Paul Lisicky Reads From Later

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“The theater goes dark. I’m watching characters move across the screen, but thinking more about Noah holding my hand, rotating the knuckle of my thumb with his own.” Paul Lisicky reads from his memoir Later: My Life at the Edge of the World (Graywolf Press, 2020) in this online reading event for Books Are Magic with Susan Choi. For more Lisicky, read his installation of Ten Questions.

Soft Animal Wounds Part Two

This week I am continuing to write about Mahalia Frost’s collection, Soft Animal Wounds. As each poem pulls at my skin with uncomfortable, sometimes bloody, images, I am increasingly impressed with the consistency and continuity of the writing and themes introduced in this book. Frost’s collection is a healthy fifty-eight pages split into four parts titled “Sleep,” “Gleam,” “Thrash,” and “Bite.” Each part is introduced by a thought-provoking illustration. For example, “Sleep” opens with an image of a human head presenting a dissatisfied facial expression on top of the body of what seems to be a serpent—plus angel wings! Each part includes an odd yet fitting variation of this illustration.

What’s more is that these images are the artwork of Frost—helping us readers understand not only the imagery from what’s written in these poems, but also from what she sees when creating. I can’t say enough about the complexity being offered by this young writer. I am especially fond of the first poem titled “Birdheart” in the “Bite” portion of the book. This poem uses an extended metaphor to describe the heart as a bird:

“its feathers clump together with scabs / sticky in your ooze”

“Bite” also gives my absolute favorite ending to a yet another poem that makes me reflect on myself:

“how could it know of anything / beyond the hollow between your ribs? / how could it want?”

If you can’t tell by now, I highly recommend this collection. InsideOut Literary Arts hosted the book release for Soft Animal Wounds in late February, a few short weeks before social distancing and stay-at-home orders were enforced in Michigan. Because of this, distribution of this collection is currently limited. If you’re interested in getting your hands on this book, reach out to me: [email protected].

InsideOut is also hosting a digital literary festival called Essential Words: InsideOut’s Louder Than a Bomb Youth Poetry Festival. The virtual events began on April 30 and run through May 7. Hosted by poet LaShaun Phoenix Moore, events include discussions, workshops, and more. Check out the website for more, and follow the activity on Instagram, @LTAB_Essential. I can’t wait to report back on our digital experience next week!

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at [email protected] or on Twitter, @Detroitpworg.

Joy Harjo

5.1.20

“Poets & Writers has accompanied me on my whole journey to becoming a poet and a writer.”

Thresholes

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“Daily, I remind myself: the future is not dependent / on your inability to describe your undoing.” Lara Mimosa Montes reads from her latest poetry collection, Thresholes (Coffee House Press, 2020), and answers questions about writing as part of the Loft Literary Center’s annual Wordplay festival, held virtually this year.

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Bookshelf Tour With Mary Beth Keane

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Mary Beth Keane, author of the novel Ask Again, Yes (Scribner, 2020), gives a tour of the various bookshelves in her home as part of Simon & Schuster’s Bookshelf Tour video series in which authors provide a glimpse of the books they’ve accumulated on their shelves, share details about how their books are (or aren’t) organized, and talk about the independent bookstores they support.

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The Houses on My Block: Calypso Editions

Hey, mi gente. I want to get right to the point and keep up the flow of discussion on the publishing houses here in Houston. Throughout the month I’ve written about Arte Público Press, Mutabilis Press, and Bloomsday Literary, so I’ll keep it going today and introduce you to Calypso Editions.

Calypso Editions is the city’s main publishing house focused on translation—getting books written by foreign authors into English. In addition, they publish books of poetry and fiction written in English and are committed to “providing a space for talented, new voices.” One of the main things that has always caught my attention about Calypso Editions is that it is a cooperative! That’s right—it is a nonprofit press that is artist-run, which makes their publishing choices all the more engaging and remarkable.

They are also a community-oriented publishing house. Back in 2017, when PEN America planned out the Writers Resist reading in New York City, Calypso Editions was one of the first organizations that was willing to stand with Houston writers as we planned our own Writers Resist events.

On May 1, Calypso Editions will release The Child Who, a book by Jeanne Benameur, translated from the French by Bill Johnston. This work of poetic prose explores the worlds of a young boy whose mother has disappeared, his father, and the boy’s grandmother. As always, Calypso Editions hopes to introduce yet another wonderful voice to a new audience of English-language readers.

Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at [email protected] or on Twitter, @houstonpworg.

The Poets & Writers Complete Guide to Being a Writer Launch Party

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To celebrate the launch of The Poets & Writers Complete Guide to Being a Writer (Avid Reader Press, 2020), authors Mary Gannon and Kevin Larimer speak with novelist Nicole Dennis-Benn, literary agent Annie Hwang, publicist Michael Taeckens, and publisher and editor Jamia Wilson about the need for new voices in literature and the ins and outs of the literary world in this online event hosted by the Center for Fiction.

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