Genre: Poetry

Indoor/Outdoor

What comes to mind when you think of indoor activities versus outdoor activities? As the weeks of the coronavirus pandemic lockdown wear on, many have found it necessary to reconsider the traditional boundaries of these divisions. A recent New York Times article featured Michael Ortiz, a “financial executive and recreational endurance athlete” who has been running hundred-mile marathons inside his 960-square-foot apartment in Brooklyn, first running 13,200 laps around his living room rugs in sixty hours, and then on a treadmill. Write a pair of poems; one that focuses on an indoor activity, and one on an outdoor activity. How has your notion of those designations been transformed since the pandemic? Are there new designations you’ve created?

Soft Animal Wounds Part Two

This week I am continuing to write about Mahalia Frost’s collection, Soft Animal Wounds. As each poem pulls at my skin with uncomfortable, sometimes bloody, images, I am increasingly impressed with the consistency and continuity of the writing and themes introduced in this book. Frost’s collection is a healthy fifty-eight pages split into four parts titled “Sleep,” “Gleam,” “Thrash,” and “Bite.” Each part is introduced by a thought-provoking illustration. For example, “Sleep” opens with an image of a human head presenting a dissatisfied facial expression on top of the body of what seems to be a serpent—plus angel wings! Each part includes an odd yet fitting variation of this illustration.

What’s more is that these images are the artwork of Frost—helping us readers understand not only the imagery from what’s written in these poems, but also from what she sees when creating. I can’t say enough about the complexity being offered by this young writer. I am especially fond of the first poem titled “Birdheart” in the “Bite” portion of the book. This poem uses an extended metaphor to describe the heart as a bird:

“its feathers clump together with scabs / sticky in your ooze”

“Bite” also gives my absolute favorite ending to a yet another poem that makes me reflect on myself:

“how could it know of anything / beyond the hollow between your ribs? / how could it want?”

If you can’t tell by now, I highly recommend this collection. InsideOut Literary Arts hosted the book release for Soft Animal Wounds in late February, a few short weeks before social distancing and stay-at-home orders were enforced in Michigan. Because of this, distribution of this collection is currently limited. If you’re interested in getting your hands on this book, reach out to me: Justin@insideoutdetroit.org.

InsideOut is also hosting a digital literary festival called Essential Words: InsideOut’s Louder Than a Bomb Youth Poetry Festival. The virtual events began on April 30 and run through May 7. Hosted by poet LaShaun Phoenix Moore, events include discussions, workshops, and more. Check out the website for more, and follow the activity on Instagram, @LTAB_Essential. I can’t wait to report back on our digital experience next week!

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Upcoming Contest Deadlines

Get a head start this month by submitting to contests with a deadline of May 15. These poetry, fiction, and nonfiction awards include several contests for emerging writers and a prize for a documentary project that features both images and text. All offer a prize of $1,000 or more.

Academy of American Poets James Laughlin Award: A prize of $5,000 is given annually for a second book of poetry by a living poet to be published in the coming calendar year. The winner also receives an all-expenses paid weeklong residency at the Betsy Hotel in Miami Beach, Florida. Copies of the winning book are purchased and distributed to members of the Academy of American Poets. Rick Barot, Gabrielle Calvocoressi, and Honorée Jeffers will judge. Entry fee: none.

Academy of American Poets Lenore Marshall Poetry Prize: A prize of $25,000 is given annually for a poetry collection by a living poet published in the United States during the previous year. The winner also receives an all-expenses paid ten-day residency at Glen Hollow in Naples, New York. Copies of the winning book are purchased and distributed to members of the Academy of American Poets. Garrett Hongo, Carol Muske-Dukes, and Tim Seibles will judge. Entry fee: $75.

American Poetry Review Stanley Kunitz Memorial Prize: A prize of $1,000 and publication in American Poetry Review is given annually for a single poem by a poet under the age of 40. The editors will judge. Entry fee: $15 (includes a copy of the prize issue).

