Embrace the harvest season by enjoying the bounty of literary opportunities this fall brings, including contests with a November 1 deadline! Prizes abound for poets, fiction writers, and creative nonfiction writers alike, with awards offered in speculative fiction and for writers living in the Washington, D.C., Maryland, or Virginia area. All contests offer a cash prize of $1,000 or more, including the opportunity for one fiction writer to win $15,000 plus publication. Best of luck!

Briar Cliff Review
Writing Contests
Three prizes of $1,000 each and publication in Briar Cliff Review are given annually for a poem, a short story, and an essay. The editors will judge. Entry fee: $20, which includes a copy of the prize issue.

Brick Road Poetry Press
Book Contest
A prize of $1,000, publication by Brick Road Poetry Press, and 25 author copies is given annually for a poetry collection. Keith Badowski and Olivia Ivings will judge. All entries are considered for publication. Entry fee: $30. 

Fiction Collective Two
Catherine Doctorow Innovative Fiction Prize
A prize of $15,000 and publication by Fiction Collective Two, an imprint of University of Alabama Press, is given annually for a novel, short story collection, novella, or novella collection. U.S. writers who have published at least three books of fiction are eligible. Matt Bell will judge. Entry fee: $25.

Fiction Collective Two
Ronald Sukenick Innovative Fiction Contest
A prize of $1,500 and publication by Fiction Collective Two is given annually for a novel, short story collection, novella, or novella collection. U.S. writers who have not previously published a book with Fiction Collective Two are eligible. Kiik Araki-Kawaguchi will judge. Entry fee: $25.

F(r)iction
Short Story Contest
A prize of $1,000 is given twice a year for a short story. Ken Liu will judge. The winning story and all entries are considered for publication in F(r)iction. Entry fee: $15.

Malahat Review
Open Season Awards
Three prizes of $2,000 Canadian (approximately $1,595) each and publication in Malahat Review are given annually for a poem, a short story, and an essay. Ki’en Debicki will judge in poetry, Ben Lof will judge in fiction, and Bahar Orang will judge in creative nonfiction. Entry fee: $45 Canadian (approximately $36), which includes a subscription to Malahat Review.

North American Review
James Hearst Poetry Prize
A prize of $1,000 and publication in North American Review is given annually for a single poem. Paul Guest will judge. All entries are considered for publication. Entry fee: $23, which includes an issue of North American Review.

North American Review
Kurt Vonnegut Speculative Fiction Prize
A prize of $1,000 and publication in North American Review will be given annually for a work of speculative fiction. Brian Evenson will judge. All entries are considered for publication. Entry fee: $23, which includes an issue of North American Review.

Southeast Missouri State University Press
Nilsen Literary Prize
A prize of $2,000 and publication by Southeast Missouri State University Press is given annually for a novel, novella, or collection of linked stories by a U.S. writer who has not published a novel. Entry fee: $25.

Washington Writers’ Publishing House
Literary Awards
Three prizes of $1,500 each, publication by Washington Writers’ Publishing House, and 25 author copies are given annually for a poetry collection, a short story collection or novel, and, as of this award cycle, a memoir, essay collection, or creative nonfiction hybrid collection. Writers who live in Washington, D.C., Maryland, or Virginia are eligible. Entry fee: $28.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

“Each poem or song has a genealogy of sorts. When I speak with singers from our ceremonial ground about a song, they tell you who taught you the song, where the song came from, who has the authority to sing/speak it,” writes former U.S. Poet Laureate Joy Harjo in her Blaney Lecture “Ancestors: A Mapping of Indigenous Poetry and Poets” delivered in 2015 at Poets Forum in New York City. “The meanings make a map that sometimes connect you to a lonely serviceman in Japan, or to the journey over the Trail of Tears, from what is now known as Alabama to Indian Territory, or Oklahoma.” Inspired by Harjo’s words, write a poem that traces the genealogy of your poetry. Try starting with a list or a family tree to uncover the storytellers who have inspired you.

Poets looking to publish their first or second poetry collections have until the end of the month to submit manuscripts to the Changes Press Bergman Prize. Offered annually, the prize awards the winner $10,000, publication by Changes Press, a book launch in New York City, and other opportunities for publicity.

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Using only the online submission system, submit a manuscript of 48 to 80 pages, a brief bio, and a list of previously published poems by October 31. Louise Glück, winner of the 2020 Nobel Prize in Literature, will judge. There is no entry fee. Visit the website for complete guidelines.

The Bergman Prize was established in 2020 in memory of Judson and Susan Bergman. The prize’s inaugural winner was Rachel Mannheimer, whose collection Earth Room was selected by Glück and released by Changes Press in April. An independent publisher based in New York City, Changes Press also publishes the online periodical Changes Review. Submissions for the journal are currently closed.

Last month, former U.S. Poet Laureate Natasha Trethewey delivered the annual Windham-Campbell lecture “Why I Write” at Yale University. In considering the theme of the lecture, Trethewey recalls the familial, poetic, and cultural influences that inspired her to become a poet, weaving personal stories with reflections on history and literature. “I’ve needed to create the narrative of my life, its abiding metaphors, so that my story would not be determined for me,” says Trethewey. This week, ask yourself why you write and write a personal essay that searches for your response. What is the story you want to tell?

Spooky season officially starts tomorrow, but don’t let fear stop you from submitting to River Teeth’s Book Prize by the Halloween deadline! Offered annually for a volume of creative nonfiction, the prize awards the winner $1,000 and publication by the University of New Mexico Press.

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Using only the online submission system, submit a manuscript of approximately 150 to 350 pages with a $27 entry fee, which includes a subscription to River Teeth, by October 31. Any style of literary nonfiction—including memoir, personal essays, and investigative reporting—is eligible. Natasha Trethewey, who served as U.S. poet laureate from 2012–2014 and is the author of Memorial Drive: A Daughter’s Memoir (Ecco, 2020), will judge. Visit the website for complete guidelines.

Previous winners of River Teeth’s Book Prize include Kevin Honold in 2019 for The Rock Cycle, Joan Frank in 2018 for Try to Get Lost: Essays on Travel and Place, and Debra Gwartney in 2017 for I Am a Stranger Here Myself.

Founded in 1999 at Ashland University in Ashland, Ohio, by professors Joe Mackall and Dan Lehman, River Teeth publishes essays, memoir, and literary journalism in a biannual print journal as well as online content, including reviews and a weekly web publication called “Beautiful Things,” which highlights the beauty found in daily life. In 2019, River Teeth moved to Ball State University in Muncie, Indiana, where it is led by senior editors Jill Christman and Mark Neely. Now retired from Ashland University, Mackall and Lehman remain as editors in chief of River Teeth.