Genre: Spoken Word

Red Hen Press and the Annenberg Community Beach House Series

Red Hen Press, founded by Kate Gale and Mark E. Cull, has been a part of the Los Angeles publishing world since 1994 and remains one of the few literary presses in the city. Red Hen hosts a series at the historic Annenberg Community Beach House in Santa Monica. A P&W–supported reading on September 9, 2014 featured poets Afaa Michael Weaver, Douglas Kearney, Brett Fletcher Lauer, and Robin Coste Lewis and was moderated by Red Hen Press founder Kate Gale. R&W (West) program assistant, Brandi M. Spaethe, attended the reading and writes on her experience.

Annenberg Community Beach House

My first time at the Annenberg Community Beach House, I arrived when the sun was still just high enough to sink into the ocean as four wonderful poets read their work. One reader commented: “How can I compete with that?” The audience faced the reader who faced a wall of windows. We were all part of the spectacle for each poet who stood at the podium. They were a reflection of the setting sun and the turn of day to night.

In the 1920s, William Randolph Hearst erected a mansion for Marion Davies on the site where the Annenberg Community Beach House currently resides, and it became a place for Hollywood stars to congregate. Joseph Drown purchased the house from Davies in the 1940s and converted the property into a hotel and beach club. Many years later, the state took over and continued to run it as a beach club until the Northridge earthquake in 1994 damaged all properties on site. The Annenberg Community Beach House was built via a grant from the Annenberg Foundation as a place for the Santa Monica community and surrounding communities. 

Red Hen Press has sparked a tradition of poetry at the beach house with past readers who include Susan Straight, Ilya Kaminsky, Camille T. Dungy, and Ron Carlson. One of the night’s readers, Brett Fletcher Lauer from Brooklyn, New York, joked with me about arriving far ahead of schedule due to a warning from the locals about the traffic. He said it gave him a chance to sit outside the beach house and enjoy the scenery. After the reading, P&W–supported writer Douglas Kearney waxed poetic about the ocean at night and how daunting a thing it was. Many of us made note of the space, commenting on its magic.

First to the podium was Robin Coste Lewis, who is currently in the PhD in creative writing program for poetry at the University of Southern California. Her elegance and poise matched the power of her words while the low sun highlighted her beautiful ensemble. Brett Fletcher Lauer read work from his recent book A Hotel in Belgium, making note of its darkness, which was never deprecating or pitiful, but rather stunning in its revelations—enough to make you consider your own station. P&W–supported poet Douglas Kearney, in true Kearney fashion, shifted the tone of the reading with eye-opening crescendos and anaphoras from his published work, including his most recent book of poetry, Patter. His performance asked us to sit up and pay attention. The sun sank lower, almost out of sight now, almost gone. The final note, and a rising one, was P&W–supported poet Afaa Michael Weaver. He shared poems from a variety of his publications with a wisdom that seemed to come from a life of having seen much darkness and written through it. The audience listened intently, catching its breath as he delivered each line. 

Red Hen Press will host the next Annenberg Community Beach House reading on October 14th at 6:30 PM, featuring Leia Penina Wilson, Genevieve Kaplan, Jessica Piazza, and Mary Johnson. The readings are free. More information can be found here

Major support for Readings & Workshops in California is provided by the James Irvine Foundation. Additional support comes from the Friends of Poets & Writers.

Good Medicine: Poets & Writers' Los Angeles Connecting Cultures Reading

Poets & Writers' fourth annual Los Angeles Connecting Cultures Reading took place on May 22, 2014, before a packed house at Beyond Baroque Literary/Arts Center. Sixteen writers representing P&W–supported organizations 826LA, Heartland Institute for Transformation, Lambda Literary Foundation, Levantine Cultural Center, Mixed Remixed Festival, and Tia Chucha's Centro Cultural & Bookstore came together to celebrate the diversity of the SoCal literary community and Poets & Writers' Readings & Workshops program. R&W (West) director Jamie Asaye FitzGerald blogs about this lively annual event.

