Self-Image

The Time Is Now
3.22.23

Adam Mars-Jones’s novel Box Hill: A Story of Low Self-Esteem (New Directions, 2020) explores a relationship between two men: naive eighteen-year-old Colin and his decade-older lover Ray. Told from the point of view of Colin, whose self-deprecating remarks diminish his image and idolize his partner, readers are brought into his view of the world. In one scene, Colin refers to his partner’s sweat as “an elixir” and his own as “no more than a waste product.” Mars-Jones uses Colin’s unique voice to develop his character as well as mimic his role in his relationship with Ray, setting up his emotional arc. Inspired by this narrative technique, write a story in which your narrator has an extreme view of themselves, whether narcissistic or self-deprecating. What effect does this have on how your story develops?

Rebellious Nature

The Time Is Now
3.21.23

In Charif Shanahan’s poem “Colonialism,” which appears in his second collection, Trace Evidence, out this week from Tin House Books, the poet captures a tense and tender moment of childhood rebellion in which the young speaker runs across a bustling four-lane street in Casablanca as his mother rushes after him, spanks him, and says: “Why / Would you do that to me?” Another poem from the book depicts a child in a department store fleeing and hiding from his mother as she searches and calls out for him. The poet’s rebellious, authoritative voice electrifies scenes from childhood while exploring themes of mixed-race identity, queerness, and belonging. Can you recall a childhood memory that, in hindsight, is tied to your identity? Write a poem that captures this scene in which you see a latent part of yourself on display. Try to draw a line, as Shanahan does, connecting your past self to your present self.

Upcoming Contest Deadlines

G&A: The Contest Blog
3.17.23

Celebrate the upcoming first day of spring by submitting to contests with a March 31 deadline! Opportunities abound for poets, fiction writers, creative nonfiction writers, and translators. Don’t miss the chance to apply for six-month fellowships with A Public Space or to win $10,000 for a debut book of nonfiction by a first-generation immigrant or $5,000 for a manuscript of narrative poetry. All contests offer a cash prize of $1,000 or more and four are free to enter. May your writing bloom this springtime!

A Public Space
Writing Fellowships
Three six-month fellowships of $1,000 each are given annually to emerging poets, fiction writers, and nonfiction writers who “embrace risk in their work” and have not published a full-length book. The fellows will work with the editors to prepare a piece for publication in A Public Space, receive complimentary access to all A Public Space master classes during the fellowship year, and will also have the opportunity to meet with publishing professionals and participate in a public reading. Entry fee: none.

Banipal Trust for Arab Literature
Saif Ghobash Banipal Prize for Arabic Literary Translation
A prize of £3,000 (approximately $3,665) is given annually for a book of poetry or fiction translated from Arabic into English and published for the first time in English during the previous year. Translations of Arabic works of poetry or fiction originally published in 1967 or later are eligible. Entry fee: none.

Black Lawrence Press
Hudson Prize
A prize of $1,000, publication by Black Lawrence Press, and 10 author copies is given annually for a collection of poems, short stories, essays, or hybrid work. Collections including multilingual text are welcome, but the primary written language must be English. The editors will judge. Entry fee: $27.

Elixir Press
Antivenom Poetry Award
A prize of $1,000 and publication by Elixir Press is given annually for a first or second poetry collection. John Estes will judge. All entries are considered for publication. Entry fee: $30.

Four Way Books
Levis Prize in Poetry
A prize of $1,000 and publication by Four Way Books is given annually for a poetry collection. The winner will also be invited to participate in readings either virtually or in person in New York City, as public health guidelines allow. Diane Seuss will judge. Entry fee: $30.

Gemini Magazine
Short Story Contest
A prize of $1,000 and publication in Gemini Magazine is given annually for a short story. The editors will judge. Entry fee: $8.

Iowa City UNESCO City of Literature
Paul Engle Prize
A prize of $20,000 is given annually to a writer “who, like Paul Engle, represents a pioneering spirit in the world of literature through writing, editing, publishing, or teaching, and whose active participation in the larger issues of the day has contributed to the betterment of the world through the literary arts.” Poets, fiction writers, and nonfiction writers are eligible. Self-nominations are not allowed. Entry fee: none.

Laura Boss Poetry Foundation
Laura Boss Narrative Poetry Award
A prize of $5,000, publication by New York Quarterly Books, and 25 author copies will be given annually for a manuscript of narrative poetry. The winner and finalists are invited to give a reading in Paterson, New Jersey, in partnership with the Poetry Center of Passaic County Community College. José Antonio Rodríguez will judge. Entry fee: $25 (which may be waived for those experiencing financial hardship).

Restless Books
Prize for New Immigrant Writing
A prize of $10,000 and publication by Restless Books is given in alternating years for a debut book of fiction or nonfiction by a first-generation immigrant. The 2023 prize will be given in nonfiction. Writers who have not published a book of nonfiction in English are eligible. Entry fee: none.

Trustees of the Robert Frost Farm
Frost Farm Prize for Metrical Poetry
A prize of $1,000 is given annually for a poem written in metrical verse. The winner also receives a scholarship to attend and give a reading at the Frost Farm Poetry Conference in Derry, New Hampshire, in June. Alfred Nicol will judge. Entry fee: $6. 

