Genre: Fiction

U.K.'s Second Oldest Literary Prize Is Suspended

A nearly seventy-year-old literary award that honored works in all genres by young, emerging writers is buckling under the pressure of budget woes. Booktrust, the organization that has for the past nine years sponsored the John Llewellyn Rhys Prize, given since 1942 to writers under the age of thirty-five, announced earlier this week that government funding cuts forced it to revamp its program portfolio, shuttering the awardat least for 2011.

The prize, according to author Margaret Drabble, who won the award in 1966 and lamented its loss in the Guardian, is "one of the most romantic and distinguished of prizes," more so than the oldest major U.K. award, the James Tait Black Memorial Prize, or the Booker. The five-thousand-pound award (roughly eight thousand dollars) is given to writers "at the outset of their careers, when a sign of approval means much more than it does in their cynical, competitive, commercial later years."

The 2009 winner, Evie Wyldwho won for her novel, After the Fire, a Still Small Voice (Pantheon)says the award "gave me a platform to work off, and I'm not sure I'd be in the position I am in now, had the Rhys not brought such a large amount of attention with it," including radio appearances and articles. Among the other poets and prose writers who have taken the prize in the past are Angela Carter, Andrew Motion, V. S. Naipaul, and Jeanette Winterson.

Booktrust, which is pursuing alternate avenues for maintaining the prize, told the Guardian it hopes to bring the Rhys "back with a bang as soon as possible," possibly even in 2012.

In the video below, Wyld reads from her winning book, a "romantic thriller about men who aren't talking."

June 30

6.29.11

Open your medicine cabinet and choose something from it that one character will use to kill another in a story.

Kelly Norman Ellis on Chicago's South Side

Poet Kelly Norman Ellis, author of Tougaloo Blues and longtime P&W-supported writer and presenter of literary events, dotes on Chicago's South Side and the Neighborhood Writing Alliance.

I’ve lived and worked on Chicago’s South Side for almost thirteen years. As an educator and writer, I am attracted to organizations that express a commitment to writing and art outside the academic community. Our writing program at Chicago State seeks to coalition build with community organizations so that our students realize the benefits and necessity of teaching outside of the academy.

The Neighborhood Writing Alliance (NWA) located on the South Side of Chicago fills this need. NWA runs writing workshops for adults in low-income neighborhoods throughout Chicago, and publishes selected pieces from those workshops in its quarterly award-winning publication, Journal of Ordinary Thought (JOT). Founded in 1996 by Hal Adams, Deborah Epstein, and Sunny Fischer, NWA grew out of JOT, which was founded by Hal Adams in 1991.

Hundreds of Chicago adults have participated in NWA writing groups in a range of settings—from public libraries and public schools (where parents participate) to social service agencies and public housing projects. Workshops are conducted across ethnic lines. In one workshop, I taught African Americans born in Chicago, Mississippi, and Jamaica; Polish immigrants; fourth generation Irish Americans and second generation Mexican Americans. Participants in these workshops write primarily from their own experience, but through writing and discussion make connections between their personal experiences and broader social issues.

Workshop leaders are Chicago-based professional writers and arts educators such as Krista Franklin, Toni Asante Lightfoot, Parneshia Jones, Tony Lindsay, Carlos Flores, and Valerie Wallace, to name a few. NWA also has an impressive Writer’s Advisory Council, which includes Achy Obejas, Alex Kotlowitz, television journalist Bill Kurtis. The legendary Studs Turkel also served on the council before his death.

Our MFA program at Chicago State believes in the connection of writing and social justice. NWA demonstrates this principal at work by providing internships to our writing students on the graduate and undergraduate level, allowing them to experience the successful marriage of art and activism.

Photo: Kelly Norman Ellis. Credit: Natasha Marin.

Support for Readings/Workshops events in Chicago is provided by an endowment established with generous contributions from Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.

Black Lawrence Press Offers Early Entry Fee For Book Award

Poetry and prose publisher Black Lawrence Press is accepting entries to its multi-genre book contest, with a special deal for writers who submit before June 30.

Entry to the St. Lawrence Book Award competition, open to both poetry and short story manuscripts, is fifteen dollars (reduced from twenty-five) until next Thursday. (The press offered a similar promotion last year for another of its prizes, with a choose-your-own-entry-fee model.)

The book prize offers one thousand dollars and ten copies of the published book. The deadline for entry is August 31, and finalists will be announced in October, followed shortly thereafter by the winner selection.

Past winners for poetry include Katie Umans for Flock Book, Brad Ricca for American Mastodon, Jason Tandon for Give Over the Heckler and Everyone Gets Hurt, and Stefi Weisburd for The Wind Up Gods. For fiction, Yelizaveta P. Renfro won for A Catalogue of Everything in the World: Nebraska Stories, Fred McGavran for The Butterfly Collector, and Marcel Jolley for Neither Here Nor There.

More details on the prize history and how to enter online are available on the press's website.

D.C. Writer Wins Book Prize for Stories Tackling Race, Womanhood, and Otherness

The Poetry Center in Paterson, New Jersey, has announced the winner of the 2011 Paterson Fiction Prize, given annually for a novel or short story collection. Danielle Evans won the one-thousand-dollar prize for her short story collection, Before You Suffocate Your Own Fool Self (Riverhead Books), which earlier this year was longlisted for the Story Prize and given an honorable mention for the PEN/Hemingway Foundation Award.

Evans's debut book takes its title from "The Bridge Poem" by Kate Rushin (The Black Back-Ups, Firebrand Books, 1993), whose meditation on the phenomenon of one group's "translating" their lives for the benefit of another group influenced the themes of Your Own Fool Self. "Right now we have a moment with a lot of language about post-racialism and yet a lot of evidence that we are clearly not post-anything," Evans told the Washington Post, "and there's a lot of room for complication, contradiction, and ambiguity, which is good territory for fiction."

Evans received the prize over fellow Iowa Writers' Workshop alumna (and current Workshop director) Lan Samantha Chang's All Is Forgotten, Nothing Is Lost (W. W. Norton), Deborah Eisenberg's The Collected Stories of Deborah Eisenberg (Picador), Patricia Engel's Vida (Black Cat), Lily King's Father of the Rain (Atlantic Monthly Press), Chang-rae Lee's The Surrendered (Riverhead Books), and Cynthia Ozick's Foreign Bodies (Houghton Mifflin Harcourt).

In the video below, novelist Tayari Jones praises Evans's book. (And in the video here, the Washington Post's video book reviewer Ron Charles—who recently won an award of his own—takes on Evans's collection.)

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