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The Pulitzer Prize-winning author of 3 Sections speaks with PBS NewsHour's Jeffrey Brown about how his experience as an immigrant influences the way he writes his poems. "If you're an immigrant, you're sort of on the fringe of society, you see society as a whole, you see panoramas...you can embrace all of it."
Poets & Writers' fourth annual Los Angeles Connecting Cultures Reading took place on May 22, 2014, before a packed house at Beyond Baroque Literary/Arts Center. Sixteen writers representing P&W–supported organizations 826LA, Heartland Institute for Transformation, Lambda Literary Foundation, Levantine Cultural Center, Mixed Remixed Festival, and Tia Chucha's Centro Cultural & Bookstore came together to celebrate the diversity of the SoCal literary community and Poets & Writers' Readings & Workshops program. R&W (West) director Jamie Asaye FitzGerald blogs about this lively annual event.
"We are the blood, the blood of a city of mixed hearts," recited 19-year-old poet Laura Davila, wowing the audience with her expansive poems about urban life in Los Angeles and capturing the spirit of Poets & Writers' fourth annual Los Angeles Connecting Cultures Reading, which celebrates the diversity of our Readings & Workshops program and the SoCal literary community.
Connecting Cultures readings take place yearly in Los Angeles and New York City. Each event is exceptional because it brings together a diverse group of organizations—from the grassroots up—to showcase voices before an audience that is as varied and expressive as the readers themselves.
Davila, who is blind and read not from the page, but from a reading machine, was selected by curator Mike "ThePoet" Sonksen, whose 826LA summer teen writing workshops have received R&W support for a number of years. Like 826LA, all the organizations invited to co-curate the Connecting Cultures Reading have received support through the R&W program.
Other highlights from the Los Angeles event included poet and playwright Jesse Bliss, who performed her reading while holding her baby. "Creation is messy," she read, as little hands reached out to touch the microphone and grab hold of her mother's printed poem.
Melinda Palacio, who was making her second appearance at Connecting Cultures, proudly held up her poetry collection, How Fire Is a Story, Waiting (Tia Chucha Press, 2012), explaining that the last time she read, she didn't have a book, but now she does!
So large is the sprawl of Los Angeles, it wasn't surprising to hear poet Vickie Vértiz say it was her first time reading on the Westside. She read her poem "Tocaya" (meaning "namesake" in Spanish), about being named after a deceased older sister.
Novelist Juliana Maio of the Levantine Cultural Center took us on a journey through the back streets of Egypt while Tony Valenzuela, reader and curator for the Lambda Literary Foundation, read an excerpt from his memoir about coming of age in a San Diego gay bathhouse. Fiction writer Esmé-Michelle Watkins of the Mixed Remixed Festival, gave us a child's-eye-view of a family in turmoil.
When talking of "the medicine," poet Queen Hollins, representing the Heartland Institute for Transformation, declared: "It doesn't do any good if you keep it to yourself."
If what ails Los Angeles is a geography of separation, then writing was the medicine that brought everyone together on this night. Sharing that medicine is exactly what the sixteen Connecting Cultures readers did, reaching across divides and distances to bring us back to what matters most—our human stories and experiences.
You can see more pictures from the 2014 Los Angeles Connecting Cultures Reading on our Facebook page, and a video of Jeffery Martin, representing Tia Chucha's Centro Cultural & Bookstore, reading his poem "Serious Poet," on our YouTube channel.
Photo: 2014 Los Angeles Connecting Cultures group. Front: (L-R) Esme-Michelle Watkins, P&W's Brandi Spaethe, Trebor Healey, librecht baker, Heidi Durrow, Jamie Moore. Back: (L-R) P&W intern Leticia Valente, Beyond Baroque's Richard Modiano, Laura Davila, Tony Valenzuela, P&W's Jamie Asaye FitzGerald, Gayle Fuhr, Queen Hollins, Melissa Sanvicente, Jeffery Martin, and Chris L. Terry. Credit: Brandi M. Spaethe.
Major support for Readings/Workshops in California is provided by the James Irvine Foundation. Additional support comes from the Friends of Poets & Writers.
The Last Bookstore opened in 2005 in a loft in downtown Los Angeles. It is now the largest independent bookstore in California, with over 250,000 new and used books. A record shop and coffee bar fill out the ground floor and their calendar has many music and literary events.
