Poetry and science combined to join forces at this year’s March for Science in Washington, D.C. Jane Hirshfield organized writing workshops and readings, and science poems by writers like Tracy K. Smith and Gary Snyder were displayed on banners. Many poets are using social media to respond quickly and powerfully to events occurring in the tumult of the political climate. Browse through newspapers or online for fresh science news—such as scientists attempting to capture the first image of a black hole—and write an urgent poem in response. What sort of emotional or philosophical significance can you draw between this scientific news and your feelings about current affairs?

Milkweed Editions has announced Caitlin Bailey of Saint Paul as the winner of the 2017 Lindquist & Vennum Prize for Poetry for her poetry collection, Solve for Desire. She received $10,000, and her book will be published by Milkweed Editions in November.

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Judge Srikanth Reddy selected Bailey’s collection from a pool of more than two hundred manuscripts. Of the winning book Reddy said, “Solve for Desire is the work of a poet who sings, boldly, across the distances between us. ‘I am not afraid of any edge.’”

The finalists were Soham Patel, Patrick Johnson, Paige Riehl, Michael Torres, and Angela Voras-Hills. The winner and finalists were honored at Milkweed Editions’ second annual Poetry Month Party on April 13.

Given annually since 2011 by the Minneapolis-based independent press Milkweed Editions, the Lindquist & Vennum Prize for Poetry is open to poets living in North Dakota, South Dakota, Minnesota, Iowa, or Wisconsin. The prize aims to celebrate the work and advance the careers of American poets living and working in the Upper Midwest. Previous winners include Chris Santiago, Jennifer Willoughby, and Rebecca Dunham. Visit the Milkweed Editions website for more information.

Photo: Caitlin Bailey

The shortlist for the 2017 Man Booker International Prize was announced yesterday. The annual award is given for a book of fiction translated into English and published during the previous year. The £50,000 prize (approximately $63,900) is split between the writer and translator of the winning book, which will be announced on June 14 in London.

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Each of the shortlisted authors and translators will receive £1,000 (approximately $1,280). The finalists are:

Compass (Fitzcarraldo Editions) by Mathias Enard (France) and translated by Charlotte Mandell (US)
A Horse Walks Into a Bar (Jonathan Cape) by David Grossman (Israel) and translated by Jessica Cohen (US)
The Unseen (Maclehose) by Roy Jacobsen (Norway) and translated by Don Bartlett (UK) and Don Shaw (UK)
Mirror, Shoulder, Signal (Pushkin Press) by Dorthe Nors (Denmark) and translated by Misha Hoekstra (US)
Judas (Chatto & Windus) by Amos Oz (Israel) and translated by Nicholas de Lange (UK)
Fever Dream (Oneworld) by Samanta Schweblin (Argentina) and translated by Megan McDowell (US),

“Our shortlist spans the epic and the everyday,” says Nick Barley, the chair of the judging panel. “From fevered dreams to sleepless nights, from remote islands to overwhelming cities, these wonderful novels shine a light on compelling individuals struggling to make sense of their place in a complex world.” The four other judges for the 2017 prize are Daniel Hahn, Elif Shafak, Chika Unigwe, and Helen Mort. The six finalists were selected from a longlist of thirteen, which in turn was selected from 126 submissions.

The prize, which was formerly given biennially for a fiction writer’s body of work, combined last year with the Independent’s Foreign Fiction Prize to award a single book of translated fiction. Han Kang and Deborah Smith won the 2016 prize for Smith’s translation from the Korean of Han’s novel The Vegetarian.

“Thinking thought to be a body wearing language as clothing or language a body of thought which is a soul or body the clothing of a soul, she is veiled in silence,” writes Harryette Mullen in Trimmings (Tender Button Books, 1991). Mia You considers these words and the intersection of the body, language, and fashion in her essay “Sublime Deformations of Nature.” Write your own essay exploring thoughts, experiences, and inspirations on the relationship between language and fashion. How does this influence your ideas on what a body is? 

For many species of animals, spring is not only a time of birth and renewal, but also a time of migration. Write a story in which a character witnesses a strange animal migration. Perhaps your character is also in transition—moving towards or away from someone or something. How does this experience affect the story’s plot? For inspiration, read and watch videos about unusual animal migrations in Smithsonian Magazine. 

Can girls be robots? How do you make water? What does extinct mean? Children have a curiosity for the world that can often inspire them to ask difficult questions like these from filmmaker Kelly O’Brien’s five-year-old daughter Willow. In the spirit of childish inquisitiveness, write a poem entirely of questions. How might you use a child’s persona to explore your own concerns and wonder for the world? 

Submissions are currently open for the 2017 River Styx International Poetry Contest. A prize of $1,500 and publication in River Styx is given annually for a single poem. This year’s judge is poet Carl Phillips.

Using the online submission system, submit up to three poems with a $20 entry fee, which includes a subscription to River Styx, by April 30. Paper submissions can be mailed to River Styx Poetry Contest, 3139 A, South Grand Blvd., suite 203, St. Louis, MO 63118. All entries are considered for publication; first-, second-, and third-place winners, as well as honorable mentions, will also be published in the winter 2017 issue of River Styx.

Established in 1975, St. Louis–based literary biennial River Styx publishes international poetry, fiction, essays, interviews, and art. The magazine also hosts writing workshops and a monthly reading series in St. Louis and sponsors annual poetry and flash fiction contests. Visit the website for more information.

“When I read her the old fairy tales about stepmothers, I worried I was reading her an evil version of myself,” writes Leslie Jamison in a recent essay published in New York Times Magazine. “In the Shadow of a Fairy Tale” explores Jamison’s personal experience as a stepmother through the lens of stepmothers in fairy tales and cultural archetypes. Choose a fairy-tale archetype that feels resonant in some way to you, whether now or in the past. Write an essay examining the various connections between this archetype and its contemporary sociocultural counterpart, which may have resulted in certain expectations and anxieties. In what ways do you fit—and also not quite fit—into the role?

Do we sleep to dream, or to forget? Earlier this year, scientists on two separate research teams published findings that we may sleep in order to forget, essentially paring back the synaptic connections that are formed over the course of a day’s worth of learning, and storing the important information. Write a short story inspired by these discoveries, perhaps imagining a society that has created a technology that can control this nighttime streamlining, or a character who attempts to manipulate this pruning process for her own advantage.