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Choose a poem—one of your favorites or one chosen randomly from a book. Scan its meter, marking the stressed and unstressed syllables of each word. (Read a definition of scansion from the Poetry Foundation). Write a poem, using the same meter and number of lines.
The International IMPAC Dublin Literary Award, the most lucrative honor of its kind at one hundred thousand euros (more than one hundred forty thousand dollars), was announced this afternoon. Irish-born author Colum McCann, who currently resides in New York City, won the 2011 award for his novel Let the Great World Spin (Random House, 2009).
The "genuinely twenty-first century novel that speaks to its time but is not enslaved by it" won the National Book Award in 2009. It was selected for the IMPAC Award from among more than one hundred sixty titles nominated by one hundred sixty-six libraries around the world.
Other finalists this year were Americans Barbara Kingsolver for The Lacuna, Yiyun Li for The Vagrants, Joyce Carol Oates for Little Bird of Heaven and Irish writers Colm Tóibín for Brooklyn and William Trevor for Love and Summer. Also shortlisted are Michael Crummey of Canada for Galore and Australian writers David Malouf for Ransom, Craig Silvey for Jasper Jones, and Evie Wyld for After the Fire, a Still, Small Voice.
In the video below, McCann discusses his winning novel on a recent episode of City University of New York's video program City Talk.
Write a story using the following as the first sentence: There are three things she told me never to do.
Virginia's Fall for the Book Festival, sponsors of three annual awards for prose, and its partner the Washington, D.C., poetry haven Busboys and Poets have announced the festival's inaugural poetry award. Yesterday Claudia Rankine, author of Don't Let Me Be Lonely: An American Lyric (Graywolf Press, 2004) and three other collections, was announced winner of the honor, which is accompanied by a five-thousand-dollar prize.
Rankine joins novelists Amy Tan, who is this year's Fairfax Prize winner, and Stephen King, who received the Mason Prize, as a 2011 Fall for the Book honoree. A fourth prize for nonfiction will be announced in the coming weeks. The authors will appear at the festival, which takes place from September 18 to 23, to accept their prizes.
In the video below, Rankine discusses the lure of unknown, but recognizable, worlds in poems, and the hallmark of bad verse.
We asked Emily Rubin, author of the debut novel, Stalina, to share her experience running the P&W-sponsored Dirty Laundry reading series.
In 2005, I cofounded Wash and Dry Productions to produce Dirty Laundry: Loads of Prose (DLLOP), the reading series that takes place in working Laundromats across the country. The idea to bring writers to local Laundromats came about one evening in a brainstorm session over a couple of beers with my friend and writer Gregory Rossi. We wanted to organize a series in a nontraditional setting where writers could share their work with their fans as well as people outside the literary community.
Sitting outside at Zum Schneider, a new German beer garden on Avenue C, on the Lower East Side of Manhattan, we looked down the avenue considering places we might hold the readings. There was a bodega, a church, a Chinese restaurant, and then, at East Fifth Street, the Ave C Laundromat. Our eyes opened wide and we knew we had our venue. At the time, the third annual HOWL! Festival was organizing and the producers invited us to participate. Sam Lipsyte and Legs McNeill read at the first Dirty Laundry: Loads of Prose to more than seventy people at the Avenue C Laundromat that August. The writers and audience were enthusiastic and wanted to know when and where the next Laundromat reading would take place.
Since then there have been more than thirty readings and close to one hundred writers have been presented in between the washers and dryers throughout the New York City metropolitan area. We have taken the show on the road and presented local writers in Laundromats in San Francisco; Boulder, Colorado; and Stockbridge, Massachusetts.
Poets & Writers' Readings/Workshops program funded a dozen readings in New York City from 2006 to the present. The Lower Manhattan Cultural Council and Meet the Composer have provided additional funding for the program. The series has been covered extensively in the press with articles in the Villager, Time Out NY, Brooklyn Rail, and several international journals as well. It has also aired on television on NBC, Reuters, and the NY Bureau of Russian TV, featuring radio interviews with writers and myself for National Public Radio and the BBC.
Photo by Taka Kawasaki.