Submissions are currently open for the Kingsley Tufts Poetry Award and the Kate Tufts Discovery Award, sponsored by Claremont Graduate University. The $100,000 Kingsley Tufts Award is given annually to honor a poetry collection by a midcareer U.S. poet; the winner will also spend a week at Claremont Graduate University in California giving readings, lectures, and workshops. The $10,000 Kate Tufts Discovery Award is given annually to honor a first book of poetry by “a poet of genuine promise.”
Poets, publishers, agents, or friends may submit eight copies of a poetry collection published between September 1, 2013, and June 30, 2014, with a list of previously published work and the required entry form by July 1. There is no entry fee. The preliminary judges are Charles Altieri, Jennifer Chang, and Brian Kim Stefans. David Barber, Stephen Burt, Kate Gale, Wendy Martin, and Chase Twichell will serve as final judges.
The Kingsley Tufts Poetry Award offers one of the world’s largest monetary prizes for a single poetry collection. Established in 1993 by Kate Tufts, the widow of poet Kingsley Tufts, the prize is meant to “enable a poet to work on his or her craft for awhile without paying bills.” The Kate Tufts Discovery Award was started one year later in 1994.
Previous winners of the Kingsley Tufts Poetry Award include Afaa Michael Weaver, Marianne Boruch, Timothy Donnelly, Chase Twichell, D. A. Powell, Matthea Harvey, and Tom Sleigh. Recent winners of the Kate Tufts Discovery Award include Yona Harvey, Heidy Steidlmayer, Katherine Larson, Asturo Riley, Beth Bachmann, Matthew Dickman, and Janice N. Harrington. Read more about the 2014 winners on the G&A blog.
Photo: Kate Tufts
In Hans Christian Andersen's classic fairy tale, the Little Mermaid must make sacrifices in order to become a human, including drinking a potion that gives her legs in exchange for her tongue. This week think about what you would be willing to sacrifice to have the chance to live the life you always dreamed of. Write a poem about the process of making the sacrifice, whether magical or ordinary, and the emotions that surface after it is complete.
PEN American Center has announced the shortlist for its annual literary awards, which this year will give nearly $150,000 in prize money to established and emerging writers and translators. The awards are given for works of poetry, fiction, nonfiction, translation, and children’s books.
“The PEN Literary Awards bring together writers, editors, and members of the literary community to celebrate the ultimate fruit of free expression: great literature,” said PEN Executive Director, Suzanne Nossel. “These shortlists represent a remarkable array of diverse talents.” In May, PEN issued the first longlist for the awards, in an effort to bring greater attention to the books submitted for the prizes.
The final winners will be announced on September 29 in New York City at the PEN Awards Ceremony, cosponsored by the New School.
On Wednesday night, PEN also announced Ron Childress as the winner of the PEN/Bellwether Prize for Socially Engaged Fiction. The biennial prize, founded and funded by novelist Barbara Kingsolver, is given for an unpublished novel by an author whose work “addresses issues of social justice and the impact of culture and politics on human relationships.” Childress will receive $25,000, and his novel And West Is West will be published by Algonquin Books in Fall 2015. Terry McMillan, Nancy Peral, and Kathy Pories judged.
Established in 1922, the New York City–based PEN American Center works to “ensure that people everywhere have the freedom to create literature, to convey information and ideas, to express their views, and to make it possible for everyone to access the views, ideas, and literature of others.” PEN American Center has administered its Literary Awards for almost 50 years.
Below is a full list of finalists in each category:
PEN/Robert W. Bingham Prize ($25,000): To an author whose debut work—a first novel or collection of short stories published in 2013—represents distinguished literary achievement and suggests great promise.
A Constellation of Vital Phenomena (Hogarth), Anthony Marra
Brief Encounters With the Enemy (The Dial Press), Saïd Sayrafiezadeh
Everybody’s Irish (FiveChapters Books), Ian Stansel
Godforsaken Idaho (Little A/New Harvest), Shawn Vestal
The People in the Trees (Doubleday), Hanya Yanagihara
Judges: Charles Bock, Jonathan Dee, Fiona Maazel, and Karen Shepard
PEN/Diamonstein-Spielvogel Award for the Art of the Essay ($10,000): For a book of essays published in 2013 that exemplifies the dignity and esteem the essay form imparts to literature.
