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Choose a social-media Web site, and click on the profile of a person you don't know. Look at his photos, interests, and friends. Give this person a new name, and write a story about something you imagine happened to him ten years in the past, an event that altered the course of his life.
The Iowa Writers' Workshop, the nation's oldest postgraduate writing program, is celebrating its seventy-fifth anniversary this year. Jeffrey Brown delivered this recent report on PBS NewsHour.
Among the ten finalists for the one-hundred-thousand-dollar International IMPAC Dublin Literary Award are three American writers, the same number that hail from the librarian-driven award's home country.
Barbara Kingsolver is shortlisted for her novel The Lacuna, Yiyun Li for The Vagrants, and Joyce Carol Oates for Little Bird of Heaven, all published in 2009.
Representing Ireland (with a touch of New York City) are the novels Let the Great World Spin by Colum McCann, Brooklyn by Colm Tóibín, and Love and Summer by William Trevor. Also shortlisted are Michael Crummey of Canada for Galore and Australian writers David Malouf for Ransom, Craig Silvey for Jasper Jones, and Evie Wyld for After the Fire, a Still, Small Voice.
The titles were selected from a pool of 162 books nominated by librarians around the world, and for the first time since 2000, no translations appear on the shortlist (the Guardian's books blog probes the issue). The winner, selected by an international panel of writers, will be announced on June 15.
The John Simon Guggenheim Memorial Foundation named yesterday the winners of its 2011 fellowships for writers in the United States and Canada. The writers receiving awards, which last year averaged $36,867, are most in the middle stages of their careers, with two or more books published. Award amounts vary based on a writers' individual budget requests.
The fellows are, in poetry:
Peter Campion
Claudia Emerson
Paul Guest
Kimberly Johnson
Eleanor Lerman
Maurice Manning
Bill Porter (translation)
D. A. Powell
A. E. Stallings
Matthew Zapruder
Cynthia Zarin
In fiction:
Bonnie Jo Campbell
Jonathan Dee
Christie Hodgen
Clancy Martin
Valerie Martin
Karen
Russell
David Vann
Lara Vapnyar
Brad Watson
In creative nonfiction:
Eula Biss
Mary Cappello
John D’Agata
Rosemary Mahoney
Katherine Russell Rich
Patricia Volk
In the video below, fiction fellow Lara Vapnyar, who emigrated from Moscow in the early nineties, describes her experience as a writer in America.
Based on the short story "Why Don't You Dance?" by Raymond Carver, Everything Must Go tells the story of a salesman (Will Ferrell) who loses his job and his marriage in the same day. With all of his belongings dumped on the lawn, he holds a yard sale in an effort to start over. The movie, adapted and directed by Dan Rush, is set to be released on May 13.
Take a standard medical form from a doctor's office and fill it out in the persona of a character you're working on. Generating even basic information—the name of her street, her family's medical history, her emergency contact—may lead to new insights about her life and her background that you can explore later.
This week's fiction prompt comes from fiction writer Eleanor Henderson, whose first novel, Ten Thousand Saints, will be published by Ecco in June.
The Washington State–based literary journal Bellingham Review is offering an extension for submissions to its poetry, fiction, and creative nonfiction contests.
Having received fewer submissions than they have in the past, the journal opted to accept entries until April 15.
Judging this year's entries will be poet Lia Purpura, author of King Baby (Alice James Books, 2009); fiction writer Adrianne Harun, author of the story collection The King of Limbo (Mariner Books, 2002); and creative nonfiction writer Ira Sukrungruang, author of Talk Thai: The Adventures of a Buddhist Boy (University of Missouri Press, 2010).
Last year's winners were Jennifer Perrine for her poem "When the Dazzle Isn't Gradual," Jacob Appel for his story "Bait and Switch," and Angela Tung for her essay "An Old Man on the Frontier Loses His Horse," selected by Allison Joseph, Jess Walter, and Rebecca McClanahan, respectively.
Complete guidelines for entry and samples of work published in the journal are available on the Bellingham Review Web site.
This brief interview with Amy Hempel, which includes excerpts from her short story "The Harvest," was produced by United States Artists. The Collected Stories of Amy Hempel was published by Scribner in 2006.
Take a book off the shelf and write down the opening line. Then substitute as many words as possible with your own words, keeping the syntax and parts of speech intact. Then keep writing. Performing this kind of literary "Mad Lib" often creates a useful starting place for a story, especially when the sentence contains an intersection of character, setting, and situation. Or try using these opening lines, from Faulkner, García Márquez, and Plath, respectively:
Through the [concrete noun], between the [adjective] [concrete noun], I could see them [verb ending in "ing"].
It was inevitable: the scent of [adjective] [plural noun] always reminded him of the [noun] of [adjective] [noun].
It was a [adjective], [adjective] [season], the [same season] they [transitive verb, past tense] the [family name, plural], and I didn't know what I was doing in [city].
This week's fiction prompt comes from fiction writer Eleanor Henderson, whose first novel, Ten Thousand Saints, will be published by Ecco in June.
