This week, look to the name of your street for inspiration. Or if you prefer, choose the name of a previous street you lived on, or a particularly fascinating street name in your city or town. Is the street designated for a famous person, a defining local feature, or a natural landmark? Are there Dutch, Spanish, or Native American roots to the name? Write an essay about the street’s origin, and how the name might be fitting or outdated. Reflect on the ways you connect with where you live, and how your own history intertwines with the streets names that surround you.
The Time Is Now
The Time Is Now offers a weekly writing prompt (we’ll post a poetry prompt on Tuesdays, a fiction prompt on Wednesdays, and a creative nonfiction prompt on Thursdays) to help you stay committed to your writing practice throughout the year. We also offer a selection of books on writing—both the newly published and the classics—that we recommend you check out for inspiration, plus advice and insight on the writing process from the authors profiled in Poets & Writers Magazine. And don’t miss Writers Recommend, which includes books, art, music, writing prompts, films—anything and everything—that has inspired other authors in their writing. For weekly writing prompts delivered via e-mail every Friday morning, sign up for our free newsletter.
This week, think back to your childhood, and the teachers who taught you through elementary and middle school. Choose one of your former teachers and write a list of his most distinctive characteristics—maybe a bizarre hairstyle, his old blue car, or a rumor you remember about him. Write an essay reflecting on what makes this teacher memorable and significant in your life, what you might say if you bumped into him today. Would either of you have any regrets to discuss?
In Mary Karr's new book, The Art of Memoir (Harper, 2015), she writes that "from the second you choose one event over another, you're shaping the past's meaning." Think of a significant event from your past that you've written about before. Make a list of three other events or changes that were occurring in your life around that same time. Write an essay about one of these "secondary" events, focusing on deriving personal or emotional meaning out of this seemingly less impactful event.
This week, choose a pair of shoes that you own or have owned that has significance to you. Perhaps it's the first pair of dress shoes that you purchased, the well-worn sneakers that you wear over and over again, or a pair of shoes that you've never worn but can't bear to toss out. Write an essay about your connection to these shoes, describing them in detail and thinking about the specific qualities that drew you to them in the first place. What do they say about your personality? Where have they accompanied you already, and where might they take you in the future?
When something major happens in our lives, we often put some time between us and the event before we write about it. But sometimes, when we let too much time pass, the intense emotion of the event fades and is replaced by a more analytic, objective memory of the incident. In order to channel that sense of immediacy, put yourself back at the scene of a significant incident, right in the middle of the action. Something life-changing is happening to you at this very moment. Report on it. Make your statements short, energized, and to the point. Be sure you cover the Who, What, When, Where, and Why of the story. Sensationalize at your discretion. Skim over nitpicky details if necessary in order to get to the heart of the story.
Think of a situation from your past when you were unsure of what to do and wished for someone's advice or opinion. Describe the scenario and ask specific questions about your next course of action, as if you were posing the issue to an advice columnist. Then, write an essay in the form of an advice column response to yourself. Analyze the situation objectively—cite relevant anecdotes, examples, or hypothetical outcomes—and share words of guidance, insight, and encouragement with your past self.
Postcards sent to friends and family from far-off places often have a "Wish you were here!" sentiment. This week, think of someone who's located far away from you, and write a postcard to him or her with the opposite outlook of "Wish I was there!" Explore what exactly it is about "there" that seems so appealing. What are the most striking differences between where you are and where you wish to be? Depict a vivid scenario in just a few, succinct sentences by focusing on sensory descriptions of that distant locale.
The concept of the American road trip has compelled many writers—Jack Kerouac, John Steinbeck, Tom Wolfe, Cheryl Strayed, Mark Twain, and F. Scott Fitzgerald, to name a few—to pen memoirs or novels exploring themes of exploration, adventure, and discovery. Take inspiration from this map of American literary road trips from Atlas Obscura, and write a short travel essay of your own. Recount your experience whether it’s making the journey from your front door to a neighbor's house, or to a city you’re never explored. Find the balance that feels right for you between observations of physical or geographical details, and the interior landscape of emotions and memories.
This week, pick one thing you personally associate with summer: maybe it's eating a particular flavor of ice cream on a sweltering night, the whirring sound of a ceiling fan as you fall asleep, or the smell of sunscreen. Write an essay inspired by your recollections—think back to your earliest memory of the activity and the people or places connected to it. Reflect on how your relationship to this one summer specific sensation might have evolved over the years, and why it remains so vivid.
Heidi Julavits's book The Folded Clock (Doubleday, 2015) takes the form of a diary, each entry beginning with "Today, I...." This week, write an essay starting with this same phrase, and recount a straightforward event or observation that occurred earlier in the day. Then allow yourself to stray from describing the basic details of that incident, and go on to explore other memories that spring to mind, reflecting on how this event may provide some unexpected clarity to your life.
Virginia Woolf said: "Every secret of a writer's soul, every experience of his life, every quality of his mind is written large in his works." Think of one thing you've never told anyone before: something you once did and kept secret, or simply a thought you've had that has never been disclosed. Write an essay about your secret. Explore your reasons behind keeping it hidden and why you feel that it’s time for a confession.