Support for Readings/Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and the Friends of Poets & Writers.
Set a timer for five minutes and freewrite, putting pen to paper and transcribing everything that comes to mind without stopping until the timer goes off. Review what you’ve written and circle any phrases, images, words that appeal to you. Using those fragments, freewrite again for five minutes. Again, circle anything that appeals to you, and use those fragments as the starting point of a poem.
Yesterday afternoon the PEN/Faulkner Foundation honored short story writer Edith Pearlman with its twenty-fourth annual PEN/Malamud Award.
The prize, given to honor a writer's contribution to the short fiction form, includes a five-thousand-dollar honorarium and a reading at the Folger Shakespeare Library in Washington, D.C.
Pearlman is the author of more than two hundred fifty stories published in four books—most recently Binocular Vision (Lookout Books, 2011)—as well as in numerous literary magazines and anthologies such as Best American Short Stories and New Stories From the South. The author, born in 1936, released her debut collection, Vaquita and Other Stories, in 1996.
"Pearlman’s view of the world is large and compassionate, delivered through small, beautifully precise moments," wrote Roxana Robinson earlier this year in a New York Times review of Binocular Vision. "These quiet, elegant stories add something significant to the literary landscape."
Pearlman joins authors such as Edward P. Jones, John Updike, Eudora Welty, Grace Paley, Joyce Carol Oates, and Lorrie Moore in the ranks of past PEN/Malamud Award winners.
Make a list of your daily routine during any given week: wake up, shower, drink coffee, walk the dog, drive to work, go to lunch, have dinner with friends, etc. Choose an event from that list and use it as the starting point for a scene, but transform the mundane into the complicated by introducing something unexpected. If, for example, you choose driving to work as your starting point, disrupt the ride with a phone call, an accident, a radio broadcast—something that changes what would normally happen. Write a story from there.
The sixteenth annual Orange Prize was announced this afternoon in London. Twenty-five-year-old Serbian American author Téa Obreht became the youngest writer to receive the thirty-thousand-pound prize, for her debut novel, The Tiger's Wife (Weidenfeld & Nicolson). (The novel was published in the United States by Random House in March.)
"Obreht's powers of observation and her understanding of the world are remarkable," says chair of judges Bettany Hughes. "By skillfully spinning a series of magical tales she has managed to bring the tragedy of chronic Balkan conflict thumping into our front rooms. The book reminds us how easily we can slip into barbarity, but also of the breadth and depth of human love."
Obreht's book won out over the favorite, Emma Donoghue's Room (Picador), which took the Youth Prize yesterday. Also on the shortlist for the prize, given annually to a woman novelist, were The Memory of Love by Aminatta Forna (Bloomsbury), Grace Williams Says it Loud by Emma Henderson (Sceptre), Great House by Nicole Krauss (Viking), and Annabel by Kathleen Winter (Jonathan Cape).
In the video below, Obreht discusses her book, and how she had to return to the places of her nomadic youth to create it, on PBS's NewsHour.
On the eve of the sweet sixteenth celebration of the Orange Prize, award finalists' books were reviewed by a panel of teenage writers for a special Youth Prize. Irish Canadian novelist Emma Donoghue's Room (Picador) won with the group of three young women and three young men, all age sixteen and hailing from England.
"Tickled pink to be the Orange Prize Youth Panel winner!" Donoghue remarked. "When I wrote Room I was imagining a reader anything from eleven up, so I'm really chuffed it's finding so many young readers."
The thirty-thousand-pound main prize (roughly fifty thousand dollars), given for a novel by a woman writer of any nationality, will be awarded tomorrow in London. The other shortlisted titles are The Memory of Love by Aminatta Forna (Bloomsbury), Grace Williams Says it Loud by Emma Henderson (Sceptre), Great House by Nicole Krauss (Viking), The Tiger's Wife by Téa Obreht (Weidenfeld & Nicolson), and Annabel by Kathleen Winter (Jonathan Cape).
The video below is the American book trailer for Room, which was also shortlisted for the Man Booker Prize and won the Canadian Commonwealth Writers' Prize.