Forty-One False Starts (Farrar, Straus & Giroux), Janet Malcolm
Let’s Explore Diabetes With Owls (Little, Brown and Company), David Sedaris
The Faraway Nearby (Viking Adult), Rebecca Solnit
Critical Mass (Doubleday), James Wolcott
Judges: Geoff Dyer, Stanley Fish, Ariel Levy, and Cheryl Strayed
PEN/E. O. Wilson Literary Science Writing Award ($10,000): For a book of literary nonfiction on the subject of the physical or biological sciences published in 2013.
The End of Night (Little, Brown and Company), Paul Bogard
Five Days at Memorial (Crown), Sheri Fink
High Price (Harper), Carl Hart
Surfaces and Essences (Basic Books), Douglas Hofstadter & Emmanuel Sander
Wild Ones (Penguin Press), Jon Mooallem
Judges: Akiko Busch, Rivka Galchen, and Eileen Pollack
PEN Open Book Award ($5,000): For an exceptional book-length work of literature by an author of color published in 2013.
Duppy Conqueror (Copper Canyon Press), Kwame Dawes
Leaving Tulsa (University of Arizona Press), Jennifer Elise Foerster
domina Un/blued (Tupelo Press), Ruth Ellen Kocher
Cowboys and East Indians (FiveChapters Books), Nina McConigley
Ghana Must Go (Penguin Press), Taiye Selasi
Judges: Catherine Chung, Randa Jarrar, and Monica Youn
PEN/Jacqueline Bograd Weld Award for Biography ($5,000): For a distinguished biography published in 2013.
Lawrence in Arabia (Doubleday), Scott Anderson
Holding On Upside Down: The Life and Work of Marianne Moore (Farrar, Straus & Giroux), Linda Leavell
Margaret Fuller (Houghton Mifflin Harcourt), Megan Marshall
American Mirror: The Life and Art of Norman Rockwell (Farrar, Straus & Giroux), Deborah Solomon
A Life of Barbara Stanwyck (Simon & Schuster), Victoria Wilson
Judges: James Atlas, Lisa Cohen, and Wendy Gimbel
PEN/ESPN Award for Literary Sports Writing ($5,000): To honor a nonfiction book on the subject of sports published in 2013.
Collision Low Crossers (Little, Brown and Company), Nicholas Dawidoff
The Sports Gene (Current), David Epstein
League of Denial (Crown Archetype), Mark Fainaru-Wada & Steve Fainaru
The Emerald Mile (Scribner), Kevin Fedarko
Their Life’s Work (Simon & Schuster), Gary M. Pomerantz
Judges: Joel Drucker, Chad Harbach, and Jackie MacMullan
PEN/Steven Kroll Award for Picture Book Writing ($5,000): To a writer for an exceptional story illustrated in a picture book published in 2013.
Train (Orchard Books), Elisha Cooper
Tea Party Rules (Viking), Ame Dyckman
The King of Little Things (Peachtree Publishers), Bil Lepp
Crabtree (McSweeney’s McMullens), Jon & Tucker Nichols
Judges: Mac Barnett, Ted Lewin, and Elizabeth Winthrop
PEN Award for Poetry in Translation ($3,000): For a book-length translation of poetry into English published in 2013.
Even Now: Poems by Hugo Claus (Archipelago), David Colmer
Diaries of Exile by Yannis Ritsos (Archipelago), Karen Emmerich & Edmund Keeley
Collected Haiku of Yosa Buson by Yosa Buson (Copper Canyon Press), Takako Lento & W.S. Merwin
Paul Klee’s Boat by Anzhelina Polonskaya (Zephyr Press), Andrew Wachtel
Cut These Words Into My Stone: Ancient Greek Epitaphs (Johns Hopkins University Press), Michael Wolfe
Judge: Kimiko Hahn
PEN Translation Prize ($3,000): For a book-length translation of prose into English published in 2013.
