink, 2018), spends time engaging in non-literary activities with writers and discusses how these interests overlap with writing in unexpected ways. In this episode, Crystal Hana Kim, author of If You Leave Me (William Morrow, 2018), teaches Thompson-Spires the art of throwing a ceramic bowl on a pottery wheel.

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A Very Last-Second Poetry Reading

It’s been a hard week for many of us who were and are considering attending the Association of Writers & Writing Programs (AWP) conference in San Antonio, Texas. Although the AWP Board of Directors announced its decision to move forward with the conference despite concern about the coronavirus in San Antonio, Poets & Writers has made the difficult decision not to attend, and I will also not be attending. Over a hundred panels and events have been canceled leaving many writers across the country seeking alternatives, leaving it up to us writers to find a way to hold community.

In the past couple days, the literary community on Twitter was left hanging in anxious suspense as we awaited a statement from AWP, and word from one another about individual decisions. In that time frame, #AWPVirtualBookFair was created along with a community Google Doc that lists presses and the discounts they are offering for books that were to be sold at the conference—it’s a digital book fair!

In addition, on Tuesday afternoon, I got word from Tariq Luthun that he is working with Christin Lee at Room Project to put on what is being called “A Very Last-Second Poetry Reading and Tiny Book Fair.” We are calling this an “offsite” AWP reading and it will feature Brittany Rogers, Rachel McKibbens, and many more. The event will be held on Friday, March 6 at 7:00 PM at Room Project. If you are in Detroit, come by!

And if you are traveling to AWP, please be safe and take every precaution.

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at [email protected] or on Twitter, @Detroitpworg.

The Pale Horse

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Agatha Christie’s 1961 novel The Pale Horse has been adapted into a two-part television series written by Sarah Phelps and directed by Leonora Lonsdale. Starring Georgina Campbell, Kaya Scodelario, and Rufus Sewell, the story begins with the murder of a priest soon after hearing a woman’s deathbed confession, and leads to an old pub inhabited by a mysterious trio of women, rumored to be witches.

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A Conversation With Yiyun Li

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“I have an obligation to human beings, my characters, so that’s all I care about.” In this PEN International interview, Yiyun Li speaks about the expectation as a Chinese American writer to be a spokesperson for a particular experience, and how she enjoys exploring the interior struggles of her characters. Li won the 2020 PEN/Jean Stein Book Award for her novel Where Reasons End (Random House, 2020).

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Frankissstein

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“We, too, are inventing a life form of our own—not out of body parts but out of the zeros and ones of code.” In this Vintage Books video, Jeanette Winterson talks about reimagining Mary Shelley’s Frankenstein for her most recent novel, Frankissstein: A Love Story (Jonathan Cape, 2019), which was longlisted for the 2019 Booker Prize.

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Jenny Xie

2.26.20

“Poets & Writers was, for me, an invitation to a literary life: one that was extended without regard to my publication record, my level of experience, or my knowledge of what the life of letters entailed. It is a democratizing force in the literary world, and an enlarging one. The resources and community Poets & Writers has offered me over the years has made me take myself more seriously as a writer, at times when I was most in need of its steadying and vital guidance.”

Poet of the Spirit: Sunni Patterson

To conclude my Black History Month themed posts, I interviewed poet Sunni Patterson. Patterson was instrumental in giving voice to New Orleans through her poetry after Hurricane Katrina. The performance of her poem “We Made It” on HBO’s Def Poetry Jam has over six hundred thousand views on YouTube. In many ways Patterson has become the face of New Orleans spoken word.

How has New Orleans shaped your poetry?
When you’re born and raised in New Orleans, you can’t help but have poetry in your bones. Even if you don’t know what it is, or what to call it, it’s there. From the way a story is told, the sayings, the anecdotes—all of it shapes my artistry. I know the music, air, culture, thickness of the city contributes to the sound of my poems.

Take us back to your appearance on Def Poetry Jam in 2007, what was that moment like for you?
I was asked to do it years before that performance. For some reason, I didn’t want to do it. Fast forward to after Hurricane Katrina. I’d just finished speaking at the University of Houston when I got the call from producers. I agreed immediately! I knew my voice and point of view about Hurricane Katrina and its impact on the city and residents needed to be heard.

I had no clothes after Katrina. A box of clothing from a church in Houston was sent to me. Most of the things I didn’t keep. I kept a crop top. I already had some denim material I wanted to use. I was leaving the next day, I called Mama Rukiya, she sewed something quickly with mudcloth and made detachable sleeves. Chile, I was sewing myself into the dress until it was time to go on stage! The needle and thread were still in the seams. It was a great experience.

Who are some of your poetry influences?
Ayi Kwei Armah, Lucille Clifton, Jayne Cortez, Neville Goddard, Zora Neale Hurston, Acklyn Lynch, Brenda Marie Osbey, Arturo Pfister, Rumi, Kalamu ya Salaam, Mona Lisa Saloy, and Sonia Sanchez.

What message do you have for the future writers of New Orleans?
My hope for the next generation of writers is to have hope. To hold the light. To honor the ancestors, elders, culture, children, and spirit of the city, but most importantly, to do the ugly, yet necessary, work of the heart. Those are the things that’ll keep them and us alive.

Sunni Patterson. (Credit: Gus Bennett, Jr. / 2016 New Orleans People Project)
 
Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at [email protected] or on Twitter, @NOLApworg.

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