To the Future

4.18.23

“The American experiment will end in 2030 she said / looking into the cards, / the charts, the stars, the mathematics of it,” writes Jorie Graham in “Time Frame,” a poem in her latest collection, To 2040, out today from Copper Canyon Press. The book’s title suggests both a dedication and an urgent address, casting the poems therein as reflections on the age of the Anthropocene and calls to action to protect the earth’s natural wonders. Write a poem that illustrates and reflects on your vision of the future, whether hopeful or woeful. Use the open-endedness of this prompt to fold in as many aspects of the future as possible, including your personal journey and what you foresee for the natural world.

Upcoming Contest Deadlines

During these increasingly sunny days, stay cool indoors and submit to contests with deadlines of April 30 and May 1! A poet residing or working in Inland Southern California could win $1,000 and publication by the Inlandia Institute; a fiction writer with a supernatural story to tell could receive $1,500 and publication on the Ghost Story website; and a nonfiction writer with work focusing on the desert “as both subject and setting” could be awarded $3,000, an invitation to a High Desert Museum ceremony in Oregon, and a writing residency. All contests offer a cash prize of $1,000 or more. Keep cool as your literary careers heat up, writers!  

Backwaters Press
Backwaters Prize in Poetry

A prize of $2,000 and publication by University of Nebraska Press is given annually for a poetry collection. An honorable mention prize of $1,000 and publication by University of Nebraska Press is also given. Deadline: May 1. Entry fee: $32.

Beloit Poetry Journal
Adrienne Rich Award for Poetry

A prize of $1,500 and publication in Beloit Poetry Journal is given annually for a single poem. Marie Howe will judge. All entries are considered for publication. Deadline: April 30. Entry fee: $15. 

Ghost Story
Supernatural Fiction Award

A prize of $1,500 and publication on the Ghost Story website is given twice yearly for a short story with a supernatural or magic realism theme. The winning work will also be published in the print anthology 21st Century Ghost Stories—Volume III. The editors will judge. Deadline: April 30. Entry fee: $20.

High Desert Museum
Waterston Desert Writing Prize
 
A prize of $3,000 is given annually for a work of nonfiction that recognizes “the vital role deserts play worldwide in the ecosystem and the human narrative, with the desert as both subject and setting.” The winner will also be provided with travel and lodging to attend a reception and awards ceremony at the High Desert Museum in Bend, Oregon, in September, as well as the opportunity to attend a residency at PLAYA at Summer Lake. Works-in-progress as well as published and unpublished prose are eligible. Deadline: May 1. Entry fee: none.

Inlandia Institute
Hillary Gravendyk Prizes

Two prizes of $1,000 each, publication by the Inlandia Institute, and 20 author copies are given annually for a poetry collection by a U.S. resident and a poetry collection by a poet residing or working in Inland Southern California, including Riverside and San Bernardino Counties and any non-coastal area of Southern California, from Death Valley to Anza-Borrego Desert State Park. All entries are considered for publication. Deadline: April 30. Entry fee: $20.

Noemi Press
Book Award

A prize of $2,000 and publication by Noemi Press is given annually for a book of poetry. The editors will judge. Deadline: May 1. Entry fee: $25.

Oversound
Chapbook Prize

A prize of $1,000, publication by Oversound, and 50 author copies is given annually for a poetry chapbook. Andrew Zawacki will judge. Deadline: April 30. Entry fee: $18, which includes a subscription to Oversound.

University of Pittsburgh Press
Agnes Lynch Starrett Poetry Prize

A prize of $5,000 and publication by University of Pittsburgh Press is given annually for a debut poetry collection. Deadline: April 30. Entry fee: $25.

Wick Poetry Center
Stan and Tom Wick Poetry Prize

A prize of $2,500 and publication by Kent State University Press is given annually for a debut poetry collection. The winner is also invited to teach a weeklong writing workshop at Kent State University and give a reading with the judge, Marilyn Chin. Deadline: May 1. Entry fee: $30.

