Genre: Fiction

The Character Within

11.13.13

Class is often characterized by how an individual treats others when no one is looking. Without interference from societal judgment, family expectations, or peer pressure, people often act very differently—revealing much about their true natures. Some become selfish and ruthless. Others shine with empathy and magnanimity. Place your protagonist in such a situation. Allow your character to take the lead. As a writer, it is your job to follow and relay what happens. Write five hundred words.

Claire Vaye Watkins Wins Dylan Thomas Prize

Fiction writer Claire Vaye Watkins has been named the winner of the 2013 Dylan Thomas Prize. She receives the £30,000 (approximately $48,000) award for Battleborn, her debut short story collection.

The international prize is awarded annually for a book of poetry, fiction, or nonfiction or a play in English by a writer under the age of thirty.

Watkins, twenty-nine, is the second American author in a row to receive the prize, following novelist Maggie Shipstead’s win in 2012. Watkins received the award during a ceremony in Swansea, Wales, late last week. In addition to the prize money, Watkins was presented with a bronze cast of a young Dylan Thomas. The shortlist included two poets and five prose writers from around the world.

Battleborn, published by Riverhead Books in the United States and by Granta Books in the UK, addresses the myth of the American West. Watkins, who was born in California and raised in Nevada near the Death Valley, has won a number of awards for the book, including the annual Story Prize.

Chair of judges Peter Florence said, “Claire Vaye Watkins has some of Dylan Thomas’s extraordinary skill in the short story form of giving you a perfect vision of a complete world and that’s extraordinarily rare.”

The prize is yet another nod to the form of the short story, following Alice Munro’s win of the Nobel Prize last month.

Founded in 2006, the Dylan Thomas Prize celebrates the legacy of Welsh poet and writer Dylan Thomas, who is known for writing some of his best work in his twenties.

Peace of Mind

11.6.13

Fiction writers know that conflict drives plot. Tension and drama imbue life into our characters and propel their stories forward. Human nature, however, craves tranquility and clarity. Write five hundred words describing your protagonist at peace—truly one with the universe, even if only for several seconds. Perhaps your character is sitting on a park bench and staring at a bruised cloud, or on a crowded subway car listening to the rails below, or walking out of a cemetery with a beer in hand. Peace is unique to everyone.

Mozambican Author Wins Neustadt Prize

Poet and fiction writer Mia Couto of Mozambique has won the 2014 Neustadt Prize for Literature. The $50,000 prize is given internationally for lifetime achievement.

Couto, 58, is the first Mozambican author to be nominated for and to win the prize. His books include the novels Sleepwalking Land and The Last Flight of the Flamingo and a short story collection, Voices Made Night. His works have been published in more than twenty languages.

Italo-Ethiopian author Gabriella Ghermandi, who nominated Couto for the prize, said, “He is an author who addresses not just his country but the entire world, all human beings.”

Sponsored by the University of Oklahoma; World Literature Today, the university’s magazine of international literature and culture; and the Neustadt family, the international prize is awarded to a poet, fiction writer, or playwright. Couto was chosen by a jury of nine international authors.

Established in 1969, the award is given every two years. Previous winners include Elizabeth Bishop, Gabriel Garcia Marquez, Alice Munro, Octavio Paz, Orhan Pamuk, and Mo Yan.

Couto is the twenty-third laureate of the Neustadt Prize and will accept the award at the University of Oklahoma during the Fall 2014 Neustadt Festival.

Hurston/Wright Deadline Approaches

Submissions are currently open for the annual Hurston/Wright Foundation Legacy Awards. The prizes are given to published poets, fiction writers, and nonfiction writers of African descent.

To apply, publishers and may submit four copies of books published in the United States in 2013 with a $30 entry fee by November 22. Submissions must be mailed to Hurston/Wright Legacy Award, 12138 Central Avenue Suite 953, Bowie, MD 20721. Books of poetry, fiction (including novels, novellas, and short story collections) creative nonfiction (including memoirs and essay collections), and general nonfiction are eligible.

Eligible writers must be of African descent from any area of the diaspora. Visit the website for complete submission and eligibility guidelines.

The winners of the 2012 prize were announced last week at an awards ceremony in Washington, D.C. The prize in poetry was awarded posthumously to the late Lucille Clifton for The Collected Poems of Lucille Clifton 1965-2010 (BOA Editions). Esi Edugyan won in fiction for her novel Half-Blood Blues (Picador); Fredrick C. Harris won in nonfiction for The Price of the Ticket: Barack Obama and Rise and Decline of Black Politics (Oxford University Press).

Natasha Trethewey, the United States Poet Laureate and author most recently of the collection Thrall, was also honored at the ceremony, along with nonfiction writers Wil Haygood and Isabel Wilkerson.

Founded in 1990 and named in honor of authors Zora Neale Hurston and Richard Wright, the Hurston/Wright Foundation seeks to “discover, educate, mentor, and develop African American writers.”

In the video below, poets gathered in New York City earlier this year for Blessing the Boats: A Tribute to Lucille Clifton, a celebration of the late poet's life and work on the occasion of the publication of Collected Poems.

Halloween Story

10.30.13

Halloween evokes the power of tradition, superstition, and society. Our children dress up as heroes, goblins, and villains and scamper along our neighbors’ sidewalks, lawns, and driveways beseeching candy. Write six hundred words about a confrontation between an adult homeowner and a group of children. Allow the colors, tones, noises, smells, and feel of Halloween to inform—if not define—your writing. Be funny. Be scary. Be creative.

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