What happens when you tell the story of a real event from another person’s point of view? Think of a situation in which you disagreed with someone—it could be a slight difference in taste or a fight with far-reaching consequences—and recount the opposing opinions each of you expressed. In the first-person voice, write an essay about the disagreement from the other person’s perspective. Take into consideration how the words you uttered during the event could be interpreted differently by the other person.
Writer John Berger says: “What makes me write is the fear that if I do not write, something which ought to be said will not be.” This week, make a list of five things that you feel urgently need to be said about current events. Choose one of them and write an essay expressing your personal opinions—recount related anecdotes, share emotions, and reflect on why this matter is important to you.
“Every day, once a day, give yourself a present. Don’t plan it. Don’t wait for it. Just let it happen.” These words of wisdom from Special Agent Dale Cooper, a character in David Lynch’s television series Twin Peaks, are extremely important to remember—especially when you feel overwhelmed by responsibilities. Write about your pleasures, guilty or otherwise, and how they enhance your life. If you treat yourself to the same thing every day, like a morning Starbucks latte, does it still feel special? Or has it become more of a habit? Maybe you need to expand your definition of the word present. Sometimes moments of peaceful solitude, like taking a walk to the park during your lunch break or soaking in a hot bath before bed, can be just enough.
We have dictionaries and encyclopedias to provide us with official definitions, but sometimes the personal definitions we construct take precedence. These personal definitions may be created from experiences, memories, the opinions of others, or the truths we've come to discover. This week, choose a word you've created your own definition for and write a personal essay in the style of a dictionary entry. Begin with the pronunciation, the part of speech, and origin of the term. Then go on to state the definition and historical significance of the word.
Homes often feel like they contain the energy of those who live there. Once the occupants are gone, whether they've moved on to another home or passed away, the house may suddenly feel vacant, even when the furnishings and decor remain. This week, write about a home or place so special you would consider it sacred, and how you felt when that space underwent a significant change. Recall fond memories and the absence experienced in that space.
This week, write a map leading to where you live. Start as close or far from your home as you wish and trace the paths, obstacles, and landmarks that lead you to your door. Think about who you're creating this map for and when they would have an occasion to use it. How would you describe the geography of your neighborhood to someone who's never been there? Consider the elements that are special to you and make where you live feel like home. For inspiration, read David Connerley Nahm's installment of Writers Recommend.
In Memoirs of Sherlock Holmes by Sir Arthur Conan Doyle, Holmes says, “Any truth is better than infinite doubt.” This week, take a moment to reflect on what have become your personal truths, based on your own investigation and experience. Perhaps, as Christopher McCandless did in the Alaskan wilderness, you've discovered that “happiness is only real when shared.” Explore what you stand for, what you value, and how you measure your life experiences. Then express these thoughts in a personal essay.
In The Importance of Being Earnest, Oscar Wilde remarks, "All women become like their mothers. That is their tragedy. No man does. That's his." As we grow older, it is inevitable that we start noticing patterns of behavior or little quirks that remind us of our parents or guardians. Is there anything that you do that reminds you, or others, of the person who raised you? Perhaps you've perfected her bubbly giggle, or her signature side-eye glance. Maybe you've inherited her talent for crossword puzzles, or the way she bursts into song at any moment? Write a personal essay about those reminiscent traits that impact who you are today.
In Medieval Gaelic and British culture, bards were poets and musicians who were employed to commemorate the stories of their patrons. Imagine you are a bard, and you have been hired by a friend or family member to recant a particular tale of bravery, loyalty, or heroism. Perhaps your best friend just trained to run a marathon, or your brother got all A's on his finals. Then write your piece and regale your “patron” with it the next time you see him or her. Make your language dramatic and lyrical, and incorporate some meter or rhyme if you like. For examples, revisit Shakespeare's work, or read the lyrics of some of Bob Dylan's popular songs, like "Tangled Up In Blue."
When was the last time you looked through old pictures? This week, set aside some time to revisit photographs of yourself from the past. Pick one and write an essay from the point of view of your younger self. Try to recall what you were feeling in that moment. Have your feelings changed over the years?
This week, think back to the most memorable meal you've ever had. What made it so unforgettable? Perhaps it was the food, the company, the setting, the occasion, or an awkward moment. Write a personal essay about this meal and the symbolism surrounding it.
This week, think about the things you find beautiful. Make a list of the items, structures, scents, and scenes that you find particularly appealing. Are there any entries on that list that might be considered unusual? For example, some people find the smell of gasoline pleasant or a high-voltage neon shade of pink alluring, while others are attracted to industrial architecture. Pick one of these entries and write about why you find it so beautiful.
Sometimes you need to finish writing your piece before you can give it a proper title. This week, pick the title first and write your personal essay around it. If something doesn't immediately come to mind, try and model your title after one of your favorite stories, books, albums, or movies. Then, free write for twenty minutes on anything and everything that your title brings to mind. At the end, organize your notes and use them as a framework for your personal essay.
British writer Will Self advises, “Always carry a notebook. And I mean always. The short-term memory only retains information for three minutes; unless it is committed to paper you can lose an idea forever.” This week, try carrying a notebook around with you. If you take notes on an electronic device, like your computer or mobile phone, try using old-fashioned pen and paper. At the end of the week, compile your notes into an essay about your day-to-day reflections.