Winning Writers
Tom Howard/John H. Reid Fiction & Essay Contest

Two prizes of $3,000 each, two gift certificates for two-year membership to the literary database Duotrope, and publication on the Winning Writers website are given annually for a short story and an essay. Unpublished and previously published works are eligible. Mina Manchester will judge. Deadline: April 30. Entry fee: $22.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

Youthful Stories

4.13.23

In her essay “Why Do We Keep Telling Sister Stories?” published on Electric Literature, writer and filmmaker Tia Glista reflects on the surplus of stories in literature, visual art, and film that revolve around the dynamics of sisters, ranging from Louisa May Alcott’s Little Women to the reality show series Keeping Up With the Kardashians. In the essay, Glista writes about growing up without sisters and how these stories guided her ideals of femininity. “I found surrogate sisters in pop culture; the Olsen twins’ bevy of straight-to-VHS buddy movies taught me how to plan slumber parties and inspired every fashion choice that I sported in kindergarten,” writes Glista. Write an essay that reflects on the kinds of stories you grew up with and how they connect to who you are today.

True Crime

4.12.23

According to a 2022 YouGov online poll, half of Americans consume true crime content, and one in three say they consume it at least once a week. Popular podcasts such as Serial as well as television shows and streaming series such as Unsolved Mysteries and Dahmer are proof of the continuing trend. The suspenseful genre invites enthusiasts into the lives of serial killers, kidnappers, law enforcement, and in some cases, the victims of the crimes. The poll showed that many enjoy the genre for the sense of suspense and excitement, but also to understand criminals and their motivations. This week, write a story inspired by true crime dramas. Whose perspective will you write from?

A Single Object

4.11.23

“I love to take an object made all but invisible by its mundanity—an egg-shaped container of pantyhose, a lawn chair turned on its side—and break it open to expose the full dimensions of the human vulnerability it carries,” writes Danielle Blau in her Craft Capsule essay “Somewhere Somebody Is Doing Something Right Now,” in which she explores how she creates characters for her poems. Write a poem that attempts to expose the full dimensions of an object and how it offers a reflection of a person, whether yourself or another character. What is the significance of this object and how does it exemplify human vulnerability?

Submissions Open for the Pen Parentis Writing Fellowship for New Parents

Calling all parent-writers with young children! Submissions are still open for the Pen Parentis Writing Fellowship for New Parents. Given annually to a fiction writer who is the parent of a child under the age of 10, the winner will receive a $2,000 cash prize; a year of mentorship; publication both in print and online in Dreamers Creative Writing Magazine, a Canadian journal “dedicated to heartfelt writing;” and an invitation to give a virtual reading on November 14. The winner will be paired with three established authors who are also parents for their reading; previous participants have included Jennifer Egan, Mira Jacob, Marie Myung-Ok Lee, and Darin Strauss. Additionally, the winning story will be included in the annual Dreamers Creative Writing anthology.

Using the online submission system, submit a story of up to 531 words with a $20 entry fee by April 17. Visit the website for complete guidelines.

With the goal of “motivating all writers to continue to create new high-quality creative writing at the very busiest time of the parenting journey,” the word count for applications to the fellowship is kept intentionally low to gently nudge parents towards creating new work. The winner will be announced on the Pen Parentis website by September 1, and for one year after their win they will be encouraged to attend Pen Parentis Literary Salon events as well as a weekly accountability group to help introduce them to other authors and to aid them in networking with editors, agents, and readers.  

What’s Your Name?

In a video featured in the Poets & Writers Theater, Hilton Als reads from his essay “Tristes Tropiques,” which appears in his book White Girls (McSweeney’s, 2014), recounting the story of how he was named after his mother’s best friend’s child who died at birth. “The minute I was born I was not just myself, but the memory of someone else,” reads Als. How did you get your name? Write an essay that tells the story behind your name. Examine the metaphorical and historical meanings of your name and allow your feelings to carry you through the essay’s unfolding.

