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“My friend Michael and I are walking home arguing about the movie. / He says that he believes a person can love someone / and still be able to murder that person.” Marie Howe reads her poem “After the Movie,” which appears in her collection The Kingdom of Ordinary Time (Norton, 2008), in this 2014 video for the Page Meets Stage series in New York City.
“What you can do is tell your best story, at that moment.” Camille T. Dungy, whose first essay collection, Guidebook to Relative Strangers: Journeys Into Race, Motherhood, and History (Norton, 2017), was a finalist for the National Book Critics Circle Award, offers writers advice on how to overcome roadblocks in this Austin Community College video.
“All lions must lean into something other than a roar,” reads Roger Reeves from his poem “Grendel” included in his new collection, Best Barbarian (Norton, 2022), in this short film directed by Osvaldo Cuevas. Reeves’s collection is featured in Page One in the March/April issue of Poets & Writers Magazine.
“I had a body and it was good / until you gave it meaning,” reads Ari Banias, author of A Symmetry (Norton, 2021), from his poem “Tautology” in this Poetry Project reading with Silvina López Medin, author of Poem That Never Ends (Essay Press, 2021).
“The first was that I was very busy. // The second—I was different from you: whatever happened to you could not happen to me, not like that.” In this 2018 video for Bloodaxe Books, Marie Howe reads “Magdalene—The Seven Devils” and other poems from her fourth poetry collection, Magdalene (Norton, 2017).
“It was September: autumn only in advertisements, cartoon-orange leaves and red backpacks lining the signs for back-to-school sales, the warmth whittling down but still keeping us in short sleeves.” In this Books Are Magic event, Kyle Lucia Wu reads from her debut novel, Win Me Something (Norton, 2021), and speaks with Crystal Hana Kim about her writing process.
James Tate Hill discusses the themes of disability and self-acceptance in his debut memoir, Blind Man’s Bluff (Norton, 2021), and speaks about process and the author-agent relationship in this Writing Workshops Dallas conversation with agent and author Eric Smith. Hill’s memoir is featured in Page One in the September/October issue of Poets & Writers Magazine.
“I had written two books on slavery, and writing about slavery is to be in the center of a very difficult psychic territory, and so when I started doing the research for this project, I was very hungry for beauty—and I think I discovered it here,” says Saidiya Hartman about writing her book Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals (Norton, 2019), winner of the 2019 National Book Critics Circle Award in Criticism, in this 2019 reading at Politics and Prose Bookstore in Washington, D.C.
“I was really interested in the idea of the body as a place of imprisonment but also, the body as a place of liberation.” Olivia Laing speaks about her latest book, Everybody: A Book About Freedom (Norton, 2021), and how she addresses the themes of illness, sexual violence, and incarceration with imagery and by including historical figures of the past century in this conversation with author Maggie Nelson for the Center for Fiction.
“Lorde is a towering figure in the world of letters,” says Roxane Gay in this 92Y virtual event celebrating the publication of The Selected Works of Audre Lorde (Norton, 2020), which Gay edited. Joining Gay to discuss and read Lorde’s poetry and prose are Mahogany L. Browne, Saeed Jones, and Porsha Olayiwola.