Carve Raymond Carver Short Story Contest: A prize of $2,000 and publication in Carve is given annually for a short story. The winning story will also be read by three literary agents. Pam Houston will judge. Entry fee: $15 ($17 for electronic submissions).

Center for Documentary Studies Dorothea Lange–Paul Taylor Prize: A prize of $10,000 and publication in the Center for Documentary Studies digital periodical is given annually for a documentary project that incorporates images and text in any genre. The winning piece will also be placed in the Archive of Documentary Arts at Duke University’s Rubinstein Library. Independent and collaborative fieldwork projects are eligible. Entry fee: $60.

Gaudy Boy Press Poetry Book Prize: A prize of $1,000 and publication by Gaudy Boy Press, an imprint of the literary nonprofit Singapore Unbound, is given annually for a poetry collection by an Asian writer. Cyril Wong will judge. Entry fee: $10.

Lost Horse Press Idaho Prize for Poetry: A prize of $1,000, publication by Lost Horse Press, and 20 author copies is given annually for a poetry collection by a U.S poet. Entry fee: $28.

Pittsburg State University Cow Creek Chapbook Contest: A prize of $1,000, publication by Pittsburg State University, and 25 author copies is given annually for a poetry chapbook. Marcus Wicker will judge. Entry fee: $15.

Ploughshares Emerging Writer’s Contest: Three prizes of $2,000 each and publication in Ploughshares are given annually for a poem or group of poems, a short story, and an essay. Each winner also receives a consultation with the literary agency Aevitas. Writers who have not published a book or chapbook are eligible. Ilya Kaminsky, Kirstin Valdez Quade, and Esmé Weijun Wang will judge for poetry, fiction, and nonfiction, respectively. Entry fee: $24 (includes subscription).

Ruminate Janet B. McCabe Poetry Prize: A prize of $1,500 and publication in Ruminate is given annually for a single poem. Katie Peterson will judge. Entry fee: $20 (includes a digital copy of Ruminate).

University of Nebraska Press Backwaters Prize: A prize of $2,000, publication by University of Nebraska Press, and 20 author copies is given annually for a poetry collection. An honorable mention prize of $1,000 and publication by University of Nebraska Press will also be given. Matt Mason will judge. Entry fee: $30.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Thresholes

Caption: 

“Daily, I remind myself: the future is not dependent / on your inability to describe your undoing.” Lara Mimosa Montes reads from her latest poetry collection, Thresholes (Coffee House Press, 2020), and answers questions about writing as part of the Loft Literary Center’s annual Wordplay festival, held virtually this year.

Genre: 

Eight New Orleans Poets to Watch

There are only a couple days left for this year’s National Poetry Month and I wanted to celebrate by highlighting some New Orleans poets and their recorded readings. Some have been created during the COVID-19 quarantine and others showcase the venues we miss visiting. If you’re looking for virtual readings to watch from home, check out the online events in the Literary Events Calendar and follow me on Twitter, @nolapworg.

1. Jessica Kinnison, cofounder of the Dogfish reading series, reads poems for the Virtual New Orleans Poetry Festival 2020.

2. Sunni Patterson reads a poem with musical accompaniment for the Letters From the Porch video series, which brings musicians and performers together to offer gratitude to the medical community.

3. Slam New Orleans member FreeQuency reads her poem “Lessons on Being an African Immigrant in America” at the 2014 National Poetry Slam Finals.

4. Brad Richard reads from his collection Parasite Kingdom (The Word Works, 2019). Richard codirects the LGBTIQ reading series the Waves with poet Elizabeth Gross.

5. New Orleans poet Skye Jackson reads from her chapbook, A Faster Grave (Antenna Press, 2019), for a book launch reading at Malvern Books.

6. Justin Lamb, a former Slam New Orleans member and the program director at Bard Early College in New Orleans, performs “The Friend Zone.”

7. Megan Burns, cofounder of the New Orleans Poetry Festival and Trembling Pillow Press publisher, reads for the Unlikely Salons reading series at the Zeitgeist Theatre and Lounge in Arabi, Louisiana.