Beethoven’s Hair

In a recent New York Times article, reporter Gina Kolata writes about a series of medical discoveries and family secrets surrounding eighteenth-century German composer Ludwig van Beethoven. An international group of researchers published a paper last month after DNA analysis of what were known to be strands of Beethoven’s hair. Their report debunks many long-held myths about the composer including his cause of death, how he lost his hearing, and his living descendants. Inspired by this scientific and historical drama, write a story in which a scientific discovery reveals intimate secrets about a famous person. With the steady rise of genetic research being conducted, consider the intersection between science and personal history.

Not That, But This

“What I adore is not horses, with their modern / domestic life span of 25 years. What I adore / is a bug that lives only one day,” writes Natalie Shapero in her poem “Not Horses,” published in the November 2013 issue of Poetry magazine. Shapero redirects the reader from horses to the short lifespan of a bug within the first few lines of the poem and in doing so creates a humorous tension between the title and the body of the poem that adds character to the unique speaker. This week write a poem that moves quickly from one subject to the next. Consider how your mind shifts from one thought to another and carry that tone forward into the poem.

Upcoming Contest Deadlines

Tomorrow may be April Fools’ Day, but these contests with deadlines of April 13, 14, and 15 are no joke! Prizes include five $25,800 fellowships from the Poetry Foundation; $1,500 and publication for a single poem or group of poems, a short story, or an essay; a weeklong residency at an Italian castle for a short fiction writer; and more. All contests offer an award of at least $1,000, and one has no entry fee. Good luck, writers!

Desperate Literature
Short Fiction Prize

A prize of €1,500 (approximately $1,581), a weeklong residency at the Civitella Ranieri Foundation’s castle in the Umbria region of Italy, and publication in Desperate Literature’s prize anthology is given annually for a work of short fiction. Winners will also receive a consultation with literary agent Charlotte Seymour (Johnson & Alcock Literary Agency), an editorial meeting with the Literary Consultancy, and the opportunity to give readings at Desperate Literature in Madrid and Burley Fisher Books in London. Mariana Enríquez, Ottessa Moshfegh, and Tiffany Tsao will judge. Deadline: April 15. Entry fee: €20 (approximately $21) for first entry, €10 (approximately $11) for each additional entry, with a maximum of five entries per person.

Florida Review
Editor’s Prizes

Three prizes of $1,000 each and publication in Florida Review are given annually for a poem or group of poems, a short story, and an essay. The editors will judge. All entries are considered for publication. Deadline: April 15. Entry fee: $25, which includes a subscription to Florida Review.

New Ohio Review
Literary Prizes

Three prizes of $1,500 each and publication in New Ohio Review are given annually for a poem or group of poems, a short story, and an essay. All entries are considered for publication. Deadline: April 15. Entry fee: $22, which includes a subscription to New Ohio Review.

Omnidawn Publishing
Single Poem Contest

A prize of $1,000 is given annually for a single poem. The winner also receives 10 copies of a letterpress broadside of the winning poem. Nathalie Khankan will judge. Deadline: April 13. Entry fee: $25 ($15 for each additional poem).

Poetry Foundation
Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships

Five fellowships of $25,800 each are given annually to U.S. poets between the ages of 21 and 31. Deadline: April 14. Entry fee: none.

Spoon River Poetry Review
Editors’ Prize

A prize of $1,000 and publication in Spoon River Poetry Review, prefaced by a judge’s introduction, is given annually for a single poem. Multilingual submissions accompanied by translations are eligible. Deadline: April 15. Entry fee: $20, which includes a subscription to Spoon River Poetry Review.

University of Arkansas Press
Etel Adnan Poetry Prize

A prize of $1,000 and publication by University of Arkansas Press is given annually for a first or second poetry collection by a writer of Arab heritage. Series editors Hayan Charara and Fady Joudah will judge. Deadline: April 15. Entry fee: $25.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

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