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Now that the explosive growth of the dot-com industry has abated, many are wondering if the same fate awaits electronic publishing. At the annual Frankfurt Book Fair in Germany, where a sober crowd gathered in October 2001, just weeks after the attacks in New York City and Washington, D.C., the Pollyannaish predictions of recent years about e-books were replaced by a more uncertain tone.
The New York Times began publishing original poetry in the Book Review on February 17. New York City poet Nathanial Bellows's "Harm's Woods" was the first entry in what will be a regular feature of the Sunday edition of the newspaper.
On February 2, over 170 writers, editors, agents, and publishers from five continents attended a two-day writers conference in Geneva, Switzerland—an intensive weekend of workshops, readings, panel discussions, and networking.
Nominees for the annual National Book Critics Circle Awards were announced on January 28.
Michael P. Hammond, the chairman of the National Endowment for the Arts, died on January 29 of what appeared to be natural causes. He was 69. Hammond had officially assumed his duties as chairman on January 22.
The big just got bigger in the book distribution industry.
Historian Stephen Ambrose has had a lot of explaining to do lately. The bestselling author is accused of copying passages from a source without attribution in four of his more than 20 published books.
Beginning next fall, creative writers will be able to workshop their way to graduate degrees at Georgia College & State University, the liberal arts college in Milledgeville, Georgia.
Roses are red
Violets are blue
Hallmark bought
Maya Angelou.
Ethiopian exile Nega Mezlekia's memoir, Notes From the Hyena's Belly, details his remarkable boyhood in Jijiga, a city in the eastern part of the Horn of Africa built on a "dry, sandless desert where even the smallest wind creates devils—whirlwinds of dust that rise high into the heavens and are visible from miles away."
