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Based on the short story "Why Don't You Dance?" by Raymond Carver, Everything Must Go tells the story of a salesman (Will Ferrell) who loses his job and his marriage in the same day. With all of his belongings dumped on the lawn, he holds a yard sale in an effort to start over. The movie, adapted and directed by Dan Rush, is set to be released on May 13.
Take a standard medical form from a doctor's office and fill it out in the persona of a character you're working on. Generating even basic information—the name of her street, her family's medical history, her emergency contact—may lead to new insights about her life and her background that you can explore later. This week's fiction prompt comes from fiction writer Eleanor Henderson, whose first novel, Ten Thousand Saints, will be published by Ecco in June.
Electric Literature's latest single sentence animation is Lynne Tillman's "The Original Impulse," animated by Monica Garrison and scored by Andrei Pohorelsky. Tillman's story is published in the fifth issue of Electric Literature.
Having received fewer submissions than they have in the past, the journal opted to accept entries until April 15.
Judging this year's entries will be poet Lia Purpura, author of King Baby (Alice James Books, 2009); fiction writer Adrianne Harun, author of the story collection The King of Limbo (Mariner Books, 2002); and creative nonfiction writer Ira Sukrungruang, author of Talk Thai: The Adventures of a Buddhist Boy (University of Missouri Press, 2010).
Last year's winners were Jennifer Perrine for her poem "When the Dazzle Isn't Gradual," Jacob Appel for his story "Bait and Switch," and Angela Tung for her essay "An Old Man on the Frontier Loses His Horse," selected by Allison Joseph, Jess Walter, and Rebecca McClanahan, respectively.
Complete guidelines for entry and samples of work published in the journal are available on the Bellingham ReviewWeb site.
This brief interview with Amy Hempel, which includes excerpts from her short story "The Harvest," was produced by United States Artists. The Collected Stories of Amy Hempel was published by Scribner in 2006.
Take a book off the shelf and write down the opening line. Then substitute as many words as possible with your own words, keeping the syntax and parts of speech intact. Then keep writing. Performing this kind of literary "Mad Lib" often creates a useful starting place for a story, especially when the sentence contains an intersection of character, setting, and situation. Or try using these opening lines, from Faulkner, García Márquez, and Plath, respectively:
Through the [concrete noun], between the [adjective] [concrete noun], I could see them [verb ending in "ing"].
It was inevitable: the scent of [adjective] [plural noun] always reminded him of the [noun] of [adjective] [noun].
It was a [adjective], [adjective] [season], the [same season] they [transitive verb, past tense] the [family name, plural], and I didn't know what I was doing in [city].
This week's fiction prompt comes from fiction writer Eleanor Henderson, whose first novel, Ten Thousand Saints, will be published by Ecco in June.
From director Cary Fukunaga comes a new vision of Charlotte Brontë's classic novel Jane Eyre. The movie, starring Mia Wasikowska and Michael Fassbender, opened March 11.
The finalists for the Man Booker International Prize have been announced, but if one nominee's wishes were honored, the shortlist would have to be clipped further. Best-selling author John le Carré has refused his nomination for the prize honoring achievement in fiction, saying simply that, while flattered by the recognition, he does not compete for literary awards.
Despite le Carré's request to be removed from the list of contenders, he could still be given the honor, which is offered at the discretion of a judging panel. "Le Carré's name will, of course, remain on the list," says chair of the judges Rick Gekoski. "We are disappointed that he wants to withdraw from further consideration because we are great admirers of his work."
Unlike its sister award, the Man Booker Prize for Fiction, the International Prize does not accept outside nominations. The finalists and winner of the sixty-thousand-pound prize (approximately ninety-six thousand dollars) are determined by a closed judging process.
In addition to le Carré, the finalists for the seventh annual award are Wang Anyi and Su Tong of China; Juan Goytisolo of Spain; James Kelman and Philip Pullman of the United Kingdom; Amin Maalouf of Lebanon; David Malouf of Australia; Dacia Maraini of Italy; Rohinton Mistry of India and Canada; and U.S. authors Marilynne Robinson, Philip Roth, and Anne Tyler. The winner will be announced on May 18 at the Sydney Writers' Festival in Australia.
In the video below, the Daily Beast's Tina Brown speaks with Roth about the future of the novel as a literary form.
On April 15 Little, Brown will publish The Pale King, David Foster Wallace's final, unfinished novel. In this BBC documentary, Geoff Ward discusses the life and works of the author who committed suicide in 2008, at the age of forty-six. Ward also talks to Wallace's editor, Michael Pietsch, about the difficult task of assembling Wallace's final fragments into The Pale King.
The Vilcek Foundation has selected poet Charles Simic and fiction writer Dinaw Mengestu as recipients of the sixth annual Vilcek Prizes honoring foreign-born writers, artists, and scientists now living in the United States. Former U.S. poet laureate and recent Robert Frost Medal–winner Simic, born in the former Yugoslavia, received the one-hundred-thousand-dollar prize for lifetime achievement, and Mengestu, born in Ethiopia, won the twenty-five-thousand-dollar prize for creative promise.
Author of twenty poetry collections, Simic's most recent work is Master of Disguises (Houghton Mifflin Harcourt, 2010). Mengestu is the author of the novels How to Read the Air (Riverhead Books, 2010) and the widely praised The Beautiful Things That Heaven Bears (Riverhead Books, 2007), which won the Guardian First Book Award.
The finalists for the prize for emerging writers, each receiving five thousand dollars, are poet Ilya Kaminsky (born in the former Soviet Union) and fiction writers Simon Van Booy (born in England), Téa Obreht (born in Croatia), and Vu Tran (born in Vietnam).
The literature honorees will participate in a panel, The New Vernacular: Immigrant Authors in American Literature, at New York City's Housing Works Bookstore Café on April 5. The event is free and open to the public, but RSVPs are appreciated.
In the video below, Mengestu discusses his latest novel.