8. Gina Ferrara, host of the Poetry Buffet series, reads her poem “The Religion Once But No Longer Shared” at Cafe Istanbul in New Orleans.

Bonus: 826 New Orleans program director Kyley Pulphus offers an online writing workshop for their #agoodtimetowrite series.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

The Houses on My Block: Calypso Editions

Hey, mi gente. I want to get right to the point and keep up the flow of discussion on the publishing houses here in Houston. Throughout the month I’ve written about Arte Público Press, Mutabilis Press, and Bloomsday Literary, so I’ll keep it going today and introduce you to Calypso Editions.

Calypso Editions is the city’s main publishing house focused on translation—getting books written by foreign authors into English. In addition, they publish books of poetry and fiction written in English and are committed to “providing a space for talented, new voices.” One of the main things that has always caught my attention about Calypso Editions is that it is a cooperative! That’s right—it is a nonprofit press that is artist-run, which makes their publishing choices all the more engaging and remarkable.

They are also a community-oriented publishing house. Back in 2017, when PEN America planned out the Writers Resist reading in New York City, Calypso Editions was one of the first organizations that was willing to stand with Houston writers as we planned our own Writers Resist events.

On May 1, Calypso Editions will release The Child Who, a book by Jeanne Benameur, translated from the French by Bill Johnston. This work of poetic prose explores the worlds of a young boy whose mother has disappeared, his father, and the boy’s grandmother. As always, Calypso Editions hopes to introduce yet another wonderful voice to a new audience of English-language readers.

Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

The Poets & Writers Complete Guide to Being a Writer Launch Party

Caption: 

To celebrate the launch of The Poets & Writers Complete Guide to Being a Writer (Avid Reader Press, 2020), authors Mary Gannon and Kevin Larimer speak with novelist Nicole Dennis-Benn, literary agent Annie Hwang, publicist Michael Taeckens, and publisher and editor Jamia Wilson about the need for new voices in literature and the ins and outs of the literary world in this online event hosted by the Center for Fiction.

Excavating the Mind

4.28.20

“It’s astonishing to me that there is so much in Memory, yet so much is left out: emotions, thoughts, sex, the relationship between poetry and light,” writes Bernadette Mayer in the introduction to her book Memory (Siglio Press, 2020), featured in the Written Image in the May/June issue of Poets & Writers Magazine. The book presents a collection of photographs and text from 1971 when Mayer shot a roll of film every day for the month of July and wrote in a journal—a record of her consciousness. Taking inspiration from this project, jot down notes describing several images and observations each day this week. Then, write a poem that combines them into a single, sequential mass, a contemporaneous manifestation of your conscious mind.

Soft Animal Wounds Part One

It has been my pleasure to dive into books from Detroit authors during quarantine days and I’m excited to share another book with you this week. Soft Animal Wounds is the first collection by 2019 Detroit Youth Poet Laureate Mahalia Frost. Since her appointment, Frost has become a prominent figure in the Detroit youth poetry community. I am proud of her growth and her work on this collection! Here, I will give you my reflections on the first half of this book.

Soft Animal Wounds dives deep into Frost’s imaginative mind with complex images that throw the reader curveball after curveball. Themes range from self-reflection to relationships with family and the surrounding world. Even when a question isn’t asked, the reader can find a question to explore between the lines. I found myself on my toes through one of my favorite poems early in the book “Ghazal With a Trace of Something Disappearing” with lines like:

“I run inside the crimson oceans of a song”

Frost’s open honesty is felt through many of the ways she chooses to build imagery. Some may find parts painful or grotesque, but Frost finds a way to make everything tie back to a larger meaning—often with commentary on her own relationships.

“...I remember her calling me wound / when we went to the doctors they said mother’s body / was trying to kill her & I sat there quiet like a good wound”

As I near the midpoint of this collection, I am further impressed by the poetic forms that are being explored by Frost. She seems to take a liking to the ghazal form and even has a poem that requires the reader to turn the book horizontally. Dialogue, footnotes, and other writing techniques truly show the growth and dedication of this young poet.

Soft Animal Wounds by Mahalia Frost.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

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