As writers, we tend to put up a wall between our creative writing (poems, stories, essays) and our more ordinary writing (to-do lists, e-mails). This week, try poking a hole in that wall. Think back and reflect upon an e-mail you received recently that startled you, that brought you unexpected happiness or unexpected pain. Or reflect on a recent to-do list you’ve written for yourself. Write an essay that feels as immediate as these messages or lists. Think about where you were physically and emotionally when you read or wrote these words. What does this say about you in this moment in time? 

Submissions are open for the 2018 Graywolf Press Nonfiction Prize, given biennially for a nonfiction manuscript-in-progress by a writer not yet established in the genre. The winner will receive $12,000 and will work with the Graywolf editorial team to complete the project for publication.

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Writers who reside in the United States are eligible; no prior publication is required. Submissions to the prize may include memoir, essay, biography, and history. Using the online submission system, submit a one-page cover letter, a two- to ten-page overview of the project, and at least 100 pages of the manuscript by January 31. There is no entry fee.

The editors will judge. “The [prize] emphasizes innovation in form, and we want to see projects that test the boundaries of literary nonfiction,” write the editors. “We are less interested in straightforward memoirs.”

Esmé Weijun Wang won the prize in 2016 for The Collected Schizophrenias, an essay collection that addresses the social, historical, medical, and spiritual aspects of schizophrenia. Angela Palm won in 2014 for her book about growing up in a small river town in rural Indiana, Riverine: A Memoir From Anywhere But Here. Margaret Lazarus Dean won in 2012 for Leaving Orbit: Notes From the Last Days of American Spaceflight, and Leslie Jamison won in 2010 for The Empathy Exams.

Founded in 1974, Graywolf Press is considered one of the leading nonprofit literary publishers in the country. The press is “committed to the discovery and energetic publication of contemporary American and international literature.” Visit the website for more information.

In her new photography series titled “Home,” Gohar Dashti explores the interiors of houses in her native Iran that have been abandoned and reclaimed by nature. The images create an ambiguous effect; an old bedroom overrun with wildflowers is lovely in one sense, but also hints at a darker history. What happened in these houses and why did the people who once lived in them leave? This week, imagine what it would look, sound, and smell like, and how it would feel to have your childhood home overtaken by nature. Try using this eerie space as the setting for a short story.  

In 1996, David Lehman gave himself the task of writing a poem a day and continued for the next two years. The best of these resulting poems became his collection The Daily Mirror: A Journal in Poetry. In the introduction, Lehman says of his writing process: “Inspiration was not something you needed to sit and wait for. It was something that came when you invited it.” This week, instead of waiting for inspiration, try to simply reach your hand out and gather some. Write down a list of observations each day from scraps of dialogue you overhear, images you encounter, and thoughts that cross your mind. Shape your daily observations into a poem and title each one with the date until you have seven for the week.

Poets Sarah Freligh and Amy Lemmon founded the CDC Poetry Project in response to a Washington Post report that the Trump administration had prohibited the Centers for Disease Control and Prevention from using seven words in their official documents for the 2018 budget. The project invites poets to submit poems that use all of the banned words, which include “vulnerable,” “entitlement,” “diversity,” “transgender,” and “evidence-based.” This week, choose two or more of these words as inspiration for a series of flash essays. Use the immediate energy of short prose to express what comes to mind when you hear these words.

The Entomological Society Krefeld, a volunteer-run group of amateur insect enthusiasts, recently published their findings showing that the insect population they tested in nature preserves in western Germany had decreased by over 75 percent over the course of thirty years. This decline is thought to accurately reflect the insect species on a much larger and international scale. Write a short story that takes place in a world where there are no insects left. Aside from no longer needing to clean bugs off of car windshields, what are the repercussions given the integral role that insects play in the ecosystem? Does your story include a movement to bring insects back? 