2014 Los Angeles Connecting Cultures Group

"We are the blood, the blood of a city of mixed hearts," recited 19-year-old poet Laura Davila, wowing the audience with her expansive poems about urban life in Los Angeles and capturing the spirit of Poets & Writers' fourth annual Los Angeles Connecting Cultures Reading, which celebrates the diversity of our Readings & Workshops program and the SoCal literary community.

Connecting Cultures readings take place yearly in Los Angeles and New York City. Each event is exceptional because it brings together a diverse group of organizations—from the grassroots up—to showcase voices before an audience that is as varied and expressive as the readers themselves.

Davila, who is blind and read not from the page, but from a reading machine, was selected by curator Mike "ThePoet" Sonksen, whose 826LA summer teen writing workshops have received R&W support for a number of years. Like 826LA, all the organizations invited to co-curate the Connecting Cultures Reading have received support through the R&W program.

Other highlights from the Los Angeles event included poet and playwright Jesse Bliss, who performed her reading while holding her baby. "Creation is messy," she read, as little hands reached out to touch the microphone and grab hold of her mother's printed poem.

Melinda Palacio, who was making her second appearance at Connecting Cultures, proudly held up her poetry collection, How Fire Is a Story, Waiting (Tia Chucha Press, 2012), explaining that the last time she read, she didn't have a book, but now she does!

So large is the sprawl of Los Angeles, it wasn't surprising to hear poet Vickie Vértiz say it was her first time reading on the Westside. She read her poem "Tocaya" (meaning "namesake" in Spanish), about being named after a deceased older sister.

Novelist Juliana Maio of the Levantine Cultural Center took us on a journey through the back streets of Egypt while Tony Valenzuela, reader and curator for the Lambda Literary Foundation, read an excerpt from his memoir about coming of age in a San Diego gay bathhouse. Fiction writer Esmé-Michelle Watkins of the Mixed Remixed Festival, gave us a child's-eye-view of a family in turmoil.

When talking of "the medicine," poet Queen Hollins, representing the Heartland Institute for Transformation, declared: "It doesn't do any good if you keep it to yourself."

If what ails Los Angeles is a geography of separation, then writing was the medicine that brought everyone together on this night. Sharing that medicine is exactly what the sixteen Connecting Cultures readers did, reaching across divides and distances to bring us back to what matters most—our human stories and experiences.

You can see more pictures from the 2014 Los Angeles Connecting Cultures Reading on our Facebook page, and a video of Jeffery Martin, representing Tia Chucha's Centro Cultural & Bookstore, reading his poem "Serious Poet," on our YouTube channel.

Photo: 2014 Los Angeles Connecting Cultures group. Front: (L-R) Esme-Michelle Watkins, P&W's Brandi Spaethe, Trebor Healey, librecht baker, Heidi Durrow, Jamie Moore. Back: (L-R) P&W intern Leticia Valente, Beyond Baroque's Richard Modiano, Laura Davila, Tony Valenzuela, P&W's Jamie Asaye FitzGerald, Gayle Fuhr, Queen Hollins, Melissa Sanvicente, Jeffery Martin, and Chris L. Terry. Credit: Brandi M. Spaethe.
Major support for Readings/Workshops in California is provided by the James Irvine Foundation. Additional support comes from the Friends of Poets & Writers.

Miss the Hiss of Voices on Vinyl?

by
Jonathan Vatner
6.18.14

Harry and Lynne Sharon Schwartz revive the Calliope Author Readings, their series of original recordings from the 1960s by novelists James Baldwin, Philip Roth, John Updike, and others in their early careers—by converting the original vinyl recordings to digital.

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Unnameable Books

Unnameable Books is a bookstore located in the heart of Prospect Heights, Brooklyn. Founded as “Adam’s Books” before being renamed, the store specializes in poetry, has an eclectic collection of used books, and carries work from many small independent presses.

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