An Armenian Sketchbook by Vasily Grossman (New York Review Books), Elizabeth & Robert Chandler
Transit by Anna Seghers (New York Review Books), Margot Bettauer Dembo
The African Shore by Rodrigo Rey Rosa (Yale University Press), Jeffrey Gray
The Emperor’s Tomb by Joseph Roth (New Directions), Michael Hofmann
Autobiography of a Corpse by Sigizmund Krzhizhanovsky (New York Review Books), Joanne Turnbull & Nikolai Formozov
Judges: Ann Goldstein, Becka McKay, and Katherine Silver
Photo: Ron Childress, credit PEN American Center
Often times we go through our days thinking about what we have to get done rather than how we are feeling. We push through feelings of discomfort or fatigue, thinking if we don’t pay them any attention they’ll go away. Today, try to pay more attention to the messages of your body. Pause and ask your body, “What do you want?” Listen for the response. Write a poem about the experience of tuning in to these physical messages.
David Julius Caesar Salad sets up his manual typewriter in New York City's Central Park, prompting passersby to pick a subject. It's poetry on demand: He types out the poem while patrons wait on the benches nearby, and reads the poem to them when he's finished.
Unnameable Books is a bookstore located in the heart of Prospect Heights, Brooklyn. Founded as “Adam’s Books” before being renamed, the store specializes in poetry, has an eclectic collection of used books, and carries work from many small independent presses.
Golda Solomon is a spoken word performer, professor, and the poet-in-residence at Blue Door Gallery. Her poems have been published in the Mom Egg, Heal: Between the Pages of These Folks We Seek a Panacea, the 35th Anniversary of Blind Beggar Press’ Collector’s Edition Anthology, Out of Africa, Fiber Plus, Sacred Visions, and Narratives x4. She is the author of Flatbush Cowgirl (CM Graphic Design, 1999) and Medicine Woman of Jazz (World Audience, 2012). She produced the poetry and jazz compilation albums First Set, Word Riffs, and Takin’ It To the Hollow. Solomon created From Page to Performance workshops and ArtSpeak: Poetic Responses to the Walls, writing workshops (partially funded by Poets & Writers), at Blue Door Gallery.
In 2008, I moved to Yonkers, New York, and came across Blue Door Gallery, a quaint gallery on a main street next to a boarded-up building. Giving back to community and nurturing diversity is essential to who I am. I began as a volunteer, facilitating writing workshops, and with the help of Poets & Writers, I became Blue Door Gallery's poet-in-residence, and ArtSpeak was born.
The ArtSpeak workshops give participants an opportunity to use exhibitions as writing prompts and inspiration. A packet is distributed that contains an agenda with the current exhibition program, ArtSpeak Walk (which includes questions, poems, and readings related to the artwork), an explanation of ekphrastic writing, and an evaluation form.
I facilitate eight workshops each calendar year, as well as two in the community outreach summer program. Each workshop is two and a half hours and allows leisurely viewing of the art with ample time for first draft free-writing and sharing in a welcoming atmosphere. Recent workshops have included an additional From Page to Performance workshop hour. Friends, family, and community members are invited to witness our “raw” work. On occasion, the artists attend, answer questions, and are invited to write—a rewarding experience for all.
It’s been said that I am playfully stubborn in my determination to bring out the best in all who are there. My background in communications has taught me how to help those with public speaking jitters and I personally understand what it’s like to have anxiety. As a child, I stopped playing the piano because of my fears and I try my best not to let that happen to anyone in my care. As one participant remarked, “For me, this was the best workshop/writing experience I’ve ever had. The group of writers was as varied as our ages and it gave the event incredible energy. I also felt free of my fears. In this workshop, I allowed myself to read my poem without quivering.”
It is gratifying and a privilege to work with these writers and receive positive feedback. One member noted, “This need to accept my creative side is the invaluable part of the ArtSpeak experience for me. The other part is working with visual art and having this art as prompts to stir my words."
Blue Door Gallery has included ArtSpeak poems in publications and honored the artists with three ArtSpeak chapbooks. The gallery will soon inaugurate Blue Door Quarterly with writings from each ArtSpeak workshop. These publications have offered an opportunity for established writers and emerging poets to be published together. Support from the Readings & Workshops program of Poets & Writers has helped establish Blue Door Gallery as a cultural center in downtown Yonkers. On these streets of grit and energy, I am proud to be known as the ArtSpeak lady. I am always teacher and learner.
Photos: (top) Golda Solomon, (middle) Golda Solomon and ArtSpeak Class. Photo Credit: Maureen Hatch.
Photo: (bottom) Golda Solomon. Photo Credit: Zak Sherzad.
Support for Readings/Workshops in New York is provided, in part, by public funds from the New York State Council on the Arts, with additional support from the Friends of Poets & Writers.