An ekphrastic poem reflects on a work of art. “Ode on a Grecian Urn,” written by John Keats in 1819 is a well-known example of this poetic tradition. But as the nature of art changes over time, so too does the nature of ekphrastic poetry. A more recent example, “BBHMM” by Tiana Clark, engages with a music video by Rihanna. This week, choose a piece of art from the digital age that speaks to you, and try speaking back to it in the form of a poem. Your subject could be a photograph, film, or television show. Or it could be even more unexpected: a podcast, a commercial, even a tweet or a meme.

Fiction and nonfiction writers, with a just over a week left in 2017, consider submitting your best stories, essays, or full-length books to the following contests. Each award offers a prize of at least $1,000 and publication, and has a deadline of December 31.

River Styx Micro-Fiction Contest: A prize of $1,500 and publication in River Styx is given annually for a short short story. Entry fee: $10

Boulevard Short Fiction Contest: A prize of $1,500 and publication in Boulevard is given annually for a short story by a writer who has not published a nationally distributed book. Entry fee: $16

Tampa Review Danahy Fiction Prize: A prize of $1,000 and publication in Tampa Review is given annually for a short story. The editors will judge. Entry fee: $20

Press 53 Award for Short Fiction: A prize of $1,000 and publication by Press 53 is given annually for a story collection. Kevin Morgan Watson will judge. Entry fee: $30

Ashland Creek Press Siskiyou Prize for New Environmental Literature: A prize of $1,000 is given annually for a book of fiction or creative nonfiction that focuses on the environment, animal protection, ecology, or wildlife. The winner also receives a four-week residency at PLAYA, a writers retreat located on the edge of the Great Basin near Summer Lake, Oregon. Unpublished manuscripts and books published in the past five years are eligible. Jonathan Balcombe will judge. Entry fee: $18

Lascaux Review Prize in Fiction: A prize of $1,000 is given annually for a novel published in the previous two years. Entry fee: $20

Livingston Press Tartt Fiction Award: A prize of $1,000, publication by Livingston Press, and 100 author copies is given annually for a first collection of short stories by a U.S. citizen. Fiction writers who have not published a short story collection are eligible. Entry fee: $20

Visit the contest websites for complete guidelines, and check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

Christmas Eve, New Year’s Eve, All Hallows’ Eve. A number of holidays are celebrated on the evening before as well as the day of the holiday, including many Jewish holidays which begin at sundown on the previous day. Write a personal essay about a particularly eventful or momentous day for you this year that begins with a recounting of the evening before. What details do you decide to emphasize or omit in order to prepare or surprise your reader? Do you create a slow buildup of anticipatory progressions, or is the sense of tension suddenly dropped in by upended expectations?

The Foundation of Contemporary Arts (FCA) has announced the new C. D. Wright Award for Poetry, an annual prize of $40,000 given to a poet over the age of fifty whose work “exemplifies Wright’s vibrant lyricism, seriousness, and striking originality."

The award, made possible through a $1 million gift from artists Ellsworth Kelly and Jack Shear, honors the memory of C. D. Wright, who died in 2016 at age sixty-seven. Wright received an FCA Grant in 1999, and went on to receive a MacArthur “Genius” Award, a National Book Critics Circle Award, and the Academy of American Poets Lenore Marshall Prize, among other accolades.

Of the prize, Wright’s husband, the poet Forrest Gander, said, “I’ve known that she was of signal importance to poets around the world—the first tribute/memorial organized for C. D. was in Stockholm—but the fact of this award coming from the Foundation for Contemporary Arts, an advocate for all arts, that means the most to me.”

The C. D. Wright Award will be administered through the FCA’s nomination-based Grants to Artists program, which provides unrestricted cash awards to individuals in all artistic disciplines. Experimental poet Lisa Robertson will be the recipient of the inaugural award. Poets Tonya Foster and Peter Gizzi, the 2018 poetry advisors to FCA’s selection process, noted, “[Robertson’s] poems are compelling reads and never stint on intellection. They please as they muse and weave various affective philosophical speech acts.”

Founded in 1963 by artists Jasper Johns and John Cage, the Foundation of Contemporary Arts’ mission is to “encourage, sponsor, and promote innovative work in the arts” through its seven annual grant programs for individuals, groups, and organizations. Visit the website for more information.