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

Strange Cities

The Time Is Now
3.16.23

For the last sixty years, the Chicago River has been dyed green in honor of St. Patrick’s Day. The tradition was begun by the city’s plumbers in an effort to identify leaks in pipes but stuck and even inspired other cities. Unique traditions enrich a city’s identity and there is no shortage of odd and entertaining ones. In Chandler, Arizona, there is an ostrich-themed carnival; in Boise, Idaho, onlookers gather to watch a giant potato descend at the countdown to the new year; and for Mardi Gras in New Orleans, local bakeries make king cakes with tiny plastic babies hidden inside. Write an essay about a tradition that is uniquely celebrated in your hometown. Describe in detail the origin and longevity of this beloved custom.

Rise and Fall

The Time Is Now
3.15.23

In the period of late antiquity, the ides of March was typically the day when citizens in Rome celebrated New Year’s festivals, such as the feast of Anna Perenna, honoring the goddess of long life and renewal, and Mamuralia, a ceremony in which an old man wearing animal skins was beaten with sticks and exiled from the city, symbolizing the shedding of the old year. Many may now associate the day with the ominous phrase from Shakespeare’s play Julius Caesar: “Beware the ides of March.” Taking inspiration from these myths and rituals, write a story in which a powerful figure is celebrated and then meets their demise. How will you flesh out this character’s personality while setting up the rise and fall of their reign?

Lyric Landscapes

The Time Is Now
3.14.23

“Fish / fowl / flood / Water lily mud / My life // in the leaves and on water,” writes Lorine Niedecker in “Paean to Place,” a long lyric poem that meditates on the region of southern Wisconsin where she was born and lived most of her life. Written in short sections, the poem goes in and out of memories and pastoral descriptions of marshlike landscapes, altogether serving as a testament to the impact a place can have on one’s poetic sensibilities. This week write a pastoral ode to the landscape you grew up in. Whether an urban sprawl or a rural town, try to use the poem’s form and idiosyncratic language to paint a portrait of your experience in this formative place.

Deadline Approaches for the National Poetry Series Open Competition

G&A: The Contest Blog
3.10.23

With only a few more days left before the deadline, don’t miss the opportunity to submit to the annual National Poetry Series Open Competition. Five U.S. poets will receive $10,000 each and publication of their collections by participating trade, university, or small press publishers. The 2023 publishers are Beacon Press, Ecco, Milkweed Editions, Penguin Books, and University of Georgia Press. Residents of the United States and American citizens living abroad are eligible to apply.

Using only the online submission system, submit a manuscript of a suggested length of 48 to 64 pages with a $35 entry fee by March 15. Visit the website for complete guidelines. Finalists will be notified around May 31, around which time their manuscripts will be shared with five judges for further consideration. The competition winners will be notified around August 31, and all finalists will be informed of their status at that time.  

The National Poetry Series literary awards program seeks to “support poetry and increase the audience for poetry by heightening its visibility among readers,” as well as “give American poets, of all ethnic and racial groups, gender, religion, and poetic style, access to publishing outlets not ordinarily available to them.” Members of the Board of Directors include Natalie Diaz, Daniel Halpern, Cathy Park Hong, Imani Perry, Tracy K. Smith, and Natasha Trethewey. Recent winners include Adrienne Chung (Organs of Little Importance, Penguin Books), Olatunde Osinaike (Tender Headed, Akashic Books), Tennison S. Black (Survival Strategies, University of Georgia Press), Courtney Bush (I Love Information, Milkweed Editions), and Alisha Dietzman (Sweet Movie, Beacon Press).

Find a Writing Contest

The Grants & Awards database includes details about every writing contest we’ve published in Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it, making the Grants & Awards database the most trusted resource for legitimate writing contests available anywhere.

Search the database

Registration

The Time Is Now
3.9.23

“I have always understood myself to be a person who does not go to writers conferences,” writes former U.S. Poet Laureate Kay Ryan in her essay “I Go to AWP,” published in Poetry magazine in 2005. Ryan recounts the many stages of anxiety, wonder, exhaustion, and satisfaction she felt attending the Association of Writers and Writers Programs’ annual conference in Vancouver that year. Organized like journal entries, each section of the essay is a rare and personal glimpse into this storied weekend of writerly activities. Inspired by Ryan’s experience, write an essay about how you have felt, or might feel, attending a popular event surrounded by your peers. Take the reader moment by moment through the anticipation and excitement.

Uncanny Reality

The Time Is Now
3.8.23

In the film Tár, written and directed by Todd Field and starring Cate Blanchett, a world-renowned orchestra conductor is caught in a scandal surrounding a series of sexual abuse allegations. The Oscar-nominated film uses persuasive world-building and parallels to news stories surrounding cancel culture, the #MeToo movement, and the culture of artistic fame—including an integral scene with a cameo by New Yorker staff writer Adam Gopnik—to create a realistic portrayal of a complicated character. This week, write a fictional story that attempts to convince the reader that the events actually happened in real life. For further inspiration from uncanny depictions of reality in fiction, read Miranda July’s short story “Roy Spivey.”

In Exile

The Time Is Now
3.7.23

Nearly two thousand years ago, the Roman poet Ovid wrote a series of letters in elegiac couplets during his exile from Rome called the Tristia. The poems capture Ovid’s final days in Rome, as well as his journey overseas to Tomis on the Romanian coast of the Black Sea, and are addressed to various figures including his wife, loyal and disloyal friends, and he even composes his epitaph. “I who lie here, sweet Ovid, poet of tender passions, / fell victim to my own sharp wit,” writes Ovid, translated by Peter Green in The Poems of Exile: Tristia and the Black Sea Letters (University of California Press, 2005). Inspired by this epic elegy, write a poem from the perspective of someone in exile. What does your speaker long for, and how does exile force them to voice unspoken concerns?

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